L.v. Beethoven: Allegro con brio, mvt 1 of String Trio No 1 Op.3. Transcribed & reproduced for two pianos by VViljanen Dec 28 2024, and again, Jan 15, 2025,
after a careful reading, review, and re-writing of the articulations (...'ad libitum by ear'...) of its original score, and, and of its now re-read, previously generated reading/sequence, , produced for the original string trio setup in ca 2010's by H.Fesefeldt (1942-2019, a German nuclear physics researcher, and music software developer). - Now, the instrument revoiced & reconfigured, as well as the rec. setup, were set by VV. - 
ANY KIND OF COMMERCIAL USE OF THIS TRACK IS PROHIBITED.

Beethoven: Allegro con brio, mvt 1 of String Trio No 1 Op.3. Transcribed & reproduced for two pianos

L.v.Beethoven: I. Allegro con brio of String Trio Op.3. Transcribed  for two pianos

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Heavily Video-Game Influenced
I'm a self-taught Composer/Pianist with Autism.
I listen to my music because I get sensory overloads in public
I do not own the art used on my profile besides the 2 logos, drawn by a good guy in the itsBOOFY community! Much love ❤️

Hello there! I create cinematic and neoclassical piano music🎹.  Thank you very much for listening❤️‍🔥

Mostly, I create my music by computer in FL Studio, but sometimes I play it on my piano

Follow me on my Spotify and Instagram if you like my music)

Heidi-Marie Arapa, known online as #ARAPAMusic, has cultivated her creative world on Soundcloud since discovering the platform in 2012. This space serves as the outlet for her diverse musical talents, where she composes, plays, and produces a wide spectrum of genres. Proficient in piano accordion, piano, and two synthesizers, Heidi-Marie orchestrates her sonic visions using Logic Pro X DAW. While her journey on Soundcloud unexpectedly led her into electronic music production, she also enjoys lending her voice to a touch of jazz. Since 2012, she has dedicated herself to music composition, production, and sound, undertaking orchestration and global collaborative projects. Heidi-Marie shares her creations openly, appreciating any resonance her music finds, and understanding when it doesn't.

New Album Released 29 August 2024

https://heidimariearapa.bandcamp.com/album/classical-compositions-2024

Album "Greetings From Australia" with my dear friend Wiesenberg 
https://open.spotify.com/playlist/31YvZRb2A16PoZBUmx5y0s?si=0c13ba6b19494de0

https://vimeo.com/846466472

I also feature my talented friends whose profiles I occasionally rotate on my profile since joining the Soundcloud Community, they have encouraged & supported  musicianship & creativity.  I cannot thank them enough #greatfriends #trust #respect

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My parents listened to Franz Liszt - I still have the original record so I ended up a fan.  My music teacher was the late: Anatoly Miroshnyk (born August 19, 1923 - died July 14, 2011) was a Ukrainian composer, pianist, teacher, musician and public figure.
https://musical-world.com.ua/en/artists/miroshnik-anatoly-mikhailovich/

We often think of talented musicians as folks who start young and advance their skills via the finest education available to them. While this is certainly true in some cases, there are plenty who realised many of their artistic capacities without the aid of specialised instruction or a degree in music. 
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Where words leave off, music begins.. Not everyone has the ability to compose music I also sing Jazz & Blues with musicians on Wikiloops a truly amazing community.

 I've always been passionate about music composition and fortunately the internet & technology made it possible to build a community in the clouds.

Find my global music journey since 2012 below:

https://linktr.ee/ArapaMusic

I've been tested by an examiner from the Australian Conservatorium of Music & apparently I have perfect pitch and blessed with the ability to accompany any musician, add hooks to any genre - as a singer I’m not great but who cares thats why most is spoken word.

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🎤I have no fear of perfection - will never reach it 🎧   I don’t have the perfect voice nor am I aiming to be the best I'm only human with a passion for what I love music is in my heart.

Thank you to all who believe in me and MOST OF ALL my amazing Mentor thank you Sir for encouraging me to NEVER GIVE UP it all takes time and practice.

My mixing & mastering techniques have been learned from Youtube tutorials & experimenting with Logic Pro X.   I love the creativity and flexibility music production - a continual learning journey  of #passion #persistence #perspiration #patience
 
Having begun her musical journey at the young age of five with the piano accordion – an instrument initially more of an expectation than a choice, yet one for which she now holds deep gratitude – Heidi-Marie eventually transitioned into the captivating world of electronic music production a few years ago. This discovery led to the gentle retirement of her accordion, making space for her true passion: composing, producing, and sharing her sonic creations with the world. For Heidi-Marie, music is not just a pastime but a lifelong dedication, a constant until her final days.

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Hi & welcome.
thx for visiting & listening to my music.

i jump between genres depending on my current mood, so don't wonder if you find some different and weird tunes 😂

I don’t create my songs with AI.
For me, every track has to grow through its own process, and that simply takes time. That’s where my soul flows into the music.

That doesn’t mean my songs are better or more sophisticated – I’d rather you form your own opinion.
As for vocals, I have to rely on loops, since illness keeps me from singing myself. Often, I discover a vocal line first and build the song around it. This means I sometimes have to compromise on the lyrics, so they don’t always mirror my personal outlook, mode of expression or poetry. Still, it’s important to me to share this truth.

Some various loops and most vocs from loopcloud.

All tracks composed, edited,
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____________________________________________

I come from a musical family and was introduced to different instruments at an early age. The one that stuck with me were the drums. Various bands, gigs in small clubs. Even though, for lack of time, I didn’t actively make music for many years, music has always been one of the few constants in a turbulent life.

For the past few years, I’ve been seriously ill and slowly but surely on the home stretch. Since I can no longer play drums (I’m connected to a ventilator 24/7)
i started working with a DAW in 2024. It has become an important part of my life, my way of still creating something when my hands no longer can.

Here on SC there are so incredibly many amazing artists and people from all parts of the world … for me, it’s my universe. And the certainty that something is always possible, no matter how bad things get.

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My warmest thanks to everyone stopping by for listening to my tracks, the most of the representing a  'REVIEW   OF THE PAST TIME PIANISTS' INTERPRETATIONS ON THE HISTORICAL PIANO ROLLS, and in addition to them, also to a minor but growing  LISTS of MY MY OWN RENDITIONS, all of the latter representing a variety of piano music, & some pipe-organ classics, - and  TO THE Growing LISTS OF (just lately done and reproduced)  TRANSCRIPTIONS OF VARIOUS CHAMBER MUSIC CLASSICAL PEARLS FOR TWO PIANOS.
A HEADSET IS RECOMMENDED for optimal sound experience!
This kind of 'touching' on these old pre-sound-rec. era works by the great performers of the past, and giving my sound to these old 'punch rolls',  makes me feel  deep humbleness, .and I wish that this modest attempt to bring these  performances alive will satisfy you listening to them!
To introduce myself...
I am a Finnish M.D., PhD. and Hand Surgeon (now retired), previously when young with 10 years of professionally orientated piano studies at Turku Conservatory in 1965-1975, partly  along with medical University studies. 
The digital sound techniques have become very familiar to me already from 1980's along with my university research work  
and my musical activities.
As continuation to my musical and professional experience, I have, during the last few years of my retirement, adopted a music historical challenge
to bring the past time major and minor pianists, prior to sound-recording era, onto the same 'start line' with the present pianists, by making their presentations, played onto 'punch rolls' i.e. piano rolls, audible with modern digital techniques. This wouldn't be possible without the pioneering  efforts of Richard Stibbons, Wayne Stahnke, Terry Smythe, Warren Trachtman, Spencer Chase, and others, who developed the optical digitizing techniques of the piano rolls, and digitized them.

The main part of my recordings here in SC consists of selection recorded by me from optically digitized piano-rolls** (from 1910's on or earlier, classical and 'vintage era'). These recordings of mine are not and will not be commercially unavailable. - The rolls were first optically scanned and converted into a digital form by diverse operators** (see also to the info of each piece). The pieces here were partly (minor part) picked from various open net sources, publicly available, but mainly from the huge archive (n=ca.5000) of digitized copies copies of the original reproducing piano rolls, made available to me by one of the pioneers of roll digitizing tehchniques (willing to keep anonymous), and then recorded from this archive mainly with virtual grand piano (called by me 'Bluethner Model One') modified/re-designed by me, as well as the rec settings. 
Also a minor selection of my own renditions among my records can be found here, included on my playlist 'Bach Goes Virtual', the name of the list telling something about the techniques used for getting the end result... The list includes various organ works by J.S.Bach and others, and also a few piano renditions of mine. Then there are included also various pieces which have been in my repertoire, but here played mainly by the  'guest' great players of the past (before the sound recording era).
MY MOST HUMBLE THANKS TO THE NOBLE DONOR  OF THIS INVALUABLE PIANO ROLL MATERIAL FOR MY USE!!!
My Sincere Thanks also to The Player Piano Group, UK, for providing me their permission to use the information about the piano rolls collected and provided on their web page ( https://rolls.playerpianogroup.org.uk ),  and for simplifying my short historical presentations of these renditions on their re-publication here!
AND LAST BUT NOT LEAST, MY MOST HUMBLE THANKS TO EVERYONE  OF YOU FOR LISTENING, AND FOR YOUR 'LIKES' & COMMENTS !
YOUR LISTENING & FEEDBACK IS TRULY APPRECIATED..!!.
Use of good headphones or speakers will make your music experience more enjoyable!
Best wishes, all the best
Veikko
These recordings are not commercially available, and ANY KIND OF THEIR COMMERCIAL USE IS PROHIBITED.

L.v.Beethoven: I. Allegro con brio of String Trio Op.3. Transcribed for two pianos

Veikko Viljanen