Wind chime, electric guitar, effect pedals, unsynchronized loops, two tube amps. All sounds, mixing and production: VSS. Image: miniature installation, photo (VSS). 
Listen to a  Remix of this Track: https://soundcloud.com/velvetsomethingsuperdark/deeper

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Doomsday Clock

Rip A Raw Hole In Your Rock'n'Roll

Heavy contemplation bends the thought machine

around and around the beside

Creating this track i had the melancholic spirit of Fellini´s movies in my head - his lonely and vulnerable characters, hungry for love, hunting for life, breaking down and standing up, full of desire and dreams

the melacholic soul of Federiko Fellini

unspoken

My good friend https://soundcloud.com/delirium-funk gave me his Bastl Kastle to play with ... and this rainy, ricey ritual little number slowly emerged from that crazy little box! Enjoy! 😁😜

rain rituals -
if the gods are here now
to see the paddies

Takarai Kikaku was one of the most accomplished disciples of Matsuo Bashō, famous also for writing a manuscript describing his master’s final days, and the immediate aftermath of his death.

Haiku by Takarai Kikaku: https://en.wikipedia.org/wiki/Takarai_Kikaku

To find out more and participate, visit https://www.naviarrecords.com/haiku-music-challenge/

more halF unusuaL

halF rituaL [naviarhaiku599]

standing still

artiothis

More on the 707th weekly Disquiet Junto project, Chain of Practice — The Assignment: Make music from how you make music — at https://disquiet.com/0707/

Ich ergründe einen Klang in meinen Gedanken ^^ und breche ihn auf ^^ um seine alltäglichen und bekannten Elemente zu schichten ^^ und in serieller Weise sein Timbre aus alten und neuen Teilen nachzuformen.
Ich erforsche was wirklich einen Klang ausmacht und wie ich mit dessen langweiligen und meist überflüssigen Teilen etwas originelles schaffen kann das bekannte Sounds in einen hoffentlich neuen und inspirierenden Kontext setzt.

I explore a sound in my mind and break it down to layer its everyday and familiar elements and serially recreate its timbre from old and new parts.
I explore what really makes a sound and how I can take its boring and mostly superfluous parts and create something original that hopefully puts familiar sounds into a new and inspiring context.

the assignment was to come up with a sentence that describes our approach, my practice of creating a new track. took ages to find some words that really match in that context and accompany a true to it concept for this project. i usually wont work with vocals and/or spoken word so this was quite tricky and until mixing and mastering stage it took such a long time giving me real headache (again) but i like with what i came up reflecting what really reflects my work agenda. you should decide if in my track a certain vibe of "chain" or chained parts is to be heard or not, i personally thing i somehow missed that part of this compositional concept. anyway this might well be one of my best tracks this year so far.

produced  on Fostex TH7 headphones, mixed and checked on Fostex pm0.5D and a cheap 2.1 system, arranged in Bitwig Studio
tools used: beyerdynamic FOX, Flechtwerk, Curve2, Kontakt

be save, vegan love (˶ᵔ ᵕ ᵔ˶)

Coma -- Practice -- Disquiet707

1.  Diesel

Handmade (Experimental) (Ambient) Sound (Art)

Velvet Something Superdark is 1/2 of  https://soundcloud.com/snow_omen