Simple and old fashioned singer / songwriter piece, first penned when I was a fresh faced 18 year old! Re-released in 2024 and remixed and mastered Oct 2025 by Gyp Buggane at Ballagroove Studios, Isle of Mann

Slight Country flavour in this version but originally influenced by The Velvet Underground's "Lisa Says" and "Sweet Jane" :-)

Jane

Jane (2024 rework)

Blue

Deseo

Para escuchar la versión instrumental  https://soundcloud.com/juan-fco-bueno/a-las-seis-de-la-manana-version-instrumental
Para escuchar la versión original  https://soundcloud.com/juan-fco-bueno/a-las-seis-de-la-manana-version-original
Para escuchar la versión cantada por Dazz Deva  https://soundcloud.com/juan-fco-bueno/a-las-6-de-la-ma-ana

A las seis de la mañana

A ti, que cuando suena el reloj
sientes las garras de la pereza;
que abres las calles igual que yo
cuando aún vigilan las estrellas.

A ti, que nunca escuché tu voz
aunque te conozco desde siempre;
que te veo con frío y calor
pero seguimos estando ausentes.

A ti, quiero pedirte un favor:
que me dediques una sonrisa
por la mañana si, en tu opinión,
no tengo que ver al oculista.

Estribillo

A las seis de la mañana
casi no veo corbatas
ni uniformes salvadores
ni cochazos ni sotanas.

A las seis de la mañana
veo sólo a los obreros:
unos marchan y otros vuelven
silenciosos por el sueño.

A las seis de la mañana
¡ay! qué bien se está en la cama
sobre todo cuando tienes
bien cubiertas las espaldas.

----------------

A ti, que tienes que trabajar
en la rutina, sin motivarte;
que estás sin fuerza para luchar
contra los que quieren explotarte.

A ti, que vives con la ilusión
de que un día cambiará tu suerte;
que los fines de semana son
los que mantienen viva la fuente.

Estribillo

AT SIX IN THE MORNING

To you, that when the clock rings
you feel the claws of laziness;
that you open the streets just like me
when the stars are still watching.

To you, who never heard your voice
although I've known you forever;
I see you hot and cold
but we are still absent.

I want to ask you a favor:
give me a smile
in the morning yes, in your opinion,
I don't have to see the eye doctor.

CHORUS

At six in the morning
I hardly see ties
nor rescue uniforms
neither cars nor cassocks.

At six in the morning
I see only the workers:
some leave and others return
Silent by sleep

At six in the morning
Oh! how good it is in bed
especially when you have
their backs well covered.

-------------------

To you, you have to work
in the routine, without motivating you;
that you are without strength to fight
against those who want to exploit you.

To you, who live with the illusion
that one day your luck will change;
that weekends are
those who keep the fountain alive.

I want to ask you a favor:
give me a smile
in the morning yes, in your opinion,
I don't have to see the eye doctor.

CHORUS

A las seis de la mañana

Count Me in

Uplifting trancy EDM track. I hope you enjoy it!

Lyrics from Philip Larkin’s poem "Dublinesque":
There is an air of great friendliness,
As if they were honouring
One they were fond of;
Some caper a few steps,
Skirts held skilfully
Someone claps time,

And of great sadness also.
As they wend away
A voice is heard singing
Of Kitty, or Katy,
As if the name meant once
All love, all beauty.

Album art credits goes to Liudmyla Shalimova: https://www.pexels.com/de-de/@ludakavun/

Dublinesque

Dublinesque (Extended Mix)

This music is the soundtrack to the film "L'aranya teixeix llum" (The Spider Weaves the Light).

It is therefore advisable to watch the film directly on YouTube, as the images and music complement each other, forming a superior whole (unfortunately, SoundCloud does not allow films), so it is better to watch the film than just the music:

https://youtu.be/qCwEE9YSpgE?si=YLXvYaRxxbW1Uosd

This is a locally produced film centered on the Ripoll River, a small river that runs through the outskirts of Sabadell, a city near Barcelona (Spain). It is a short film (13') with a documentary approach but with a "artistic" style. We made it together with Nativitat Ayala and it is based on a poetic text written by her (with the same name as the film). She was primarily responsible for the plot idea and the script. I was in charge of the technical aspects (filming and editing) and, of course, also the musical composition.

The overall intention of this film was to highlight this river and its natural and wild environment, which is still preserved today and is currently in danger given the latest proposals to modify its industrial and tertiary uses by the City Council (which are not at all appreciated by most of the opposition and citizen movements).

Also, in the first part of the film, we sought to emphasize that the harsh conditions that the working women endured in the warehouses of the old factories of the last century are also part of the history of this river.

Thus, in this first part, we sought to create, both with the images and the music, a more somber and despondent atmosphere, which gradually transitions to greater luminosity and serenity, eventually achieving, in the final section, a liberating effect by showing that the natural and wild nature of the river ultimately prevails (at least for the time being). And all of this using a "poetic-artistic language" and modest and simple technical means.

Below are two PDF files, in English and Spanish, that explain the characteristics of the music:

In English:
https://drive.google.com/file/d/1v3DmQEQuOaz4SPXjXkHfyO_RhxSJiIVr/view?usp=sharing

En español:
https://drive.google.com/file/d/1nHrU8rSyndgxS0izdofu8tQoiJcrJ_Xs/view?usp=sharing



The film's soundtrack

This track captures the wild, electric pulse of a midnight resurrection — a dance between the living and the dead under a dusty, glowing moon. From my perspective, it’s about giving in to that chaotic, haunting energy that comes alive when the world sleeps. Every bone, every beat, every whisper of the cold wind feels like it’s calling out for one more song — one more chance to shake off the dust of the grave and celebrate the freedom of the night.
It’s dark, fun, and a little twisted — like a rock-and-roll séance in motion. The “Graveyard Boogie” isn’t just about ghosts rising; it’s about shaking loose from reality, losing your mind to the rhythm, and owning your moment among the skeletons.


LYRICS:

[Verse 1]
Dusty moon shines bright
On bones tonight
Yeah on bones tonight
Cold wind whispers secrets old
A story to be told

[Prechorus]
Dig em up dig em up
From their sleep

[Chorus]
Graveyard boogie gonna lose my mind
Graveyard boogie leave the world behind
Yeah behind
Skeletons dancing feel so fine
This is mine Graveyard boogie

[Verse 2]
Cracked rib cage rhythm section
Spinal column perfection
Yeah perfection
Ghoulish grins and bony hands
Lost in dead mans lands

[Prechorus]
Dig em up dig em up
From their sleep

[Chorus]
Graveyard boogie gonna lose my mind
Graveyard boogie leave the world behind
Yeah behind
Skeletons dancing feel so fine
This is mine Graveyard boogie


Graveyard Boogie

Something dark and sinister for your Halloween ? go ahead no-ones watching you..........

Original Sin

Lyrics:

Through the shadows
Silent and swift
The moonlight bends as he takes his gift
A blade of honor
A vow to keep
He fights for the living
The lost
The weak

He’s the last ninja
The final breath
Dancing on the edge of life and death
Justice in his hands
Fire in his soul
The night is his story
His legend untold

The winds whisper secrets
Ancient and cold
He carries the weight of a thousand-fold
A phantom unseen
His heart beats strong
Righting the world where it’s gone so wrong

Every step a promise
Every leap a prayer
He fades like smoke
But his truth stays there

He’s the last ninja
The final breath
Dancing on the edge of life and death
Justice in his hands
Fire in his soul
The night is his story
His legend untold

Steel meets the silence
A spark in the dark
Enemies crumble
He leaves his mark
The past may haunt
The future calls
But for this moment
The darkness falls
--------------------------------------------------------------------------------------------------------

Track: The Last Ninja
Lyrics: NTENSEIFIED
Music & Vocals: NTENSEIFIED, Daniel Espinoza
Produced By: NTENSEIFIED

The Last Ninja - Feat. Daniel Espinoza

just messing around with my trusted synth and Sax plugins...

Delayed Encounters

Songwriting has been a lifelong passion for me, dating back to elementary school when I first began crafting stories, poems, and eventually lyrics. As a former drummer in various bands, I always relied on others to bring my words to life musically. However, after a long hiatus from drumming, I decided to take the leap and learn to compose music to accompany my lyrics. Through classes and dedication, I've embarked on a new journey, breathing fresh life into old lyrics and penning new ones. You'll find a mix of older and newer works here. Especially for some of the lyrics. 

Music has been a part of me for as long as I can remember. One of my earliest memories is being completely entranced by 'The Little Drummer Boy' as a very young child. There was something about the rhythm and the melody that just captivated me. I must have played it a thousand times, wearing the record out, and from that moment on, I was hooked. I knew I wanted to be a drummer and to create that magic for others. 

But I was too young then, and of course, I couldn't afford a drum set just yet. So, I turned to writing as a way to express myself. As I mentioned above, I started with stories, then poems, and eventually, lyrics. I found that writing was not only a way to tap into my creativity, but also a way to process my emotions and experiences. 

As I grew older, my love for music only deepened. I realized that music has this incredible power to transport us to different times and places, to evoke emotions and memories that we thought were long forgotten. It's a universal language that can bring people together like nothing else can. 

For me, writing lyrics is a cathartic experience. It's a way for me to tap into my emotions, to process the world around me, and to create something that I hope will resonate with others. And when I hear my words come to life in a song, it's truly magical. It's a feeling that never gets old, and it's what keeps me coming back to music time and time again. 

I love many genres of music and artists of many genres. And if you listen to some of my songs, you will find that I like to make songs of different genres as well as mix different genres into each song. One of my all-time favorite bands is Evanescence, and I have made a lot of songs where I have tried my best to emulate that sound. 

Now, I have recently started experimenting with new sounds. I never heard of glitch beats before I took music classes, and now I'm fascinated with the sound, so I have been experimenting with glitch beats recently. 

I hope you enjoy some of my songs. And thanks so much to everyone who has been listening so far. I truly appreciate it. I welcome constructive feedback to help me grow as an artist, and I appreciate your support. ❤️

BTW if you follow me, I will ALWAYS follow back. If I like your music, I will follow you, but if you don't follow me back within a week or so I will probably unfollow. The same goes for when I see someone listening to my music, I WILL follow, however, if they don't follow me back within a week or so, I'll unfollow, because I'm at my limit of follows and I want to follow back everyone who follows me. Did not know that SoundCloud limits us to following only 2000. 😢

*******************
VickStiX's Artist Manifesto
*******************

I am the static between truth and noise.
A pulse that cracks the silence open.
When the world forgets its conscience,
I remind it — one beat, one lyric, one spark.

I don’t shout to divide; I sing to awaken.
I don’t chase fame; I chase clarity.
My art is not a weapon — it’s a flare in the dark.
A signal to every soul that still believes in better.

Let the trolls rage, let the cowards hide.
They can’t drown out a voice that’s tuned to truth.
I will paint their lies in sound and light
until justice has a melody again.

Because protest is not anger — it’s hope with a megaphone.
And I was born to be loud.

🎶 VickStiX — Truth. Rhythm. Revolution.










