lady m

Transparent Main Title Theme (Solo Piano Version)

A festive treat from Ólafur Arnalds and the Erased Tapes team, enjoy!

A 2015 re-recording of Ljósið, originally released on his 2009 mini album 'Found Songs' – available on CD/10"/DL here: www.erasedtapes.com/store/index/ERATP017

Violin/Viola: Viktor Orri Árnason

Merry Xmas!

Buy CD/10"/DL

Ólafur Arnalds - Ljósið 2015

This is the first of my tracks for the meandering month of February, my project 28 songs later. Although i've been in a very somber mood and feeling rather sad, i was surprised how quickly this flowed out of me…

28 songs later - A Song a Day - my project for February

Sometimes I get stuck. I find it hard to create, then other times the creative flurry vibrates my soul and flows through me like a river. But, I often get transfixed with minute details and can spend years, days, months on production. I can never get all the songs inside me, out; new, old, yet to be told.
So, I have decided to set myself a challenge for the deep wintery month of February.
A Song a Day.
It may be a sketch an idea or a complete piece; short or long, sounds or song but I will be stepping away from the electronic realms and using a simpler approach for this.

Maybe you will be inspired to do something, maybe you will follow my journey or dip in and out but it will be an interesting challenge and I hope to have a beautiful aural journey, wound by sound and following all the ups and downs of this expectant month.



Love and tea
V



28 songs later; Day One - Melancholia

five billion years

A new whimsically macabre piano solo released in celebration of Piano Day, March 28th, 2016. (Piano Day is the 88th day of the year.)

More Whimsically Macabre Music is available at https://whimsicallymacabre.bandcamp.com

"Like" Our Facebook page: www.facebook.com/WhimsicallyMacabreMusic

This is the Way

Flutter

Return

Once

Mattarello

Composed & Produced by www.StanLeonard.com

7-10-1918

Time Will Tell

Written and recorded over 2 days in South East London, ‘Carried’ is a collaborative EP from violinist Fiona Brice, cellist Tony Woollard and composer/producer Jim Perkins. The project began as an antidote to the sometimes laborious academic tradition of composing, scoring, revising, rehearsing, recording, editing and producing music. 

Each piece was created without score or prior preparation, relying on instinct, discussion and collaboration, with a focus on capturing the energy and essence of an idea whilst it is still fresh. 

The result is a suite of 5 emotive, meditative and distinctive pieces combining drones, elements of minimalism and chamber music with textured harmonics and the occasional melodic line. ‘Carried’ honours the spontaneity and spark of a new idea and nurtures it, creating a deeply engaging and cinematic sound.
credits
releases May 24, 2019 

Violin - Fiona Brice 
Cello - Tony Woollard 
Piano - Jim Perkins, Fiona Brice 
Tape Processing on Murmurs by Jameson Nathan Jones 
All tracks written by Tony Woollard, Fiona Brice and Jim Perkins 
Recorded and produced by Jim Perkins 
Mastered by Ben Wiffen 
Artwork by Lucille Clerc.

Carried

Hope

Cenes - Hope?

Vieka Plays (:vee-e-ka p-l-aa-ys). Born, will die. A female singer-songwriter-electronic-fiddler-producer-engineer currently residing in the fair lands of Manchesterville, UK. Inspired and nourished by music and sound.

 Vieka plays her music full frontal, sometimes delicate, sometimes brash but always dedicated to the senses. Alikened to Björk, Portishead with a dash of Cocorosie, Vieka moves through you in a whirl of challenging stories and sounds created by all manors of electronic geekery that can be harnessed, beated and whipped into shape. 

...'Combining sonic brutality, unfettered on-stage physicality, never-quite-reassuring periods of calm and moments of breath-taking spectral beauty'...'Ostensibly an avant-garde musician in the Portishead/Björk mould mould, Vieka’s beguiling live performances set her apart from other experimentalists.'
 … 'Their live concerts can veer from dubstep mood-pieces to eerie swing narratives and sexual psycho-dramas all with an underlying Burial-style-soundtrack-David Lynch intensity'... 

With a lustful desire for the wild world, Vieka weaves through all manner of sounds; blending, warping and creating impassioned soundscapes with subtle sound recordings from nature, life and the wide-wide world. Obtuse creations of synthesised bass, glitch noise and samples come from deep within the digital spectrum while the vocals cut through unabashed.

'With a tongue stuffed thoroughly in her cheek she blissfully hovers her sound in the darker sides of life (or hoovers her music up from the filthy corner of the proverbial room).'

28 songs later; Day One - Melancholia

Vieka

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