Vivacity

This is a dubstep/chipmusic song made for the "Weekly Treats" series: 
http://weeklytreats.net/album/29-yerzmyey-gasman

Here is a video from the concert version of the song: 
https://www.youtube.com/watch?v=feOqOBTui5g
with live drums and synths. 

Anyway, this song has been made on a pure ATARI TT, a machine released in 1990, with 4Mb of RAM, 8-bit sound quality, with 2 hardware digi-channels only.
The trick is - HexTracker gives 16 channels, using the Atari's 32Mhz Motorola CPU.
(Can make more but with a substantial sound quality reduction).

This song is a MOD format and has all its limitations (8 bit samples, only 64Kb for a sample, only 31 samples in the module, octaves limitation) but the only difference - are those 16 channels in the MOD (software mixing).

Recorded from real hardware (that originally has only 2 digi-channels, haha).

DOWNLOAD ENTIRE ALBUM: http://yerzmyey.i-demo.pl/attraction/yerzmyey-attraction2016.zip

Yerzmyey - Time Machine II

malinconia dentro me

The Birth of Infinity

Back in early 2019, I released a single called Distant Visions. After hearing it, a fan commented:
“Almost sounds like something from a second interstellar suite.”

They were referring to my 2006 album The Maestoso Interstellar Suite—a project I re-released with extended material in 2016 for its 10-year anniversary. That comment stuck with me. Did it feel like a sequel? Could it be?

I toyed with the idea. But having just expanded the suite into a double-disc format in 2016, I wasn’t sure a sequel was the right move—especially given how the original was structured as a continuous, uninterrupted journey. I had also briefly considered a vinyl edition, but the flow of the piece and the 22-minute-per-side vinyl limit made it a poor fit for that format. The experience would have been compromised.

Around that time, I released a “radio edit” version of the suite called Singularities to provide an accessible entry point. But if I returned to the suite with new material, I feared I’d be stuck doing the same thing again: a full continuous version and a separate edited version. Frankly, I didn’t want to go through that process again—and since then, I’ve moved away from long single-track formats entirely.

Even then, I was already thinking about vinyl-friendly runtimes, aiming to keep my future projects under 44 minutes so they could fit comfortably on a single LP. I’ve also significantly upgraded my gear and virtual instrument libraries since that time, giving me access to orchestral and hybrid textures I could only dream of back then. Now I have the tools—but what should I do with them?

I thought: Maybe I don’t need a sequel at all. Maybe it’s not about making The Maestoso Interstellar Suite Part II, or Return to Maestoso, or anything like that. Maybe I just need to reimagine the entire idea as something ongoing—something open.

Looking back, I always felt I had to make compromises when producing the 10-year edition. Some sounds weren’t what I was hearing in my head. Hardware limitations forced me to bounce tracks just to finish mixing. I wanted that big, lush, hybrid orchestral sound—and I couldn’t quite get there.

Now I can.

And I’ve got older projects—like La Famille Du Solénoïde (The Family of Sol)—waiting for a modern update. Thematically, they fit perfectly.

So I’ve made a decision:
I’m not making a sequel to The Maestoso Interstellar Suite.

Instead, I’m creating something bigger.

Introducing Infinity

Infinity is an evolving series. A collection of volumes. A universe of sound that has no end—only pauses between stars. It’s not a sequel. It’s not a remix. It’s a living archive of exploration—part ambient, part orchestral, part space music, and completely me.

And to start, I’ll revisit the music that inspired it all.

I’ll go back and refine The Maestoso Interstellar Suite one final time—polish the edges, rework the structure to be vinyl-compatible, and finally bring it closer to what I always heard in my head.

But I won’t just re-release it.

I’ll rebrand it.

The Journey Begins

The Infinity series begins with:

Infinity Volume I – The Maestoso Interstellar Suite

Infinity Volume II – Singularities

Each will stand on its own—but together, they form the beginning of something open-ended. Something I can return to any time inspiration calls.

Infinity has no final tracklist. No end. Only volumes.

And when I’m ready, I’ll add another.

Maybe it’s a crazy idea. But that’s okay—I’m doing this for me.
And I hope you’ll enjoy the journey too.

🎧 Listen on your favorite platform:
🔗 owtt.lnk.to/infinity1BC  

Movement IV (Redshift)

This took a couple of years to write and was done originally during the Covid period.

The Restless Sea Part 1

Soundtrack for Unreal Tournament Map DM-Ironic. 

You can play and download the game for free here http://www.unrealtournament.com/blog/   . The map is downloadable in the forums.

For licensing purposes feel free to contact me via music@fabianjoosten.com

DM-Ironic

This is a song that I contributed to the 2017 WTUL 91.5 FM Survival Marathon. I grew up listening to all kinds of weird music on their station, so giving back to the station felt like a spiritual obligation for me. You can request this song as well as most of my other released tracks by calling 504-865-5885, and tune in to their website to check out their awesome station.

http://www.wtulneworleans.com/

The Useless Machine

Artificial Outlaw

Imagine yourself, alone, after dark in your V8 muscle car driving along Highway 46 with a sense of urgency because, whilst you can't see, you have a strong feeling that that you're chased.

Pedal to the metal!

Please support the TDK project by purchasing either a digital or physical release of ME!, where this track is part of a larger picture of sound - https://marktdkknight.bandcamp.com/album/me

---------------------------------------------------------------------------------------------------------------------------------------------------

Keep up to date by following me on Bandcamp:- https://marktdkknight.bandcamp.com/

And follow me on Spotify :- open.spotify.com/artist/5lVdbXoqg0FW2OBntrWPEW

Find out more about TDK here:-

www.flitkillsmoths.co.uk
www.sonicfuel.co.uk
www.facebook.com/marktdkknight
www.twitter.com/TDK_CHIPTUNE
@marktdkknight

and you can purchase more half decent music for about the price of a cup of coffee from :-

marktdkknight.bandcamp.com

Remember - FLIT KILLS MOTHS!

Night Driver

A simple remix from the first Deus Ex game combining Unatco, NYC Streets, DuClare Chateau and a little Intro theme.  I could have kept going with more songs but it would be too long then, even tho it was hard to stop xD. Anyway enjoy!

Augmented Unatco (Deus Ex Remix)

A lovely remix of the famous Starfox Corneria theme

Augmented Unatco (Deus Ex Remix)

VideoGameManiac