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📀 Kevin MacLeod's version of the humorous Piano peace Maple Leaf Rag by Scott Joplin.
🎵 Downloadlink: https://incompetech.com/music/royalty-free/index.html?isrc=USUAN1900058

📝 License / Lizenz: CC BY 4.0 (creativecommons.org/licenses/by/4.0/)
► 🇬🇧 English:
Short Info for Social Media (Youtube, Twitch, Instagram...):
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📌 "Maple Leaf Rag  by Kevin MacLeod
Link: https://incompetech.com/music/royalty-free/index.html?isrc=USUAN1900058
License: creativecommons.org/licenses/by/4.0/"

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► 🇩🇪 Deutsch:
Kurzinfo für Social Media (Youtube, Twitch, Instagram o.ä.):
Du darfst diese Musik frei verwenden und dein Video/Projekt monetarisieren, du musst nur den folgenden Text in deine Beschreibung einfügen (Anführungszeichen):

📌 "Maple Leaf Rag von Kevin MacLeod
Link: https://incompetech.com/music/royalty-free/index.html?isrc=USUAN1900058
Lizenz: creativecommons.org/licenses/by/4.0/"

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► Kevin MacLeod:
• www.patreon.com/kmacleod
• www.youtube.com/user/kmmusic
• incompetech.com/
• twitter.com/kmacleod
• @kevin-9-1

Royalty Free

Maple Leaf Rag

Downloadlink

Scott Joplin - Maple Leaf Rag (Kevin MacLeod Version) [CC BY 4.0]

Nancy Rosana

- New piece based on Algorythme
- Nouvelle pièce basé sur Algorythme
- Nueva pieza basada en Algorythme


A.FAH

The Last Dance - Peter Gundry

Fuga No. 3 Harpsichord in G minor

Fuga No.3 Organ in G minor

Epic Church Organ _ Classical Cinematic Organ Music _ Rafael Krux (320K).mp3

* I dreamed this music a few days ago.
* J'ai rêvé cette musique il y a quelques jours.
* Soñé esta música hace unos días.
* Ho sognato questa musica un paio di giorni fa.
* Sonhei esta música há alguns dias.

Rêve

Vampiric Dark Violin Music - Dark Waltz - Beautiful & Dark

Alejandro D. Consolacion II
Princeton Seminary Chapel 

J.S. Bach: Little Fugue in g minor BWV 578

 "Odysseus and the Sirens" - a clip of track 1 from my new album, in progress, "The Ancient Greek Kithara of Classical Antiquity"...

Regarding the story of Odysseus and the Sirens in Homer’s “Odyssey”, quoting from Wikipedia:

“In Greek mythology, the Sirens (Greek singular: Σειρήν Seirēn;Greek plural: Σειρῆνες Seirēnes) were dangerous yet beautiful creatures, who lured nearby sailors with their enchanting music and voices to shipwreck on the rocky coast of their island…Odysseus was curious as to what the Sirens sang to him, and so, on the advice of Circe, he had all of his sailors plug their ears with beeswax and tie him to the mast. He ordered his men to leave him tied tightly to the mast, no matter how much he would beg. When he heard their beautiful song, he ordered the sailors to untie him but they bound him tighter. When they had passed out of earshot, Odysseus demonstrated with his frowns to be released”

This piece is an evocation of the sort of melody which may once have accompanied a recitation of this tale. I use the distinctively poignant and luring ancient Greek Phrygian mode (misnamed the ‘Dorian’ mode in the Middle Ages), featuring an atmospheric background of ocean sounds, with the sound of the kithara enhanced by a subtle reverb, sampled from Belgian monasteries…

The album will on all of the major digital music stores and streaming sites real soon - keep an eye on my new bulletins!!

The album features the wonderfully recreated Kithara of the Golden Age of Classical Greece - hand-made in modern Greece by Lutherios:

http://en.luthieros.com/

Since late 2014, I have been collaborating with Lutherios in their inspirational "Lyre 2.0 Project" - dedicated to reintroducing the wonderful lyres of antiquity back into the modern world, to make these beautiful instruments accessible to each and every modern musician:

http://etc.ancient.eu/2016/01/11/luthieros-lyre-2-0-project/

This recording hopefully demonstrate why the kithara was so venerated in antiquity, as the instrument of the professional musician - perfect for both accompanying the human voice and for as an incredibly versatile solo instrument.

In particular, I attempt to demonstrate the wonderfully reconstructed 2500 year old vibrato mechanism, for which there is an almost overwhelming body of visual evidence to support this theory. All original illustrations of the ancient Greek kithara clearly show what appear to be curved springs beneath the yoke to which the strings are attached, with the top of the arms carved almost wafer thin, which almost certainly was to allow for lateral movement of the yoke and the attached strings, creating an eerie vocal vibrato effect - some 2500 years before the invention of the 'whammy bar' of the Fender electric guitar! 

The vibrato mechanism can be operated either by light lateral movement of either of the vertical wooden levers at each end of the yoke, or a more subtle vibrato can be achieved by pushing the discs either side of the yoke.

This piece is in the poignant and enchanting ancient Greek Phrygian Mode (misnamed the 'Dorian' mode in the Middle Ages).

My kithara is also tuned in lovely pure sounding just intonation, with A tuned at 432 Hz - although I do not believe in all the 'New Age' nonsense clogging the Net about 432 Hz, the subtly lower pitch does enhance the overall richness of the timbre of my gut strings in the lower registers.

Here is my blog on the whole 432 Hz thing:

http://ancientlyre.com/blogs/is_432_hz_new_age_schmertz/

For full details on all my research into the kithara of ancient Greece and Rome, please also see my blog:

http://ancientlyre.com/the_kithara_of_ancient_greece__rome

Many thanks for listening!

http://www.ancientlyre.com/
https://www.facebook.com/beautifullyre
https://twitter.com/AncientLyre
http://www.cdbaby.com/Artist/MichaelLevy
https://itunes.apple.com/us/artist/michael-levy/id4324920

"Odysseus and the Sirens" - Clip of Track 1, "The Ancient Greek Kithara of Classical Antiquity"

I recently installed some new software at my studio and wanted to put it through its paces a bit.  It's December, so this just seemed fitting.  Enjoy. 

Dance Of The Sugar Plum Fairy (Tchaikovsky)

Dark Vampire Music - Dance Of The Damned  Masquerade Waltz Collection

The Vampire Masquerade | Gothic Organ Version | Dark Music

𝚑𝚊𝚗𝚊𝚔𝚘 𝚖𝚊𝚒𝚗 𝚝𝚑𝚎𝚖𝚎

Composer of classical music mainly based on applied maths (symphony, quartet, concert, choir, organ), music for films, electro-acoustique, sound design and more. 11981
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Fuga No. 3 Harpsichord in G minor

Victor Ortiz Composer 520 7418

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