Sharon Salzberg is New York Times Best-Selling author and world-renowned mediation teacher. 

In a career spanning four decades, guitar virtuoso and composer Eduardo Niebla has been acclaimed as one of the most potent forces in flamenco jazz fusion today. And his highly lyrical style, with explorations into Indian, Arabic and classical music, has resulted in the most electrifying, brilliant and poignantly poetic guitar playing on the world circuit.

His concert appearances have included the Cairo & Tbilisi International Jazz Festivals, the Jaipur Festival India, the Queen Elizabeth Hall London, the Odessa Jazz Carnival, the Olympic Games Greece, the San Isidro Fiesta Madrid, Glastonbury and the Brecon International Jazz Festivals, as well as extensive concert tours to Europe, the Baltic States, the Middle East and South Africa. 

It’s a journey which has led to many collaborations with artists across the globe including jazz saxophonist Lol Coxhill, Indian maestros Nishat & Wajahat Khan, Deepak Ram (bamboo flute) Kala Ramnath (Indian violin) & Purbayan Chatterjee (sitar), as well as flamenco bass pioneer Carles Benavent, his brother Salvador Niebla (drums), the spiritual gypsy singer and percussionist Paban Das Baul, Palestinian oud player Adel Salameh, electronic global phenomenon Juno Reactor, the Dante String Quartet and pop musicians George Michael and Craig David. 

Since 1974 Eduardo has made 23 albums of his original compositions, recording for BASF, EMI Odeon, Venture Virgin, Jazz-Point and Riverboat Records. Latterly Eduardo has produced his albums at his own recording studios including his latest CD “My Gypsy Waltz” which he launched to acclaim at Celtic Connections Glasgow and the Queen Elizabeth Hall London: 

“His latest album demonstrates his fluid, technically brilliant guitar work… and the standout track is the 18 minute India, a series of meditations on poverty and resilience, in which lyrical, drifting guitar passages are matched against rousing interplay with Srikanth’s violin… the exuberant title track…(and) the thoughtful and lyrical Rosie is another reminder of Niebla’s exquisite guitar work.” (THE GUARDIAN)

Eduardo is currently recording his new album, his 24th, due for release in 2018.  This features several new Festival commissions, including pieces for guitar and brass band, choirs and church organ.  
Over the years Eduardo has been commissioned to write music for films, documentaries and plays, including for the BBC, as well as collaborating with writers and poets including Fran Landesman, Mike Horovitz and Ian McMillan. 

“Eduardo – virtuoso? Inventive improviser? Yes and yes. And creative composer too. Writer of beautiful melodies, great grooves… he cast a deep, engrossing spell over the audience which transported them to other places, to the distant past, to India, Arabia, North Africa, Spain – tracing the link between modern Flamenco and the ancient music of India. And then on to the New World, to South and Central America for the rumba. At the end of the concert he thanked the audience for having been present while the band “searched for these deep places in the music.” Believe me, they found them.” (London Jazz, March 2010)

Discussions, debates and interviews on all aspects of the politics of migration.

Supported by the University of Manchester

Contact: clara.sandelind@manchester.ac.uk

Christine and the Queens.
Premier album « Chaleur Humaine » maintenant disponible.

Slowly Rolling Camera formed in Cardiff in 2013 and brought together four wildly talented musicians from diverse backgrounds. 

Where the Streets Lead is the new album from Slowly Rolling Camera, following on from their acclaimed 2018 album, Juniper. Colliding the worlds of jazz, trip-hop and cinematic soundscapes, their music blends strong melodies, big grooves and surprising turns of phrase, infused with expansive emotional gravitas. With this album, recorded throughout 2020, the music takes on a greater scale which includes an 8-piece string section and a list of world-class guests including Mark Lockheart, Jasper Høiby, Verneri Pohjola, Chris Potter and Sachal Vasandani, as well as the band’s regular guitarist Stuart McCallum.

Throughout her career — a nearly decade-long run filled with three album releases, a career-shifting appearance and soundtrack for HBO’s True Detective, hundreds of shows on both sides of the Atlantic, and a sound encompassing everything from Americana to stark indie rock — Lera Lynn has balanced her fierce independence with a string of collaborations. 

She's written songs with T Bone Burnett and Rosanne Cash. She's recorded albums with full bands (2014's The Avenues, hailed by outlets like Rolling Stone and American Songwriter) and smaller lineups (the experimental, NPR and New York Times-approved Resistor, which Lynn co-produced at her Nashville home). On her fourth album, Plays Well With Others, she teams up with eight different duet partners and seven co-writers, resulting in her most diverse, collaborative work to date. 

Plays Well With Others is a unique duets album — one in which nearly every song is completely co-written and co-sung. Peter Bradley Adams, John Paul White, Dylan LeBlanc, Andrew Combs, Rodney Crowell, Shovels & Rope, JD McPherson, and Nicole Atkins all make appearances, working alongside Lynn not only to perform these songs, but to create them, too. 

"Songwriting can be such a personal process; in the past I have tended to do it alone," Lynn admits. “With this record, I wanted to get outside of my own writing corner. I have access to a great community of writers and singers in Nashville, and it became an exciting challenge to sit down with some friends and say, 'Let's write a duet — one that maybe hasn't been written before — and then record it together.' This was an important thing for me to do as an artist: to open myself up to other people and have some fun.”

Lynn recorded Plays Well With Others at John Paul White's studio, Sun Drop Sound, in Florence, Alabama. There — with Lynn, White, and the Alabama Shakes' Ben Tanner all serving as co-producers — she tracked nine songs in a series of live takes. Looking to add some sonic framework to an album whose tracklist was vast and varied, she only used acoustic instruments, layering upright piano, strings, percussion, acoustic guitars, and creative sounds into arrangements that nodded to artists like Roy Orbison, George Harrison, Neil Young, John Lennon and Tom Petty. The result is an album that's at times more stripped-down than The Avenues and far less amplified than Resistor, while still shining a light on Lynn's striking voice and unique blend of American music.

Appropriately, the nine songs on Plays Well With Others tackle issues of the heart, from love to lust to loss. On the album's haunting opener, "Same Old Song," Lynn and Peter Bradley Adams swap harmonies from opposite sides of a broken relationship, both trying to summon up the courage to sever ties completely. "What is Love" — a gorgeous folk song recorded with Dylan LeBlanc — finds its two singers questioning their own worth, while the Rodney Crowell collaboration "Crimson Underground" unfolds like a conversation between the self and the voice of temptation. There's also a coed cover of TV on the Radio's "Wolf Like Me," performed with Shovels & Rope; a tribute to the glory days of 1960s Roy Orbison with Nicole Atkins; a kinetic, psychedelic "Breakdown" with Andrew Combs; and a pair of duets with John Paul White, who first sang with Lynn during a handful of shared shows in 2017. 

With Plays Well With Others, Lera Lynn cements her own identity as both creator and collaborator. On an album filled with Grammy winners, country icons, folksingers, and Americana heroes, it's still her star that shimmers the brightest, shining light on the newest phase of an eclectic, ever-expanding career. 

All Rights Reserved (2018) BMI

I'm a British-Iranian composer working broadly in contemporary classical music.

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