Booking contact : nina@apelago.com
Bandcamp: https://sntsrecords.bandcamp.com/
Promos: sntspromos@gmail.com

Manuel Di Martino was born in 1990 in Italy, he has loved music since he was a child, following in his father's footsteps, he accesses his vinyl collection.
In 2004 at the age of 14 he began playing in the first clubs, inspired by the Hip-Hop / Rap genre and the House sounds of Chicago and Detroit.
True lover and connoisseur of Techno made in Naples, inspired by the great names of the time such as Gaetano Parisio, Marco Carola, Rino Cerrone, Davide Squillace, Danilo Vigorito.

He has always brought this sound into his DJ sets and productions.

In 2011 he began his studio activity as a producer, releasing his first album with strong dub-techno influences.
After a few years, the first important collaborations arrive with artists such as Scan7, Raffaele Attanasio, Johannes Volk.

2017 is a fundamental year for him, he opens his Persistence label where he has hosted names of the caliber of: Denise Rabe, Endlec, Pacou, Sleeparchive, Fabrizio Rat, Mike Storm, Fanon Flowers, Oisel, Ben Gibson, Hadone, Sawline, Oliver Rosemann, Lokermatik and others.

In the same year he plays at the legendary Tresor in Berlin, where he has recently moved to find new stimuli and open up to new musical ideas.

He had the honor of remixing legends like Ken Ishii and Robert Armani in 2020, in the same period he releases an EP on Marco Faraone's Uncage label, called "The Gold of Napoli" with remixes by Keith Carnal, also releases an EP "Rage" on Luca Agnelli's Etruria, played by all the world's big names in festivals, such as Charlotte De Witte and Adam Beyer, and on Suara called "Beat Control" and in a various with the track "Impact", also included in the Mixmag compilation by Charlotte De Witte.

In 2022 he released an EP on Ribbon with remixes by Luigi Tozzi and PTTNRECURRENT and another EP on Etruria called "Keep Moving", remixed by Boston 168.

He has just launched his new label called Parallel 41 with his first EP "Movement" with remixes by Luigi Madonna, Subradeon and Pushmann.

Throughout his career, Manuel has received support from a wide variety of respected artists in the industry, including Luke Slater, Ben Sims, DVS1, Marcell Dettman, Ben Klock, Laurent Garnier, Efdemin, Shifted and many others.

He has played in the major Italian clubs but above all in Europe, always bringing new proposals and new sounds.

Booking: ' tom@lb-agency.net
Showcase: 'tim@outlined-am.com

Owner of ＡＲＴＳ ltd ©
A true artist will always have something that makes them stand out from the crowd. In the case of Emmanuel its his wonderful ability to transfer his daily emotions and experiences, into the music that he creates.  Srilankans and Maldivians roots, born in Pireo (Greece) in 1987, Emmanuel, despite his young age, it's already a well travelled guy. After a short stay in Greece he moved alongside his family towards the grey and foggy north of Italy, Milan with precision. Here he spent most of his recent past. During his long trips music has never been missing by his experiences background. From his early passion for the etno-folk melodies of the countries in which his Dna sinks his roots, he soon moved to new sounds, quickly founding great interests in the electronic phenomena.

  Interests that were too often limited, interests that after a few weeks were already aiming to become something more, to become his own thing. That so, aged 16, Emmanuel approached the first softwares and started doing music. In so doing, in a short lap of time, he got in touch with several artists and started to establish his relationship with a few big names.
  
  It's winter 2007 when, thanks to his last demo (A Step From You/Parade EP), he got in touch with the israelian dj and producer Shlomi Aber. An enlightening encounter for both them, an encounter which soon led Aber to sign Emmanuel for his own Imprint, Be As One. And judging by the results of Emmanuel's first release it's not hard to be understood why Aber didn't lose any time in sign him and get him into the techno rumble.
 His debut release "Parade EP" got some really serious support from some of the biggest names in Techno and House. 

And with his second release "Indian Wallpaper", always on Be As One, Emmanuel strongly confirm his skill. With airplays feat by the likes of names like Sven Vath, Regis, Carl Cox, Marcel Dettman, John Digweed, Josh Wink, Ben Klock, and Adam Beyer to name a few, Emmanuel then moved to Berlin to dedicate his full time to the Label and the craft of his music. 

Today he runs ARTS one of the most prominent Institution in Techno and Electronic Music with regular Artists that today are representing the soul of the Underground Techno to bigger stages with regular Showcases around the Globe, there's no doubt if Emmanuel's name will be one of the most talked about names of the very next future.

After releasing records on L.I.E.S, Jealous God, Semantica and his own label project Summa Cum Laude to name a few, Domenico Crisci quickly rose to prominence among purveyors of timeless techno. One of his earlier records on Jealous God cemented his reputation as a careful engineer of effective, hard, crafty dance floor cuts that comfortably sit next to early works of the genre’s pioneers. Domenico’s sets consist of an eclectic mix of acid, techno and electro with a non-conforming puristic approach. Causing chaos to some of the best clubs in world.

Of Finnish descent, but born and raised in California, TIN MAN now has a home in Vienna, a town perfectly suited to his deep and moody productions. TIN MAN launched his Global A label project in 2005. The first two releases, 'Places' and 'Acid Acid', weighed in at three pieces of vinyl each, and showcased his two major musical passions: fragile deep electronica and acid house. TIN MAN has acclaimed releases on the Finnish record label Sähkö / Keys of Life, Cheap Records from Vienna, and continues with new releases on his own imprint, Global A . While TIN MAN's output is diverse in its references, certain underpinnings can be heard throughout. There is always a strong reference to Acid House music, as well as a strong reference to Ambient and Electronic Pop music from the past 30 years. TIN MAN's newer output features his voice and follows a "concept album" format. Thus, complete records are as important as individual songs. The songs tend to follow a simple structure with changes that grow slowly within motifs. Mood construction and story telling are both equally important. And with each new record, there are new historical references to tell different stories. TIN MAN also continues with his passion for Acid House by continuing to produce retro-acid tracks and playing live shows regularly. These live shows celebrate early house music, its hypnotic charm, and its blissful raw energy. To find out more about TIN MAN please visit www.tinmanmusic.com


There are few artists carving out a legacy for themselves like Dax J is right now. The British DJ and producer from London has gone from the backroom parties to headlining raves at every major techno institution the world over, all whilst staying true to the underground with an individual style all of his own. His technical skill, pure selection as a DJ and attention to high-end sound production has placed him at the forefront of a global scene, and established him as a singular presence within modern dance music. 

Recent accolades for his unswerving devotion to his sound have included places in the top 100 DJs polls published by Resident Advisor, DJ Mag and Groove Magazine. Over the years, he’s also received nominations as Best Techno DJ, Best Breakthrough DJ and Best British DJ from Mixmag, DJ Mag and the DJ Awards. He's renowned for playing mammoth closing sets at monumental parties including 10-hour marathons in the world’s most notorious techno clubs, Berghain and Bassiani.

Also known as a prolific producer and successful record label boss, his trademark sound remains in constant rotation among the most respected DJs in dance music, a style which was first fully recognised on his highly acclaimed 2015 album, "Shades of Black". Upon its initial release on his own Monnom Black label, Mixmag named it "Album of the Month", Hardwax described it as “brilliantly banging” and it also took the coveted No.1 spot on Juno Records. 2018 saw Dax release his multi-faceted second solo album “Offending Public Morality”. The record won support across the board, including that of BBC Radio 1 who picked it as their “Biggest Record of the Week”. By the end of 2018, “Offending Public Morality” also featured in the “Top 50 Albums of the Year” lists for DJ Mag, Tsugi and Apocalypse Mag. Two more events that crowned a year of great success were his enrolment into the BBC hall of fame with the release of his debut Radio 1 Essential Mix, and Be.At.TV’s choice of his 4-hour closing set at NeoPop Festival for their “Best DJ set of the year”

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