Ryan Anthony Francis, composer (www.ryananthonyfrancis.com)
Vicky Chow, piano (www.vickychow.com

Released April 19th 2011
tzadik

Etudes for Piano : Loop

https://www.amnesty.org/en/latest/news/2022/08/ukraine-ukrainian-fighting-tactics-endanger-civilians/
https://www.mondriaanfonds.nl/en/activities/venice-biennale/
https://news.un.org/en/story/2021/02/1085342
https://news.un.org/en/story/2021/08/1097872
https://news.un.org/en/story/2022/02/1112042
https://www.reuters.com/world/africa/congo-militiamen-kill-18-civilians-church-compound-2022-03-09/
https://www.reuters.com/world/africa/more-than-300-killed-air-strikes-northern-ethiopia-since-nov-un-rights-chief-2022-03-07/
https://jacobinmag.com/2022/03/military-conscription-compulsory-service-armed-forces-ukraine-russia

The yogi sat in prison and tried to tune himself to the "frequency" of the prison walls. Scientists tried to measure the vibrational frequency of his brain. If there is any sustainable development, it must be opening and movement, said yogi. Our 11-dimension knot of emotion resonates always in certain "point" of the "frequency band" of consciousness. That "point" is our reality tunnel with cave walls. Learning is to tune the own "frequency" with others tunnel: to be compassionate, open and curious with co-prisoners. Or to tune it for the escape. No frequency is better than other. They are just higher and lower. Low is good in its purpose. High is good in its purpose. Only thing not good is incapability to move between them under ones deepest will and love. To heal trauma is highest goal of being. (8.8.2020)

https://jannenummela.blogspot.com/2019/03/castalia.html?view=mosaic

http://jannenummela.blogspot.fi/2016/06/interview-by-hs.html

Canadian pianist Vicky Chow has been described as “brilliant” (New York Times), “a monster pianist” (Time Out New York), "virtuosic" (New Jersey Star Ledger), and “one of the new stars of new music” (Los Angeles Times). Besides being a member of the Bang on a Can All-Stars, she is also a founding member of DUO X88, a piano duo with Dutch pianist Saskia Lankhoorn and GRANDBAND, a six keyboard ensemble with pianists Lisa Moore, Blair McMillen, David Friend, Isabelle O'Connell and Paul Kerekes..Most recently she gave the North American premiere of Steve Reich's work 'Piano Counterpoint' and also the world premiere of a new evening length work by artist/composer Tristan Perich for solo piano and 40 channel 1-bit electronics titled 'Surface Image'. Her next solo projects include commissions from American composers Chris Cerrone, Neil Rolnick, and Canadian composer Adam Basanta and recording releases on the New Amsterdam and nonesuch labels. 

Vicky’s passion for new music has propelled her to work with an A-to-Z of leading composers and musicians such as John Adams, Louis Andriessen, Bryce Dessner (The National) Philip Glass, Glenn Kotche (Wilco), David Longstreth (Dirty Projectors), Steve Reich, Terry Riley, and Lee Ranaldo (Sonic Youth). Her recorded work can be found on the ‘tzadik’, ‘Cantaloupe’,' innova', 'hinterzimmer', and ‘altaVoz’ labels. Her performances can be heard on WQXR, WNYC, CBC and BBC Radio 3. In addition to performing, Ms. Chow also produces and curates “Contagious Sounds”, a new music series focusing on adventurous contemporary artists and composers in New York City. She receives continuous support from the Canada Council for the Arts and has received grants from the Fromm Foundation, Vancouver Foundation, and the BC Arts Council.

Originally from Vancouver Canada, Ms. Chow studied at The Juilliard School with Yoheved Kaplinsky and Julian Martin before continuing studies at Manhattan School of Music with Christopher Oldfather.

Starting the piano at age 5, she was invited to perform at the age of 9 at the International Gilmore Music Keyboard Festival. She made her orchestral debut at the age of 10 with the Vancouver Symphony Orchestra made her NY orchestral debut appearance at Alice Tully Hall with the Juilliard Symphony performing Bartok’s Piano Concerto No. 1.

www.vickychow.com

Avocational pianist - play piano after work and weekends. Here you will find about 130 home-played, home-recorded, mostly classical, piano pieces.  NYC tracks played on a 1926 Baldwin baby grand; earlier pieces played on a 1923 Steinway Model M.  Record acoustically using an Edirol (Roland) 44Khz digital recorder, embedded mikes.

Born and Raised in Detroit, Mi, and have been making music for 20+ years. Artist, Songwriter, Producer, Mix/Mastering Engineer. Graduated MediaTech Audio Engineering program and have Protools User/Post Production certs. I make "feeling music" music that goes with you day or feeling from being pissed to enjoying the breeze on a sunny day. I'm ready to expand my circle so like/share and lets make some magic!

for weirder lazier stuff: https://soundcloud.com/sw-ad