Very impressed with the drums on this. I had to turn the volume up just because!

This is perfect headphone music. You have to listen to it loud. Energetic music that mercilessly irons the wrinkles out of your shirt! Very, very good!

WOW, this increase is super good. Something you hear far too rarely and gives an already energetic part an extra boost. Once again... Very, very good!

Great synth-metal piece! Wouldn't be out of place in a A+ cyberpunk game, keep up with this!

Nice changes here before the cool down/transition...

The percussion is just slammin'! I'm glad you went all guns blazing...

Not a bad track but for me I can barely hear the melodic elements over the drums.

Damn it really slaps hard. So much energy in this!

All entries that I made for "One Synth Challenge" from first to last.

One Synth Challenge Entries

All sounds made using the ToneZ V2 VST3 plugin in Bitwig 5.1.9 and freeware / Stock plugins

28 Instances of ToneZ

FX used
EQ+, Dynamics, Delay-1,Saturator, Delay+, Compressor, Filter, Gate,
Camelcrusher, Gsat+, Wider, STFU, Freeclip, DeEss, Oril-River, SuperMassive, Ruina, Raum, A1-Triggergate, Drumslam

TDR Nova, TDR Molotov, TDR Kotelnikov, Loudmaxx

June Bugs

"He was fed up with these people. Those damned ignoramuses couldn't even tell the difference between the great Johann Sebastian Bach and a village band. Nevertheless, they insisted that his pieces be played. The beginning of a well-known piece was enough for them, and the priest had fun just improvising without the people noticing. These idiots had no idea. Just as little as they knew about his secret passion.... When the service was over, he would descend the stairs, sneak through the cloister... No one was ever allowed to know about his passion... They wouldn't understand... He crept into the catacombs where he had hidden his secret music studio. Full of anticipation, he opened "ToneZ" ....

The Secret Of The Priest

Here's my One Synth Challenge track for Tonez2,  KVR OSC challenge June 2024.

All sounds made with 40 Tonez2 instances in Bitwig.
using the following Effects:

VST (CLAP):
AirWindows Air2
AirWindows InfraSonic
AirWindows PurestGain
AirWindows ToTape5
Limiter No6
Pancz
SuperCharger
TDR Kotelnikov
TDR Nova
TDR Vos SlickEQ
Valhalla Supermassive

BitWig:
Compressor+
Convolution
Delay-2
EQ-2
EQ-5
Humanize
Mid/Side Split
Peak Limiter
Sculpt
Tool

Tonez in the Glen

Entry for KVR OSC #184
The picture is of my daughter Felicity's very loved monkey (from birth) called GooGoo :)
And it's from a photoshoot Felicity did of GooGoo in the garden.

22 instances of ToneZ_V2

DAW: Reaper
Dead Duck: Delay, Filter, Compressor
kHs Stereo, Trance Gate, Gain
ReaEQ, ReaXComp
JS Saturation
Limiter No6
SPAN, YouLead Loudness Meter
All reverbs on-board synth.

GooGoo Music

This is my entry "Rhythmic Shades" for the 184th edition of the KVR One Synth Challenge where all sounds were generated using the AudiblePlanets VST plugin using a mix of free and included effects in Ableton Live 11.
I hope you enjoy it and feel free to offer any comments on how I might improve it if I were to do a remix for a wider release.

Please also note that downloads are only intended for personal use. Redistribution to other platforms (except for what is needed for the challenge ) or modification or other commercial uses is prohibited. If you wish to use it commercially or do a remix don't hesitate to get in touch with me first to work out a deal.

Rhythmic Shades

YouTube version has better streaming quality: https://youtu.be/ojxE-rMtfOI

Check out other music:

Danger Zone: https://youtu.be/cHsQFK1FK7E
Dystopia Today: https://youtu.be/EYnCzPoYtKo
Inevitable Progress: https://youtu.be/-Ty6KR55HXg
Mainframe: https://youtu.be/SUqTBtzuf2s
Horizon Drive: https://youtu.be/Us2tciU2ToM

Submission for One Synth Challenge #184 featuring "ToneZ" synthesizer: https://sites.google.com/site/kvrosc/2024/osc-184-tonez-v2?authuser=0

24 instances used to create a track.

This is mostly an experimental project to test my new audio interface. I wanted to make a really loud mix and master for a long time and it seems to be the right opportunity. The synth itself has a good sound with interesting possibilities, but it's very off putting in technical terms (very high CPU load, very long project loading time, frequent crashes etc.).

This instrument is really capable of abrasive overdriven tones, so I decided to make a darksynth track with a bit of acid techno influence.

Twitter: https://twitter.com/infravolt
Reddit: https://www.reddit.com/user/Infravolt
Patreon: https://www.patreon.com/posts/all-gunz-blazing-107141518

All Gunz Blazing

All Gunz Blazing (OSC#184)

Composed for KVR One Synth Challenge 184 using only sounds from ToneZ by Retornz.

All sounds made from scratch.

DAW: Reaper 7.17

25 x ToneZ

BootEQmkIV (Variety Of Sound)
Cramit (Sixth Sample)
Deelay (Sixth Sample)
epicPLATEmkII (Variety Of Sound)
FreeClip (Venn Audio)
GSatPlus (TBProAudio)
ISOL8 (TBProAudio)
IVGI2 (Klanghelm)
kHs Filter (Kilohearts)
kHs Ladder Filter (Kilohearts)
kHs Trance Gate (Kilohearts)
kHs Transient Shaper (Kilohearts)
Lens (Auburn Sounds)
MEqualizer (MeldaProduction)
MSED (Voxengo)
NastyDLAmkIII (Variety Of Sound)
Oculus Spatializer (Oculus)
Pancz (Spectral Plugins)
ReaComp (Cockos)
ReaEQ (Cockos)
ReaGate (Cockos)
ReaXcomp (Cockos)
Ripple Delay Free (Davisynth)
Solaris (Adam Szabo)
SPAN (Voxengo)
Spiral Delay (Davisynth)
SumChannel S2 (Tukan)
TAL-Filter-2 (TAL-Togu Audio Line)
TDR Kotelnikov (Tokyo Dawn Labs)
TDR Nova (Tokyo Dawn Labs)
Unlimited (Sonic Anomaly)
Youlean Loudness Meter 2 (Youlean)
ZL Equalizer (ZL)

JA JAJA [OSC 184]

J.Ruegg - Flare (Raw Synth Output)

Submission for One Synth Challenge 192 - "Thorn".
One Synth Challenge archive: https://sites.google.com/site/kvrosc/2025/osc-193-thorn?authuser=0

More music:

Ashes Of Time: https://www.youtube.com/watch?v=9CSN9S2Vq7U
Spicestorm: https://www.youtube.com/watch?v=WMZWzKNYczA 
Hope Remains: https://www.youtube.com/watch?v=90XBo9-Mqyg
Dystopia Today: https://www.youtube.com/watch?v=PrO-ymAqCAc
Danger Zone: https://www.youtube.com/watch?v=xb0av_71N38

As always, a track that I made in the last days. The drums, choirs, distorted rhythm tracks and some of the SFX are made from scratch, the rest is a slightly modified stock presets. This synth reminds me a bit of old Massive (but with much better looking graphics) in terms of functionality and signal path. The glitch sequencer and arpeggiator are really handy to create interesting patterns. The effects section is pretty cool, especially the distortion module, an ultimate spice of the synth that I used (if not to say "abused") all the time. It can range from subtle saturation to a face melting tones. Also, this synth is great for making electronic drums and cymbals (though I would prefer to select the noise in the oscillator to be able to stack three noise sources in the single patch). This synth would definitely fit my setup.

31 instances used to create a track.

Vasabi

VVasabi (OSC#193)

Check out YouTube version: https://youtu.be/CiEgYpJuoZQ

Submission for One Synth Challenge #194 - "Monolit".
One Synth Challenge archive: https://sites.google.com/site/kvrosc/2025/osc-194-monolit

More music:

VVasabi: https://www.youtube.com/watch?v=5WHc3NVnn4s
Spicestorm: https://www.youtube.com/watch?v=WMZWzKNYczA 
Hope Remains: https://www.youtube.com/watch?v=90XBo9-Mqyg
Dystopia Today: https://www.youtube.com/watch?v=PrO-ymAqCAc
Danger Zone: https://www.youtube.com/watch?v=xb0av_71N38

This time I focused on rough analog tones and glitchy sound effects this synth is really capable of. Sometimes limited instruments like this can bring new ideas more effectively than a feature packed commercial product. It makes you want to tweak it rather than constantly switching through hundreds of presets. Though, I had to multitrack it sometimes to get thicker sounds and polyphonic patches, but since OSC188 I'm not afraid of that.

The idea of the song came after watching a new T*** movie trailer.

48 instances used to create a track.

Trailblazer

Trailblazer (OSC#194)

Submission for One Synth Challenge #195 - "Ragnarok 2".
One Synth Challenge archive: https://sites.google.com/site/kvrosc/2025/osc-195-ragnarok-2

A new enhanced edition of this song is out on my YouTube channel. A slightly revisited mix and a few sounds added. Plus I recorded my bass guitar for it: https://youtu.be/141BdyqeZP0

More music:

Mercenaries: https://www.youtube.com/watch?v=tc6QpwOlc0c&pp=0gcJCbAJAYcqIYzv
All Gunz Blazing: https://www.youtube.com/watch?v=ojxE-rMtfOI
VVasabi: https://www.youtube.com/watch?v=5WHc3NVnn4s
Trailblazer: https://www.youtube.com/watch?v=CiEgYpJuoZQ
Ashes Of Time: https://www.youtube.com/watch?v=9CSN9S2Vq7U&pp=0gcJCbAJAYcqIYzv

I've been brought back to my video game soundtrack drafts lately. This song focuses on an atmosphere of a lush alien world that was turned into a battlefield. Although I'm happy with the usual Simmons style drums I made with this synth, there is a strange behaviour that occurs when two that uses noise instances playing simultaneously, some kind of weird phasing/flanging effect. I tried to minimize it as much as possible, but I can still hear it. The synth itself has good tone shaping capabilities and it's CPU efficient just like all Full Bucket instruments. I really like the sound of an overdrive and chorus effects, the much needed sauce for a virtual analog.

34 instances used to create a track.

Jungle Assault (OSC#195)

Submission for One Synth Challenge #196 - "Primer 2".
One Synth Challenge archive: https://sites.google.com/site/kvrosc/2025/osc-196-primer-2?authuser=0

More music:

Jungle Assault: https://www.youtube.com/watch?v=141BdyqeZP0
VVasabi: https://www.youtube.com/watch?v=5WHc3NVnn4s
Hope Remains: https://youtu.be/90XBo9-Mqyg
Sabotage Mission: https://youtu.be/laUdrWRmTzA
The Dungeon: https://youtu.be/LkhNily5ZTg

I created this song in the last few days, it was a busy month. The synth itself is a decent one, could be someone's first synth as it's designed to learn. The controls are pretty basic and the FX section lacks some crucial parameters (like low/high filtering for reverb/delay). The synth has its own character though. It's reminiscent of 90's virtual analog synths with that characterful phase restart effect when unison mode is turned on. I could even make some cool rave sounds with it.

Run & Gun

Run & Gun (OSC#196)

Submission for One Synth Challenge #197 - "ODIN 2".
One Synth Challenge archive: https://sites.google.com/site/kvrosc/2025/osc-197-odin-2?authuser=0

My first mixtape of original darksynth music is out! Check that out if you like music that brings a dystopian atmosphere.
https://youtu.be/YwRD0TQrQrs

My submission:

27 instances used to create a track.

This is my new slow rolling darksynth song with doom/power metal influences as I think this sound fits the synth really well. I've been working with ODIN 2 few years ago. The synth has really good layout and selection of modules and I especially like it's feature of multi stage saturation/distortion that you get from filters and amp section. You can create a really thick analog style sounds with it. I also like the new UI and new features. 

Here Comes The Atlas

VCA-089 - Here Comes The Atlas (OSC#197)

Acid At Present - DefinedByMe (DIMENSIONS)

Neon Currents

sampled from "this old tune -Hugo Kant". part. 2 of this session 

18 Aug 2025

code purple pt.2

This is my second account. The main account is in the links...

I upload my freshest works here because I reached upload limit on main account. I also keep posting on YouTube, so it's better to subscribe there. Don't forget to check out Patreon and support if you like the music...

IMPORTANT: My premium account has expired. I cannot upload more tracks and some of my earlier works are not available. However, my YT account are working and my latest music will be released there! (See in the links below)

I create music as a hobby, mostly ambient and electronic (retro inspired), but I'm open to (almost) every genre and style of music. I make music that is interesting to me and I like to experiment. It's usually hard to me to stay in the boundaries of a certain genre.

My music is royalty free, meaning you can possibly use it in your own productions such as YouTube videos, videogames, movies etc. I sell music in my shop (downloadable in lossless format), but you can get it for free when it's released. You can also subscribe to my page to receive all single tracks for free, it's way cheaper than buying them separately. The money I earn will be spent on music gear (software/hardware instruments, audio equipment, PC upgrades etc.). If you want you can even get all my music for free (using subscription trial).

All Gunz Blazing (OSC#184)

VCA-089

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