Tense intense music.  Great range of textures and colors.  A powerful voice to this piece.

It is interesting to discover how in the ancient mythology woods were always the place where transformations occur, from human being into tree or plant, surrounded by a magical and mysterious environment.
In Ovid's Metamorphoses such transformations are both cruel and full of grace, connected to Death and at the same time to Gods' compassion that gives, instead of life's end, a new rebirth.

Silvae (2013)

Peine Del Viento(2022)for solo Piano

14 marzo 2022, Sala Manuel de Falla, RCSMM, Madrid.
Conciertoencuentro.cosmos, Músicas del Cosmos 2022.
Carlos Galán Bueno, piano

Peine Del Viento(2022)

Si Yo Pudiera Morder La Tierra Toda. (2021)for Ensemble (fl, cl, sx, pno, vl, vc)

Ensemble Teatro del arte sonoro:

Rebeca Santiago (dir), Vicente Contador (sax), Eduardo Moreno (pno), Santiago Marín (fl), Iván Gómez (cl), Inma Soriano (vc), Víctor Flores (vl)

Si Yo Pudiera Morder La Tierra toda(2021)

Kintsugi. Sobre El Concepto de impermanencia (2022) for solo Guitar

Work commisioned by Snow Mask Composers’ Group
Paul Cesarczyk(guitar)

Kintsugi. Sobre El Concepto de impermanencia (2022)

Quartetto per Archi no. 1 2nd Movement (2024)

Quartetto per Archi no. 1 1st Movement (2024)

Una era actual...una era antigua (2013)

Para órgano controlado por midi y ejecutante de registros y flujo de aire
For midi-controlled pipe organ and stops and air flow player

(2018)

Registros y control del flujo del aire por Santiago Bogacz
Stops and airflow control by Santiago Bogacz

Grabado el 20 de enero del 2018 en Sankt Peter, Köln, Alemania
Recorded on January 20th 2018 in Sankt Peter, Köln, Germany

BRUOEI...bruoei, para órgano (2018)

Para 2 violas afinadas en Re2-Solb2-Do3-Mib3, amplificadas y conectadas a pedales de volumen
For 2 violas tuned in D2-Gb2-C3-Eb3, amplified and connected to volume pedals

(2018)

Violas tocadas por Axel Porath y Sophie Rasmussen
Pedales de volumen controlados por Helena Canovas y Peter Veale
Violas played by Axel Porath and Sophie Rasmussen
Volume pedals controlled by Helena Canovas and Peter Veale

Grabado el 27 de enero del 2018 en Musikfabrik, Köln, Alemania
Recorded on January 27th 2018 in Musikfabrik, Köln, Germany

Íberokue, para 2 violas amplificadas (2018)

Para contrabajo, piano y asistente de piano
For double-bass, piano and piano assistant

(2019)

Contrabajo / Double-bass: Constantin Herzog
Piano: Robbin Reža
Asistente de piano / piano assistant: Santiago Bogacz

Grabado el 25 de enero del 2019 en Musikfabrik, Köln, Alemania
Recorded on January 25th 2019 in Musikfabrik, Köln, Germany

El acceso libre al conocimiento por la abolición total del poder (CB, Pn y Asistente de Pn) (2019)

Para 7 instrumentos
For 7 instruments

(2019)

Director: Clement Power
Viola: Axel Porath
Contrabajo / Double-bass: Florentin Ginot
Cello: Elio Herrera Sanchez
Fender Rhodes: Ulrich Löffler
Wurlitzer: Benjamin Kobler
Percussion 1: Dirk Rothbrust
Percussion 2: Ramón Gardella

Grabado el 27 de junio del 2019 en Hochschule für Musik und Tanz, Köln, Alemania
Recorded on June 27th 2019 in Hochschule für Musik und Tanz, Köln, Germany

..............., para 7 Instrumentos (2019)

The works of the composer and conductor, Valerio Sannicandro, are the product of different cultural influences and of his own reflections about the parameter 'space' that he researches consequently, first as compositeur associé at IRCAM (Paris), then at the Technische Universität (Berlin) where he got a Ph.D. in Musicology and at Experimentalstudio (Freiburg). Compositions like Strali (2002), Fibrae (2005), Ius Lucis (2006/2007) and Forces Motrices (2010) are the most outstanding examples of his interest in large orchestral instrumentations, as well as of his concern with the role and the aesthetic of (live) electronics. He is currently working at Experimentalstudio of SWR (Freiburg) on Finesterrae, a new work for voices, viola and live-electronics. He has been awarded among others the Claudio-Abbado Prize from the Academy of Berlin Philharmonics in 2014, the Musica Viva Composition Prize, München in 2002 and 2010, the Giga-Hertz production Prize as well as the Kranichsteiner Musikpreis (2000). His works have been recorded on CD for Wergo and Telos Music Records. He has been invited at the Villa Kujoyama (Kyoto) and is new music advisor at the Philharmonisches Orchester Cottbus (Germany). His works are published by Edizioni Suvini-Zerboni (Milan).

Silvae (2013)

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Christopher Larkins | Composer

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