Future Track Twenty

La chanson 'Le traîneau du Père-Noël fut composée en 1990 mais enregistrée finalement en 2021. C'est l'histoire d'un enfant qui a été gentil toute l'année mais que le Père-Noël a oublié dans sa distribution de cadeau.  Bonne écoute!

The song  'Santa’s Sleigh'  was composed  in 1990 but finally recorded in 2021.  It’s the story of a kid who’s been nice all year but Santa forgot in his gift giving. Good listening!

Le traîneau du Père-Noël

Le Traîneau Du Père Noël / The Santa Claus Sleigh

A track about wanting to spend a little bit more time with the person you love.

One More Dance

Winterspring

collaboration with Jigs Tripping who played and wrote the music,and gary hayward vocals, harmonies and lyrics.A great combination Gary Hayward from Australia and Jigs tripping from Belgium sound cloud fantastic that we can do this across the ocean.Artwork Alex of yack drone ./ ,Music sent to gary in australia by Jigs Tripping in Belgium,vocals and lyrics mixed at Ramrod Studios sydney mastered by Herman Kavacs

Floating On Air 1 (1) collab remastered Gary Hayward lyrics and all vocals,music Jigs Tripping

In a dark, dark place, in a dark, dark wood.
You found your hiding place?
Because I think you should.
It's obscene.
You're out there looking pretty green.

You stand upon the hill, above the darkest town.
You like to waste your time.
You all just hang around.
Remaining seen.
It's no surprise, you're pretty green.

I can see your faults.
Can you see my needs?
Through the screen.
I can see your outline against the moon.
Pretty green.

Upon a lonely street, there is a golden house.
Even the quietest man can start the loudest shouts.
Fuck your machine.
Oh, my fucking God you are green.

In a dark, dark room, and down a dark, dark stair.
There is a hiding place, and we should hide in there.
Living the dream?
A pretty green flying machine.

You can't  hide your faults.
Can you meet my needs?
Hidden screams.
I can't make your outline against the sun.
It's all green.

You can't read my thoughts.
You wont get inside.
Just unseen.
Can you take me out from amongst the noise.
That's all green.
A pretty green flying machine.

Pretty Green

A monkey falls down on his knees.
Looks around at his friends in the trees 
Thinks why can they all do as they please?
All the while.

An emerald grows deep in the ground.
With pressure building up all around. 
All the while just sinking down.
Right down. (down, down)

That man just the same as you.
Quietly checking the view.
A-resting in the vestibule.
Just cool. (cool, cool)

All the lonely, sedentary.
Nesting, pedantry.
Distressing, reverie.
Of soft fools.

Watch my back boy.
Have at you!
We're all swimming in the same school.
Fuck your rules.
Blah, blah, blah.

Oh, monkey in your tree.
Tell me how you keep your forest so clean.
When you're dropping all those berries.
All around. (round, round)

Like the dead man that lay on the ground.
Aren't you tired of just lounging around? 
You did never make your sound.
For Me. (me, me)

So the galaxy is the sky?
And the stars are just a-whizzing by?)
While we all live our lives.
Down below. (low, low)

An ancient prophesy.
For a tired remedy.
For a coronation scene.
Surrounds you.

Watch my back boy.
Have at you!
We're all swimming in the same school.
Fuck their rules.
Blah, blah, blah.

Watch my back boy.
Have at you!
We're all singing in the same school.
Fuck their rules. [x2]
Blah, blah, blah.

Monkeys

Nonchalant

Composer :   Karl Heimgartner Dat : 28.05. 2024  / © Copyright              
Genre: Ambient – Instrumental 
Single: 2024
Track : 5.
Title:    Call of the Birds


Mixing and Mastred by Karl Heinz – Heimgartner

Call Of The Birds

Imagine a warm summer evening on the beach with your loved ones, where laughter and love fill the air. Let my new tropical house track, "Just Like That," transport you back to those nostalgic nights. With its gentle beats, you'll relive the magic of those unforgettable moments. Dance, dream, and feel - just like you did back then.

Just Like That

Remain by S-T-U-V

iTunes/Apple Music: https://music.apple.com/us/album/remain-single/1753063736

Amazon: https://amazon.com/music/player/tracks/B0D7GR18CD?marketplaceId=ATVPDKIKX0DER&musicTerritory=US&ref=dm_sh_7N6sP3DYz72i9pf93RcgIP6kU

Pandora: https://pandora.app.link/JJ8JgMAgHKb

Remain

Remain by S-T-U-V

As I was asked if I played the guitar myself – a question that really surprised me, cause I always thought it would be quite obvious that I didn`t – so:

I`m on cubase using kontakt and various vst-libraries among them one called sketch nylon (now on sale for $39) That`s the one I use for guit sounds.

I see myself as a composer and an arranger not an instrumentalist.  It`s the hamonics and the creation of moods I`m interested in. Instrumental virtuosity is beyond me. I gave up playing guitar 20 years ago. 

Nowadays most of my tracks are just a basis for a band to play around with. In my dreams I`d like to have it played by GoGo Penguin feat. Pau Figueres on guit. 😉 that would be it….

Anyway That`s what I wanted to get rid of.

Train of Thoughts

NickJC Our Last Dance Ft TeaBigi

STOMPERS:VOLUME 2

6th collaboration with Retro~Genesis @user-73294341
Our first track with vocals. We are very proud of this one. Punchy, and above all... so 80s !

Easy to love

Girls Night

Hello everybody,

this is my new song She Wasn't There. It took me some time to get courage to upload this one, because it's very personal (Story of my life) but I felt it is the right time to go out with it ..If the real art comes from the pain than this is it hahahahah Let me know in the comments how did you enjoy this one and don't hesitate to contact me :-p 

Have a nice day 
Your Darcis

She Wasn't There

When we were working on the production for ‘Doin' It,’ I wanted to create something that was both modern and timeless. So, we went for a clean, tight beat right from the start. You can hear how the drums are crisp and set the foundation, but they don’t overpower the rest of the track. They allow space for the vocals to really shine.

The verses have this laidback feel, with subtle synths and warm chords that support the vocals without distracting from them. It’s minimal but intentional, giving the listener room to focus on the lyrics. In the verses, I’m really telling a story about taking control, moving with confidence, and staying true to yourself, no matter what. There’s this almost conversational tone in the way I sing it, like I’m talking directly to you.

When we get to the chorus, the energy lifts, and that’s when you feel the anthem side of it. The instrumentation fills out more, and the backing vocals come in to add richness. The bass starts hitting a little harder, and it’s almost like the song is saying, ‘Yeah, this is it, this is your moment.’ I wanted it to feel empowering, like the music is wrapping around you, supporting you.

Then, as the song moves into the bridge, things strip back a little again. I always love that moment in a song where it pulls back before building back up. It’s like a breath of fresh air before you push forward again. In this part, there’s a bit more focus on harmonies and vocal layering, giving it this reflective, almost introspective vibe. It’s a chance to pause and take in the message before we bring it all home.

The outro leaves you on a high, like you’re ready to take on the world, which is exactly what I wanted. You should feel like you can conquer anything after hearing this track.

26/10/2024

Tasha - Doin'  It

This song is really personal to me. It’s about the struggle to trust and let your guard down when you've been hurt before. In the first verse, I talk about ‘fight or flight’ something I learned from my dad. He taught me to protect myself, but over time, I realized that instinct can make it really hard to connect with people, especially in relationships.

There’s this idea in the song that love feels dangerous, like you can’t ever fully relax. That’s what I mean when I say, ‘My love sleeps with one eye open.’ Even when you want to give someone a chance, there’s this voice in the back of your mind saying, ‘Be careful, don’t let them in too much.’

The chorus is kind of the heart of it. Sometimes it feels easier to just walk away before you get too deep, especially when trust doesn’t come naturally anymore. Overthinking everything can feel like a trap, so leaving feels like the safer option. But at the same time, there’s that desire you want to believe in someone, you want to trust, but it’s hard when you’ve been let down before.

In the second verse, there’s a little glimmer of hope, like, ‘Okay, maybe this could work if you prove you’re different.’ But that hope comes with conditions. It’s not easy to rebuild trust when you’ve been through pain before. There’s this frustration, like, ‘I don’t have time to fix something that’s already broken prove to me it’s real from the start.’

For me, this song is about navigating that tension between self-protection and vulnerability. It’s about being honest with yourself about your fears, your walls, and the fact that trusting someone again takes real effort. But there’s also this underlying hope that maybe, just maybe, it’s possible if the right person comes along.

Tasha - How To Trust A Man

Hey everyone! I wanted to take a moment to break down the production of my track, Shame, and let you in on how we crafted the vibe of this song.
We started with the drum tight, punchy kicks and crisp snares that really set the mood. There’s a subtle swing in the hihats, giving it that laidback but still driving groove. The percussion is layered with soft claps and rim shots, adding texture without overpowering the vocal.
The bass is deep but not overwhelming it moves smoothly underneath everything, creating warmth and depth. It’s a mix of an electric bass with some slight saturation for a vintage feel, helping it sit perfectly in the mix.
We laid down some rich, reverb drenched keys to carry the emotional weight of the song. The chords have a bit of a jazzy, R&B influenced progression, making everything feel intimate and nostalgic. There’s also a soft pad in the background, filling out the space and making it feel dreamy.
For the vocals, we went with a clean, upfront mi just a touch of reverb and delay to give it some space. There are subtle harmonies tucked in behind the main vocal, adding warmth without distracting from the raw emotion in the delivery. The background vocals are panned slightly left and right to create a sense of depth.
Throughout the track, there are these little ear candy moment reverse vocal chops, a gentle vinyl crackle for texture, and soft ambient swells that keep the song feeling alive. The outro has a slightly lofi filter sweep, pulling everything into a dreamy fade-out.
Overall, we wanted Shame to feel like a late night confession, intimate, warm, and just a little bit haunting. Hope you guys enjoy this breakdown, and let me know what your favorite part of the song is!

Tasha - Shame

Runaway Love (Where'd You Go) (Prod. Redroom x Snooza)

Producer and Composer Score Film, Movie Soundtrack, Epic Cinematic TV Games...
Germany Born, Pavia based, Rino is a multi-instrumentalist, composer, songwriter, producer and sound engineer from Italy.
Specialized in hard rock, psychedelic rock, rock blues, pop, ambient guitar.
Experience with years of studio and live work as a musician and songwriter.

Future Track Twenty

Rino Aparo