Marcello- Concerto for Oboe in d

Stravinsky - The Rite Of Spring (arr. Chow)

Concert for the Armenian Community in Jerusalem, May 2014.

Khachaturian Violin Concerto, Jenny Hünigen, JSO, Frédéric Chaslin

"Something Sort of Grandish" by Burton Lane. Jazz licks my own (though I'm fairly certain he would approve.) Andy Pope at the Baldwin Grand, June 7, 2025.

Something Sort of Grandish

Played by Phil Best.

You can also follow me on Spotify at https://spoti.fi/2MRR1lV and stream the albums I have released there.

Prelude in Eb minor Op. 23 No. 9 - Rachmaninov

Classical Collections The Masters, Vol. 5

Klid Piece For Cello And Orchestra - Introduction

From the album 'Schubert: Fantasie in C Major, Op. 15, D. 760 "Wanderer"; Chopin: 4 Ballades'. 
More information: http://sophiagranovich.com/discography
Buy: http://amzn.to/1PmG9qn

Frederic Chopin: Ballade No.4 in F minor, Op. 52

Vladimir Horowitz-Etude In C Minor Op 25 No 12 Chopin

this recording was part of an unfinished recording project. Only a compact cassette (!) copy of the original studio tape remained from this.

Sound restauration, cutting and mastering with WaveLab 7 (april 2012)
Original recording: puzzlepie studio Munich/Türkenfeld ('88)
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latest soundimprovement and file replacement: 2.1.2015

"Cataluña" by Isaac Albéniz (soundvers.Jan.2015)

Rachmaninoff Prelude in G sharp minor

Musikszene Hessen
Zu Gast: Aleksandra Mikulska, Darmstadt
Moderation: Christiane Hillebrand

Aleksandra Mikulska wurde 2005 als beste polnische Pianistin ausgezeichnet. Sie ist nicht nur in Chopins Heimat Warschau aufgewachsen, sondern entwickelte bereits als Kind eine große Liebe zu dessen Klaviermusik. Bis heute ist sie der Musik Chopins verbunden. Anfang Juli ist ihr jüngstes Album "Reflections" erschienen. Hier kombiniert sie zwei Schlüsselwerke des romantischen Klavierrepertoires: die beiden Sonaten in h-Moll von Frédéric Chopin und Franz Liszt. Mit uns wird sie u.a. über die "Sensitivität, musikalische Ausdrucksfähigkeit und makellose, transparente Spieltechnik" sprechen, die Chopin für das Klavierspiel einforderte.

hr2 kultur - Musikszene Hessen - 25.07.2020

Canadian pianist Vicky Chow has been described as “brilliant” (New York Times), “a monster pianist” (Time Out New York), "virtuosic" (New Jersey Star Ledger), and “one of the new stars of new music” (Los Angeles Times). Besides being a member of the Bang on a Can All-Stars, she is also a founding member of DUO X88, a piano duo with Dutch pianist Saskia Lankhoorn and GRANDBAND, a six keyboard ensemble with pianists Lisa Moore, Blair McMillen, David Friend, Isabelle O'Connell and Paul Kerekes..Most recently she gave the North American premiere of Steve Reich's work 'Piano Counterpoint' and also the world premiere of a new evening length work by artist/composer Tristan Perich for solo piano and 40 channel 1-bit electronics titled 'Surface Image'. Her next solo projects include commissions from American composers Chris Cerrone, Neil Rolnick, and Canadian composer Adam Basanta and recording releases on the New Amsterdam and nonesuch labels. 

Vicky’s passion for new music has propelled her to work with an A-to-Z of leading composers and musicians such as John Adams, Louis Andriessen, Bryce Dessner (The National) Philip Glass, Glenn Kotche (Wilco), David Longstreth (Dirty Projectors), Steve Reich, Terry Riley, and Lee Ranaldo (Sonic Youth). Her recorded work can be found on the ‘tzadik’, ‘Cantaloupe’,' innova', 'hinterzimmer', and ‘altaVoz’ labels. Her performances can be heard on WQXR, WNYC, CBC and BBC Radio 3. In addition to performing, Ms. Chow also produces and curates “Contagious Sounds”, a new music series focusing on adventurous contemporary artists and composers in New York City. She receives continuous support from the Canada Council for the Arts and has received grants from the Fromm Foundation, Vancouver Foundation, and the BC Arts Council.

Originally from Vancouver Canada, Ms. Chow studied at The Juilliard School with Yoheved Kaplinsky and Julian Martin before continuing studies at Manhattan School of Music with Christopher Oldfather.

Starting the piano at age 5, she was invited to perform at the age of 9 at the International Gilmore Music Keyboard Festival. She made her orchestral debut at the age of 10 with the Vancouver Symphony Orchestra made her NY orchestral debut appearance at Alice Tully Hall with the Juilliard Symphony performing Bartok’s Piano Concerto No. 1.

www.vickychow.com