Nice use of the horns/brass here. Makes me wonder if that ATLAS guy perhaps might be up to no good. 😅

Even the Atlas needs a pause between all this destruction and killing...

Very epic and indeed very dark soundscape!

A new enhanced edition of this song is out on my YouTube channel. A slightly revisited mix and a few sounds added. Plus I recorded my bass guitar for it. https://youtu.be/m-NP_s3SUac

Really a great song, conveys the atmosphere perfectly, very good sound design. To my ears the mix sounds a little harsh.

All entries that I made for "One Synth Challenge" from first to last.

One Synth Challenge Entries

55ish instances of zebralette using Reaper 6.83

OTT, ReaLimit, LoudMax, TSOM's B&S, Supermassive Valhalla, Raum, A1TriggerGate, ReEQ, TDR Kotelnikov, Replika, Reaverb, A1StereoControl

LUFS-I = 11.1

The last 7 minutes are very slow ambient which isn't popular in OSC and of course it's long. Feel free to skip if that's a problem for you, although just to be clear, I love it. 

Thank you Jas (white noise), TSOM (cymbals), Exponent (exophase!) for sound design help.

OSC191 Forgotten Dream (Zebralette 6th)

Submission for One Synth Challenge 192 - "Thorn".
One Synth Challenge archive: https://sites.google.com/site/kvrosc/2025/osc-193-thorn?authuser=0

More music:

Ashes Of Time: https://www.youtube.com/watch?v=9CSN9S2Vq7U
Spicestorm: https://www.youtube.com/watch?v=WMZWzKNYczA 
Hope Remains: https://www.youtube.com/watch?v=90XBo9-Mqyg
Dystopia Today: https://www.youtube.com/watch?v=PrO-ymAqCAc
Danger Zone: https://www.youtube.com/watch?v=xb0av_71N38

As always, a track that I made in the last days. The drums, choirs, distorted rhythm tracks and some of the SFX are made from scratch, the rest is a slightly modified stock presets. This synth reminds me a bit of old Massive (but with much better looking graphics) in terms of functionality and signal path. The glitch sequencer and arpeggiator are really handy to create interesting patterns. The effects section is pretty cool, especially the distortion module, an ultimate spice of the synth that I used (if not to say "abused") all the time. It can range from subtle saturation to a face melting tones. Also, this synth is great for making electronic drums and cymbals (though I would prefer to select the noise in the oscillator to be able to stack three noise sources in the single patch). This synth would definitely fit my setup.

31 instances used to create a track.

Vasabi

VVasabi (OSC#193)

johnkhf - Short Circuit Shuffle OSC194

Made for OSC#194

19 instances of Monolit synth

FX:
kHs Filter
kHs Clipper
kHs Transient Shaper
kHs 3-Band EQ
kHs Reverb
TAL-Reverb 4
kHs Compressor
kHs Haas
kHs Dual Delay
epicPLATE mkII
Limiter6
DAW: Renoise

finished: 7.04.2025, updated a little later


PeterBPL - Short-necked Giraffe on a Road Trip

Loris - Wake Up
Reaper 7

108 instances of Monolit

FX Used: 
Gclip
frequency spectrum analyzer
VUMeter
Voxengo SPAN
Signilizer
KHz Distortion
ReaComp
ReaPhaseRotator - to try to get the sine wave in the kick phase aligned
MCompressor
KHz Clipper
ReaXComp
ReaEQ
Khz Reverb
KHz Filter
Ozone 8 Imager
MBandPass
Mequalizer
KHz Delay
MConvolutionEZ
KHz Formant Filter
Khz transientShaper
Ohmicide - not used to its full potential
ReaLimit
MCharmVerb
Khz gain
MComb - for light accentuation on percussion
Khz Stereo
KHz trance Gate

This song took several tries to get to where i want it. Once i fleshed out the idea, i started layering sounds to get a fuller feel for the track and to decorate the space. im particularly proud of the kick which is three active instances of the synth, i crafted the envelopes down to the milisecond and used an oscilliscope to precisely dial in the timing. I had several initial approaches for the kick none of which worked well. I worked a lot on the percussion to get metallic sounds using the FM function of the synth and also using a lot of EQ to peak frequencies. I woulnd say i went full 11/10 but i went 9/10 on EQ. I also used some distortion, to about 8/10. I accentuated sounds but did not completely distroy them. A lot of texture to certain percussion was obtained by layering different sounds at different pitches and also different FM ratios etc. Playing with envelopes goes a long way. 

The bass sounds are all very simple actually and most are a few layers deep with different waveforms FMing at different ratios and pitches. I was gonna go ballistic on the basses and use EQ, clipping and even convolution to obliterated the sound. But to avoid being DQ i opted for the PG 13 version. 

the amount of automation in this project with greater than 100 instances of the synth has made it a chore to navigate. Some midi clips have 6 or 7 layers of automation and other have only one but heavily adjusted everywhere. the automation i used the most is volume. Cutting sounds so they dont interfere with other sounds and to cut reverb tails, and also to shape sounds since i did not like the way the envelopes in the synth itself worked at times. Working with audio clips would have made this much more easy. I do not think i will go this hard for OSC ever again. But then again...it was kinda fun...

The song is clipped and compressed severely. I could have pushed it harder but i did NOT!! in order to preserve that last gasp of dynamic range that was slowly waiting to die. This is not a ballad, or classical, its dubstep - or something like it. 

The song got its name from the distinct digital alarm sound that we're all so familiar with. I used it in the buildup, in the drop, everywhere...

Nothing on the master except Gclip and ReaLimiter. 

Thats all i got

Loris - Wake Up!

This track made for the KVR One Synth Challenge with all sounds created by the VSTi Monolit.

Thanks to Taron for letting me use a refined version of his bass patch.

DAW: Reaper

Track details:
15 * Monolit, Bass Professor, Piz midiPolyphony, Oril River, OTT, ReaEQ
Master Details:
TDR VOS SlickEQ, Voxengo MSED, Limiter No 6.
Meter:
SPAN, Youlean Loudness Meter
Stats:
LUFS: -13.0, DR: 9

Enjoy

A Trio awaits us - OSC #194 - Monolit

Check out YouTube version: https://youtu.be/CiEgYpJuoZQ

Submission for One Synth Challenge #194 - "Monolit".
One Synth Challenge archive: https://sites.google.com/site/kvrosc/2025/osc-194-monolit

More music:

VVasabi: https://www.youtube.com/watch?v=5WHc3NVnn4s
Spicestorm: https://www.youtube.com/watch?v=WMZWzKNYczA 
Hope Remains: https://www.youtube.com/watch?v=90XBo9-Mqyg
Dystopia Today: https://www.youtube.com/watch?v=PrO-ymAqCAc
Danger Zone: https://www.youtube.com/watch?v=xb0av_71N38

This time I focused on rough analog tones and glitchy sound effects this synth is really capable of. Sometimes limited instruments like this can bring new ideas more effectively than a feature packed commercial product. It makes you want to tweak it rather than constantly switching through hundreds of presets. Though, I had to multitrack it sometimes to get thicker sounds and polyphonic patches, but since OSC188 I'm not afraid of that.

The idea of the song came after watching a new T*** movie trailer.

48 instances used to create a track.

Trailblazer

Trailblazer (OSC#194)

Submission for One Synth Challenge #195 - "Ragnarok 2".
One Synth Challenge archive: https://sites.google.com/site/kvrosc/2025/osc-195-ragnarok-2

A new enhanced edition of this song is out on my YouTube channel. A slightly revisited mix and a few sounds added. Plus I recorded my bass guitar for it: https://youtu.be/141BdyqeZP0

More music:

Mercenaries: https://www.youtube.com/watch?v=tc6QpwOlc0c&pp=0gcJCbAJAYcqIYzv
All Gunz Blazing: https://www.youtube.com/watch?v=ojxE-rMtfOI
VVasabi: https://www.youtube.com/watch?v=5WHc3NVnn4s
Trailblazer: https://www.youtube.com/watch?v=CiEgYpJuoZQ
Ashes Of Time: https://www.youtube.com/watch?v=9CSN9S2Vq7U&pp=0gcJCbAJAYcqIYzv

I've been brought back to my video game soundtrack drafts lately. This song focuses on an atmosphere of a lush alien world that was turned into a battlefield. Although I'm happy with the usual Simmons style drums I made with this synth, there is a strange behaviour that occurs when two that uses noise instances playing simultaneously, some kind of weird phasing/flanging effect. I tried to minimize it as much as possible, but I can still hear it. The synth itself has good tone shaping capabilities and it's CPU efficient just like all Full Bucket instruments. I really like the sound of an overdrive and chorus effects, the much needed sauce for a virtual analog.

34 instances used to create a track.

Jungle Assault (OSC#195)

KVR OSC 196 - Primer 2

FL Studio: 29 Tracks

All Sounds made in Primer 2. No Samples, no bullshit, just Primer 2! 
Maximus, Ozone 11 EQ, Lens, LoudMax, Auburn Panagement, Ambient Reverb 7, MJUCjr, Frank, Raum, Valhallah, Pancake 2, Deelay, Transpire, KSHM Kick, TDR Nova

The song is dedicated to everyone who has ever had to deal with a Mad Dapnoporwhore in their lives. And before anyone says “there's no such thing”... The AI is never wrong! Har har har

MAD Dapnoporwhore

Viroo - MAD Dapnoporwhore

Submission for One Synth Challenge #196 - "Primer 2".
One Synth Challenge archive: https://sites.google.com/site/kvrosc/2025/osc-196-primer-2?authuser=0

More music:

Jungle Assault: https://www.youtube.com/watch?v=141BdyqeZP0
VVasabi: https://www.youtube.com/watch?v=5WHc3NVnn4s
Hope Remains: https://youtu.be/90XBo9-Mqyg
Sabotage Mission: https://youtu.be/laUdrWRmTzA
The Dungeon: https://youtu.be/LkhNily5ZTg

I created this song in the last few days, it was a busy month. The synth itself is a decent one, could be someone's first synth as it's designed to learn. The controls are pretty basic and the FX section lacks some crucial parameters (like low/high filtering for reverb/delay). The synth has its own character though. It's reminiscent of 90's virtual analog synths with that characterful phase restart effect when unison mode is turned on. I could even make some cool rave sounds with it.

Run & Gun

Run & Gun (OSC#196)

The gremlins in Negoba's studio decided to steal snippets of his previous OSC's to create a monster destined to confound and disgust all listeners. Unbeknownst to them, their creation (Jenkins) instead prefers cuddles and long walks on the beach.

All sounds created using Odin2 Softsynth by Wave Warden for KVR OSC #197.

Mix of stock presets, tweaked presets, and init. Shout back a bit to a previous track where I used Odin on an open round. I think I’ve learned a little since then.

Jenkins Knows He Ain't Pretty - OSC 197 Odin2

One Synth Challenge #197:  Odin2 by TheWaveWarden

https://sites.google.com/site/kvrosc/2025/osc-197-odin-2
https://thewavewarden.com/pages/odin-2

-------------------------------------------------------

This month was a real challenge!

When I looked at Odin, I came up with the idea of a true One (!) Synth Challenge – just a single instance, no excuses.
I dove deep into sound design and quickly realized: this would become a real borderline experience.

While endlessly tweaking, I kept discovering new sonic paths – sometimes inspiring, sometimes frustrating.
Odin could be pretty temperamental when dealing with MIDI, but in the end, I managed to shape something that feels raw, tense, and expressive.

So here it is: Grenzerfahrung (borderline experience) –
a track born from limitation, chaos, and way too many hours. ;)

NJoy. Any feedback welcome.

-------------------------------------

SiL3NC3_SWX - Grenzerfahrung
https://soundcloud.com/soulwerx/sil3nc3_swx-grenzerfahrung

-------------------------------------

DAW: Bitwig 5.3.8
Single instance of Odin2

FX:
- Bitwig: Arpeggiator, NoteFX Layer, NoteReceiver, Echo, Frequency Split,
               Multiband-FX3, Delay-2, EQ+, Convolution, Blur
- Valhalla Supermassive

Mastering:
- Free Clip 2
- LoudMax
- TDR Kotelnikov
- Peak Limiter (Bitwig)

Analysis:
- MAnalyzer
- YouLean Loudness Meter2


Keep on Looping... and
NJoy the trip! 

-------------------------------------------------------
~ Copyright : SiL3NC3 - 2025 : All Rights Reserved.

SiL3NC3_SWX - Grenzerfahrung [OSC197]

Cosmic Abyss

Submission for One Synth Challenge #197 - "ODIN 2".
One Synth Challenge archive: https://sites.google.com/site/kvrosc/2025/osc-197-odin-2?authuser=0

My first mixtape of original darksynth music is out! Check that out if you like music that brings a dystopian atmosphere.
https://youtu.be/YwRD0TQrQrs

My submission:

27 instances used to create a track.

This is my new slow rolling darksynth song with doom/power metal influences as I think this sound fits the synth really well. I've been working with ODIN 2 few years ago. The synth has really good layout and selection of modules and I especially like it's feature of multi stage saturation/distortion that you get from filters and amp section. You can create a really thick analog style sounds with it. I also like the new UI and new features. 

Here Comes The Atlas

VCA-089 - Here Comes The Atlas (OSC#197)

orange pins

This is my second account. The main account is in the links...

I upload my freshest works here because I reached upload limit on main account. I also keep posting on YouTube, so it's better to subscribe there. Don't forget to check out Patreon and support if you like the music...

IMPORTANT: My premium account has expired. I cannot upload more tracks and some of my earlier works are not available. However, my YT account are working and my latest music will be released there! (See in the links below)

I create music as a hobby, mostly ambient and electronic (retro inspired), but I'm open to (almost) every genre and style of music. I make music that is interesting to me and I like to experiment. It's usually hard to me to stay in the boundaries of a certain genre.

My music is royalty free, meaning you can possibly use it in your own productions such as YouTube videos, videogames, movies etc. I sell music in my shop (downloadable in lossless format), but you can get it for free when it's released. You can also subscribe to my page to receive all single tracks for free, it's way cheaper than buying them separately. The money I earn will be spent on music gear (software/hardware instruments, audio equipment, PC upgrades etc.). If you want you can even get all my music for free (using subscription trial).

VCA-089 - Here Comes The Atlas (OSC#197)

VCA-089

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eraze the borders

eraze the borders

VCA-089

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