Electronic 3

Future Track Twenty

Awesome Music #14

BlendBeat Radio

☆♤SELFEGOL3T☆♤

Self Expression

Duck Sauce is Armand Van Helden and A-Trak making house music and eating Chinese food. Who's hungry? Quack Quack.

Big Bad Wolf (Dada Life Remix)

FACE MYSELF

Written and Produced 2020.  
Re-Mix & Mastered for 2024

Thank you for listening.

Morning Commute Re-Mix & Mastered

Moring Commute Re-Mixed & Mastered

Written & Produced 2019. 
Re-Mastered for 2024
Upbeat and Driving EDM

Thank you for listening.

Everyday Moves Re-Mastered

Every Day Moves Re- Mastered

Written and Produced 2022. 
Nu Jazz with Drum and Bass feel.
Thank you for listening.

The Tourist

Written and Produced 2022. 
Influenced by Soundcloud's many electronic musical styles.

Thank you for listening.

Day of Arrival

Day Of Arrival

“In Tongues” is the first single from the upcoming album by jazz pianist Joost Swart, drummer Bjorn Waling and producer Jesse Koolhaas. The album features improvisations recorded in a two-day session with guest musicians, such as Joris Roelofs on bass clarinet and Jeroen Vierdag on bass. The music blends the instruments into a unique sound that defies genres. Is it jazz or electronic music? It is both and neither. The song showcases the creativity and synergy of these talented artists. 

For the track In Tongues guest musicians Joris Roelofs (bass clarinet) and Jeroen Vierdag (bass) were asked to join in.

Swart Waling Koolhaas

links

Joost Swart, Bjorn Waling, Jesse Koolhaas - In Tongues (feat. Joris Roelofs & Jeroen Vierdag)

What Was Needed

Foot to the Floor

The Lightning Run

Play on Spotify

PRSNL

Personal

Enjoy my latest song! My first release as a NEXT PRO ARTIST!! Let’s go souncloud!! This one is very experimental and melodic. Lots of ambient sounds too

Addy

one of the tracks from my album Pulse of the Machine Release:
https://djtransaction.bandcamp.com/album/pulse-of-the-machine-album
This album is mostly electronica and synth pop with a focus on the melody that has a sense of story telling. Sweet Keys was made on a Roland Juno DS and the rest of the album made entirely on my Roland Fantom. No samples, no computer, pure synthesizer workstation. 
Support me and increase my musical inspiration by following me on Instagram.
www.instagram.com/djtransaction/
Find me on major streaming networks like Apple Music, Amazon Music, bandcamp, reverbation, and Spotify.

Pulse of the Machine

Sweet Keys

Sweet Keys(Electronic Chill)Original

As I was asked if I played the guitar myself – a question that really surprised me, cause I always thought it would be quite obvious that I didn`t – so:

I`m on cubase using kontakt and various vst-libraries among them one called sketch nylon (now on sale for $39) That`s the one I use for guit sounds.

I see myself as a composer and an arranger not an instrumentalist.  It`s the hamonics and the creation of moods I`m interested in. Instrumental virtuosity is beyond me. I gave up playing guitar 20 years ago. 

Nowadays most of my tracks are just a basis for a band to play around with. In my dreams I`d like to have it played by GoGo Penguin feat. Pau Figueres on guit. 😉 that would be it….

Anyway That`s what I wanted to get rid of.

Train of Thoughts

Beat Battle 78 on discord https://discord.com/channels/1075579383781261322/1253626251286024254 We had to mix two random genres and throw in an animal as well for good measure. Hosted (and cover art) by https://soundcloud.com/tim_spencer.

ambient industrial kitten (Beat Battle 78 on discord)

From the upcoming album, The Dark Forest, which will be available on Bandcamp in 2026

https://thestrandedalien.bandcamp.com/

The Wallfacer's Idyllic Life

Jam on Toast

INTRO
MOVEMENT I
INTERMISSION
MOVEMENT II
INTERMISSION
MOVEMENT III
INTERMISSION
MOVEMENT IV

UNTITLED ORCHESTRATION [ FULL CONCERT & TEMPO ]

CAROLINE

On a distant planet in a remote section of the Milky Way, two creatures are locked in a battle for supremacy. The sea creature's huge, hulking size gives it an advantage over the air creature with sharper talons and a ferocious bite. The battle rages for hours, with circling, swiping, and near-miss attempts as the sea creature continually loses blood from swipe after swipe.

Sensing victory, the sky creature circles one last time, diving further to sink its talons. The sea creature flips up out of the water and lands a strike on its wing, tearing it in half and sending it spiraling into the ocean where it sinks into the depths.

Sea vs Sky

Girls Night

Die in Vain

Underneath the sterile lights
Lying still my breath is tight
A cold touch, a whispered lie,
Entire life flash before my eyes

Hidden world beneath my skin
Silent whispers screaming deep within
Every heartbeat every sigh
Protect a fantasy built on lies

As the chemicals flow
Unveil what no one knows 
Embrace the truth that shown
All is revealed as I glow

Sit in silence as secrets unfold
In neon light our stories are told
A mirror to my hidden honesty
And as for me I don’t like what I see

As the chemicals flow
Unveil what no one knows 
Embrace the truth that shown
All is revealed as I glow

Die In Vain

Me Time

Hello everybody,

this is my new song She Wasn't There. It took me some time to get courage to upload this one, because it's very personal (Story of my life) but I felt it is the right time to go out with it ..If the real art comes from the pain than this is it hahahahah Let me know in the comments how did you enjoy this one and don't hesitate to contact me :-p 

Have a nice day 
Your Darcis

She Wasn't There

Dancing In The Flames

Shadow

When we were working on the production for ‘Doin' It,’ I wanted to create something that was both modern and timeless. So, we went for a clean, tight beat right from the start. You can hear how the drums are crisp and set the foundation, but they don’t overpower the rest of the track. They allow space for the vocals to really shine.

The verses have this laidback feel, with subtle synths and warm chords that support the vocals without distracting from them. It’s minimal but intentional, giving the listener room to focus on the lyrics. In the verses, I’m really telling a story about taking control, moving with confidence, and staying true to yourself, no matter what. There’s this almost conversational tone in the way I sing it, like I’m talking directly to you.

When we get to the chorus, the energy lifts, and that’s when you feel the anthem side of it. The instrumentation fills out more, and the backing vocals come in to add richness. The bass starts hitting a little harder, and it’s almost like the song is saying, ‘Yeah, this is it, this is your moment.’ I wanted it to feel empowering, like the music is wrapping around you, supporting you.

Then, as the song moves into the bridge, things strip back a little again. I always love that moment in a song where it pulls back before building back up. It’s like a breath of fresh air before you push forward again. In this part, there’s a bit more focus on harmonies and vocal layering, giving it this reflective, almost introspective vibe. It’s a chance to pause and take in the message before we bring it all home.

The outro leaves you on a high, like you’re ready to take on the world, which is exactly what I wanted. You should feel like you can conquer anything after hearing this track.

26/10/2024

Tasha - Doin'  It

This song is really personal to me. It’s about the struggle to trust and let your guard down when you've been hurt before. In the first verse, I talk about ‘fight or flight’ something I learned from my dad. He taught me to protect myself, but over time, I realized that instinct can make it really hard to connect with people, especially in relationships.

There’s this idea in the song that love feels dangerous, like you can’t ever fully relax. That’s what I mean when I say, ‘My love sleeps with one eye open.’ Even when you want to give someone a chance, there’s this voice in the back of your mind saying, ‘Be careful, don’t let them in too much.’

The chorus is kind of the heart of it. Sometimes it feels easier to just walk away before you get too deep, especially when trust doesn’t come naturally anymore. Overthinking everything can feel like a trap, so leaving feels like the safer option. But at the same time, there’s that desire you want to believe in someone, you want to trust, but it’s hard when you’ve been let down before.

In the second verse, there’s a little glimmer of hope, like, ‘Okay, maybe this could work if you prove you’re different.’ But that hope comes with conditions. It’s not easy to rebuild trust when you’ve been through pain before. There’s this frustration, like, ‘I don’t have time to fix something that’s already broken prove to me it’s real from the start.’

For me, this song is about navigating that tension between self-protection and vulnerability. It’s about being honest with yourself about your fears, your walls, and the fact that trusting someone again takes real effort. But there’s also this underlying hope that maybe, just maybe, it’s possible if the right person comes along.

Tasha - How To Trust A Man

Hey everyone! I wanted to take a moment to break down the production of my track, Shame, and let you in on how we crafted the vibe of this song.
We started with the drum tight, punchy kicks and crisp snares that really set the mood. There’s a subtle swing in the hihats, giving it that laidback but still driving groove. The percussion is layered with soft claps and rim shots, adding texture without overpowering the vocal.
The bass is deep but not overwhelming it moves smoothly underneath everything, creating warmth and depth. It’s a mix of an electric bass with some slight saturation for a vintage feel, helping it sit perfectly in the mix.
We laid down some rich, reverb drenched keys to carry the emotional weight of the song. The chords have a bit of a jazzy, R&B influenced progression, making everything feel intimate and nostalgic. There’s also a soft pad in the background, filling out the space and making it feel dreamy.
For the vocals, we went with a clean, upfront mi just a touch of reverb and delay to give it some space. There are subtle harmonies tucked in behind the main vocal, adding warmth without distracting from the raw emotion in the delivery. The background vocals are panned slightly left and right to create a sense of depth.
Throughout the track, there are these little ear candy moment reverse vocal chops, a gentle vinyl crackle for texture, and soft ambient swells that keep the song feeling alive. The outro has a slightly lofi filter sweep, pulling everything into a dreamy fade-out.
Overall, we wanted Shame to feel like a late night confession, intimate, warm, and just a little bit haunting. Hope you guys enjoy this breakdown, and let me know what your favorite part of the song is!

Tasha - Shame

Stay High

album: https://soundcloud.com/temple-of-the-haunted-man/sets/an-astronauts-tale

Train of Thoughts

viennese cinnamon