Great post-punk, low your style. // Oslo Indie Office, Norway

Darkwave

Following the release of their debut EP ‘Scene Change’, Sydney-based duo Salarymen have dropped a new single ‘All in Vain’ and accompanying video via Scenic Drive Records, as premiered on Triple J Home & Hosed. 

‘All in Vain’ represents a new era for Salarymen, transitioning into a more sophisticated sound, while maintaining their signature harmonies and synth-driven rhythms. The song makes an instant impact with undeniably catchy melodies and bright, summery riffs, which build up to an emphatic ending and leave the listener wanting more. Placing Renee’s songwriting abilities front and centre, ‘All in Vain’ rounds out with a set of powerful, climbing vocal lines, which reach dizzying heights.

Co-vocalist and bassist Renee de la Motte explains the meaning behind the song:

“All in vain is a frank reflection on how much social media has crept into our lives, and placed pressure on us to look better and be present, all of the time. As a society, it has increased our narcissistic tendencies and driven us to compete with other people. What someone puts out on Instagram might look amazing, but in many cases they can be deeply insecure and unhappy with themselves. These platforms have become a constant force reminding people of what they lack, and this track is an uplifting reminder not to worry about what people think of you on the internet. You’re cool the way you are!”

All In Vain

Crucifixa

"Moving Now Now Now" is the third single taken from the album CLEAREYE SHINING showcases the band's epoch of expressionist impulse. Released with a fantastic and stylish video.

see video here : https://www.youtube.com/watch?v=KADkIfp1h50

Monochrome silhouettes are met with chess stylistically doused in Hollywood Regency. Bitumen’s Kate Binning embodies slick femme fatale with a choreographed performance emphasising Binning’s affinity for stage and camera.

Produced by Jenny Branagan and Andrea Blake and edited by Bitumen’s very own Bryce Maher. “Moving Now Now Now”, connects the dots between Anger’s scandalous expose ‘Hollywood Babylon’, Bob Fosse, Klaus Naomi, and the golden age of glamour noir in the MTV Music Video. 

Cleareye Shining is out now via: Heavy Machinery and It Records

GENRE: POST-PUNK, SYNTH-PUNK, SYNTH-POP, DARKWAVE, GOTHIC, ELECTRONIC ROCK, INDUSTRIAL, ALTERNATIVE

RIYL: SIOUXSIE & THE BANSHEES, BOY HARSHER, KILLING JOKE, CURVE, MEDICINE, DEPECHE MODE, DRAB MAJESTY, MOLCHAT DOMA, SEXTILE, MALARIA!, RIKI, PATRIARCHY

Bitumen -  Moving Now Now Now

Writing + production: Sable
Drums: Mike Monaghan
Guitar: Chris Barker
Mix: Grace Banks
Master: Queer Ear Mastering

--
Lyrics:

A picture of Madonna gazing down at her little boy
Even when I was sixteen I knew it was the only thing that would bring me joy
Now the world is hurtling towards some fiery end
I couldn't bear to see my little girl cry so I bury it in a haze of cigarettes

I say I couldn't give up the freedom
I say I want to dance until I die
I say I couldn't give up the freedom
But two steps back I die again
Her face behind my eyes again

I say I couldn't give up the freedom
I say I want to dance until I die
I say I couldn't give up the freedom
But two steps back I die again
Her face behind my eyes again

Two step beat and I'm fine again
Know how to trick my mind with a little foresight
Heart only breaks every now and then
I know I'll be alright if I dance until I die
It's sustainable in a city like Berlin
Where everyone pretends they're 25
(and the nights keep us alive)
Two steps back I die again
Her face creeps back behind my eyes

I say I couldn't give up the freedom
I say I want to dance until I die
I say I couldn't give up the freedom
But two steps back I die again
Her face behind my eyes again

I say I couldn't give up the freedom
I say I want to dance until I die
I say I couldn't give up the freedom
But two steps back I die again
Her face behind my eyes again

I say I couldn't give up the freedom
I say I want to dance until I die
I say I couldn't give up the freedom
But two steps back I die again
Her face behind my eyes again

I say I couldn't give up the freedom
I say I want to dance until I die
I say I couldn't give up the freedom
But two steps back I die again
Her face behind my eyes again

Madonna

Islands in the Sky

All That Is Not of Me

'Nationalsville' is the first single taken from The Toads' debut album 'In The Wilderness' out June 9th!

Toads have no teeth so have to swallow their prey alive and in one gulp, they can’t hop or ribbit like frogs and they have been known to fall from the sky like rain when “weather gets weird!”

The Toads however are an extra-ace band from Melbourne who Upset The Rhythm are working with on their debut album ‘In The Wilderness’. Navigating the dross of modern life, whilst keeping one foot in a dream is the key to their nervy post-punk scuffle. Featuring members of The Shifters, The Living Eyes and Parsnip you’d be forgiven for guessing what The Toads sound like, but their mordant step and minor-key enchantment makes for an intriguing parry.

Today we’re releasing the group’s rapid first single ‘Nationalsville’, a rollicking toe-tapper of jaunty riffage, sprightly bass bounce and drums that get the blood pumping. Singer Miles' relentless observations spool through the song stitching together a glammy rush of monotony. Here’s the full video (filmed and edited by Leland Buckle): https://youtu.be/IxH56GWWLps

‘In the Wilderness’ will be released on June 9th through Upset The Rhythm, in partnership with our friends at Anti Fade Records. A limited edition sky-blue LP is available pre-order with glee here now: https://upsettherhythm.bigcartel.com/

The Toads - 'Nationalsville'

Track 2 on the Deluxe Version of "Prepared for a Nightmare" released June 12th 2023.

Music by Mayflower Madame/Trond Fagernes

Recorded by:
Trond Fagernes - vocals/guitars
Ola J. Kyrkjeeide - drums
Rune Øverby - guitars
Petter G. Marberg - bass
Kenneth Eknes - synth

Prepared for a Nightmare - Deluxe Version

Dresden

Dresden (Prepared for a Nightmare - Deluxe Version)

This is a cover of the 1980 Joy Division classic 'Love Will Tear Us Apart' by Another Abyss.

Light

Veil Of Light

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