SoundCloud Weekly .3649346

Milkwood February 2021 Playlist

SoundCloud Weekly .849838

Experimental

Milkwood May 2021 Playlist

„A mix consisting of punkish New Wave power that was hidden in my collection for too long, easing off with some DIY Euro Reggae in the last part of the recording.“

Φ 
https://soundcloud.com/heapvienna
https://soundcloud.com/neubauwien
https://www.facebook.com/heapvienna
https://www.instagram.com/heapvienna/
https://neubau-music.art

SI047 - HEAP

https://soundcloud.com/viiaan ; producer, Dj, record collector, and co-founder of record label Voragine. (platform under which she promotes the work of artists who work both in the field of experimental electronics, and within the club sound). 

READ MORE:
http://whereaboutsradio.com/viiaan-podcast/

Whereabouts Radio - Viiaan [Voragine] #34

Première heure: Ida Leto 
Deuxième heure: ll+pp (lena longefay + pablo paresse)

Les textes de la deuxième partie sont composés, dans l'ordre d'apparition:
– Extrait de "Le Dedans Mis Dehors", deux entretiens de Johann Mazé avec Gérard, publié par les éditions Gravats en 2021
– deux extrait de "De tout et de rien" dans "11 textes sur le travail gratuit, l'art et l'amour" , Fanny Lallart, 2019
– un extrait de la revue idoine, numéro Idoine & papi Camion, écrit par Eleonore Pano Zavaroni et Pascale Riou durant l'été 2015
– un extrait des "Réveils" de Pierrick Sorin, 1988

CAF? invite Ida Leto et ll+pp

featured artists: https://radio.syg.ma/episodes/unline-frequencies-earshot-xll
https://unline.bandcamp.com

Unline

Unline Frequencies – Earshot XII

'Rain never falls upward' Rick Shiver from Nose Job backs to the Brasserie's studio with a new hour filled with slow break, electronica and "ambient" hip hop!

more infos and tracklist at lyl.live

Niemandsland (19/05/2021) w/ Rick Shiver

American avant-electronic musician and essayist Bret Schneider holds no institutional allegiance to one artistic medium. His background encompasses a wide range of work experiences and reveals a man who is connected to the world around him in complex, alienated ways. His thoughts on music and philosophy are intertwined into a billowing exposition. But when exploring the dark recesses of his more aural works, there is an inherent flexibility. Phasing percussive elements and frayed droning lines all lead to a perpetually shifting feeling for an aural uncanny. As fractured as his music can be, there is a dim spark of rumination that threads through his synthetic machinations.

On his latest release, “Xilinx,” Schneider taps into a primordial electronic noise—the kind that rests just on your periphery, unwinding itself to reveal myriad sordid circuits and disjointed projections. These tracks maintain a wired mania, expressing an unsettling undercurrent of ragged repetition and warbling drones. There’s an unexpected elasticity to Schneider’s cabled rhythms, and they often shift across several temporal lines before turning inward, struggling to illuminate an intimate dissonance or imagine a multi-chambered core. Displaying a raw and unusually concise knowledge of how these sounds might fit together, “Xilinx” is part zoetrope, part post-industrial dreamscape. It is an inquiry into the idea of internal movement, a contorted experiment in musical patterning, and an experiment in self-replication.

Xilinx

Bret Schneider - VaVE1

Leden and Laura's live performances are based on a real-time processing of saxophone’s sounds, using digital devices designed by Fabris himself to sculpt, mould and generate their own sonorities. Laura's playing involves different extended techniques and the use of the mechanics of her instrument, the only sound source of their live set.Their new repertoire combines the emotional power of melody with experimental ambient soundscapes.

LEDEN / AGNUSDEI live electronics

⠠⠔⠧⠊⠎⠊⠼⠸⠺

Robe rehearsal 181017

When I read the parameters for this week's project, I realized I already had a completed track.  I made this ambient version of Gymnopédie No. 1 back in 2013.

More on this 363rd weekly Disquiet Junto project — Gymnopédie Rats: Make over Erik Satie’s “Gymnopédie No. 1” in your chosen genre — at:

https://disquiet.com/0363/

Many thanks to Peggy Nelson and Alex Hawthorn for having proposed this project, at the tail end of last week’s project.

More on the Disquiet Junto at:

https://disquiet.com/junto/

Subscribe to project announcements here:

http://tinyletter.com/disquiet-junto/

Project discussion takes place on llllllll.co:

https://llllllll.co/t/disquiet-junto-project-0363-gymnopedie-rats/

There’s also a Junto Slack. Send your email address to twitter.com/disquiet to join in.

Gymnopédie No. 1 [disquiet0363]

https://anjicheung.bandcamp.com/album/terma

Terma

Decan Of Clear Light

momang

Will Guthrie
Some Nasty
C30 (XIX-II)

Release date: April 2019
www.hasanaeditions.org

Some Nasty

XIX-II - Will Guthrie - Some Nasty Side A (excerpt)

Known to many through his collaborative works with Oren Ambarchi, crys cole, Kassel Jaeger, Klaus Lang, Joe Talia, and many others, this LP is Rushford’s first solo release in a decade and the very first he has composed, performed, and recorded entirely alone.

Primarily recorded in Los Angeles in 2017, The Body’s Night is a single electro-acoustic suite stretching over thirty minutes, utilizing field recordings, flutes, ocarina, microphones, organ, percussion, piano, tape, analog synthesizers, viola, and voice. True to its title, the record immediately ushers into a nocturnal, intimate, claustrophobic space where the hyper-amplified rustle of clothing and vocal mumbles are shadowed by uneasy synth tones, fluttering white noise and distant filigrees of ultra-high-pitched tones at the edges of aural perception. While the influence of contemporary composers such as Klaus Lang and Jakob Ullmann (both of whose music Rushford has performed extensively) makes itself felt in the music’s attention to the liminal space between sounds, Rushford also draws on the bedroom synth explorations of ’80s acts like DDAA and the harmonies and production values of black metal, drawing a common thread between these influences in terms of their shared interest in atmosphere and deliberate retreat from perspicuity. Relief from this claustrophobic atmosphere comes through the episodic structure of the piece, where like an already dark shot fading to black, each sequence retreats from your ears before you can properly grasp it.

Rushford uses classical electro-acoustic techniques and plays elegantly on the fundamental ambiguity of the acousmatic situation in which you can never be sure of the source of the sound you are hearing. But rather than a tribute to the masterworks of musique concrete, this is defiantly idiosyncratic and personal music. Meticulous in production values and exploratory in timbre, tonality and form, The Body’s Night is a key work from one of the most singular young composers at work today.

Stunning artwork by O.B. De Alessi. Design by Lasse Marhaug. Mastered for maximum fidelity by Rashad Becker at Dubplates & Mastering, Berlin.

BT047 - James Rushford "The Body's Night" [sample]

Since its debut on two releases from 2011 and 2012 (the live Hit & Run with Joe Talia and the studio Audience of One), the epic structured improvisational piece ‘Knots’ has formed a staple of Oren Ambarchi’s live performances. Like a jazz musician searching for ever-new ways to play a standard, the guitarist has repeatedly brought the piece to life in a variety of settings ranging from guitar/drums duets to a large ensemble replete with string section, with each iteration bringing with it new variations of tone, intensity and character.

Knotting presents the entirety of a beautifully-recorded set performed by Ambarchi and the astonishing Australian- French drum virtuoso Will Guthrie in Geneva in February 2019. Beginning with a delicately played but rapid and insistent ride cymbal rhythm over which Ambarchi layers his signature shimmering Leslie cabinet guitar tones and eventually building, as the piece always does, to a peak of caterwauling harmonic fuzz and thundering drums, the recording also shows the pair taking risks and pushing the piece into new directions, especially in Guthrie’s willingness to let the central pulse momentarily die away or only barely be implied as his main focus of attention turns to instantaneous responses to the subtle rhythmic suggestions of Ambarchi’s shuddering guitar tones. Ambarchi’s performance also demonstrates the ever-evolving nature of his relationship with the guitar, making space for some of the more harmonically uneasy yet subtly lyrical playing (in a tone calling to mind the 80s guitar-synth work of Pat Metheny or Bill Frisell) that has emerged in his recent solo work. Ending with a remarkable coda where Guthrie’s bells and cymbals suddenly transforms the performance into something like Tibetan temple music, Knotting is an essential snapshot of the workof two musicians not content to repeat themselves.

BT052 - Oren Ambarchi & Will Guthrie

Mental

@pesargol is the sonic project of Montreal based artist and musician Rouzbeh Shadpey. Navigating the intersection of experimental, club, and academic forms of electronic music, the sounds of GOLPESAR desire an amorphous sonic experience which blurs & overspills aesthetic boundaries in an excess of poetic lyricism. An affection term in Persian, GOLPESAR imperfectly translates to “boy of flower”.
~
"Aquarian Anesthetic" Mix
Featuring
Evan Caminiti
Oliver Coates
Diamanda Galás
Maria w Horn
Godspeed You! Peter Andre
Hannah Silva
Hanne Lippard
Meredith Monk
Hans Reichel
Thoom
Scriabin
The Bug & Dis Fig
Jesse Osborne-Lanthier
HDMIRROR
Grischa Lichtenberger

Felicia Atkinson & Stephen O’Malley
David Sylvian
Susan Alcorn
Silvia Tarozzi
Muslimgauze
Mohammad Reza Shajarian
Perila
Jessica Ekomane
Bendik Giske
PNL
Feu St-Antoine
Rüstǝm Quliyev
Rene Hell
Sote
Nude On Sand

KMS015 GOLPESAR

Aired on hollowearthradio.org as part of the Urban Mutant show 1/27/21

Tracklist:
Drew McDowall- Agalma II (ft. Caterina Barbieri)
Benoit Pioulard & Sean Curtis Patrick - Sunek
Geneva Skeen- The Double Bind
KMRU- From the People I Met
Fax + Braulio Lam- Mute
THAA- Her Breath Has No Walls 
Ian Wellman- Distant Hope
Jayve Montgomery- Waiting For Leaders To Care About The People
Nexciya- Red Water
Patricia Wolf- Closing A Door
Harold Budd- Wanderer
Belly Full Of Stars- hissandmisses
Ana Roxanne- Study In Vastness
Cruel Diagonals- Topography of an Affliction 
Aho Ssan- Blind Power (ft. The Mensah Imaginary Band)

Patricia Wolf - Urban Mutant Mix January 27, 2021 | Hollow Earth Radio

"Erste Stunde (Non-Denovali):
MDA Analog – Rainful Memories
Space Afrika – Self
Jake Muir – Reservoir Of Memory
Grand River – Mr. Speaker
Jan Jelinek – Bird Lake Objects
The Transcendence Orchestra – Imagine a Mountain Named After a Hospital
Conrad Schnitzler – Ballet Statique
The Soft Pink – We
Atom™ – Simplicity
Imaginary Softwoods – Another First/ Sea Machine
Jon Hassell – Fearless
Gigi Masin – Bellamore

Zweite Stunde (Denovali):
Dalhous – Locked Within Herself
Ricardo Donoso – Crossed Destinies
Origamibiro – Circle Fifth
Saffronkeira & Paolo Fresu – Religion As An Illusion
David Norland – Barotraum (Sly & Robbie Remix)
Eraldo Bernocchi & Hoshiko Yamane – Future Suns
Subheim – Vertigo
Mansur – Faustina
LTO – Bendigeidfran
Prairie – Alpine Swift
Moon Zero – Erwood Araf
Bersarin Quartett – 2287
The Eye Of Time – Not From This World
Kuba Kapsa – Exciting The Last Flight
Philipp Rumsch Ensemble – Prelude" (Denovali).

Jour de Ruhr x Radio 80000 w/ Denovali – 25.01.2021

Sound sketches, samples and loops on tape by Jesper af Trolle Svensson.

Also involved in universal boogie band SONSON, 

and collaborative project Ö:

momang

väntrum