DJ.DESiGNER.DREAMER 
1. Diaz & Parree - Act out Sexually Feat. VIKA (DE) (Original Mix)

Bareso is out now on @Sound_Delite

Bookings: ryan@thebullittagency.com

bookings@davidgtronic.com

David Gtronic has spent years shaping his own path in the electronic music scene, constantly evolving while staying true to the essence of his sound. Known for his deep, hypnotic grooves and intricate textures, his productions strike a balance between precision and raw energy, always pushing the boundaries of house, minimal, and techno.
After relocating to Berlin in 2013, his career took off globally, landing him sets at Sunwaves, Episode Festival, The BPM Festival, and a residency at the legendary Club der Visionaere. His touring schedule has taken him across Australia, Japan, and South America, building a reputation for meticulously crafted sets that take listeners on a journey.
In 2019, David launched Personality Disorder Music, a label that serves as a platform for artistic expression beyond the conventional. Featuring artists like Seth Troxler, Reboot, Guti, Tom Trago, Alexis Cabrera, Sweely, San Proper, Chad Andrew, and Guy From Downstairs, the label has become a home for boundary-pushing sounds that challenge expectations.
His latest album, released in 2024, stands as his most recognized and acclaimed work—a carefully constructed 11-track journey through multiple genres, emotions, and sonic landscapes. More than just a collection of tracks, it’s a reflection of his vision as a composer and storyteller, capturing the essence of his musical evolution.
With an unwavering focus on quality and a relentless drive to refine his craft, David Gtronic continues to push forward, proving that longevity in the industry comes from innovation, adaptability, and an obsession with sound that never fades.

Bookings: lars@myfavouritefreaks.com
Management: ollie@celestialartists.com
Promos: transcodesounds@gmail.com

Hailing from Manchester (UK), Transcode is a dynamic and highly talented producer / DJ. His sound leans towards energetic & deep, driven techno but he certainly doesn’t limit his horizons, with an unquestionably unique ability to design deep and elaborate tracks that ignore the generic rules and constraints of genres.

As a creative artist his work has been acknowledged and supported up by some of the most prestigious labels and artists in the business. Recent support has come from a wide range of tastemaker DJs, such as Laurent Garnier, Adam Beyer, Monika Kruse, Oliver Koletzki, Joris Voorn, Pleasurekraft, Alan Fitzpatrick and many more. 

With multiple tracks getting into the Beatport Techno top 10 and releases on revered labels such as Stil Vor Talent, Terminal M and Gem Records, Transcode keeps pushing high quality music into the world and has a promising and exciting future ahead of him.

Mavic Music is a modern techno label curated by Barbuto

1991-2001: THE INVISIBLE ARCHITECT
For nearly a decade, Gee was the name you never heard but the sound you couldn't escape.
Operating under three aliases – Master Techno, The Effect, Oudja – he produced so many tracks that defined the European underground. Vinyl pressed in limited runs. Clubs from Milan to Berlin. Major compilations. His sound was everywhere.
But here's what the scene didn't know: Gee was a ghostproducer. The hits that launched careers. The tracks that packed dancefloors worldwide. Many carried his DNA but someone else's signature. That's how the game worked: young talent created, established names took credit, labels made fortunes.
At 21, he signed his first deal. Young. Naive. Trusting. The contract looked like an opportunity. 
Then came 2000. A second deal with a major label. This one didn't just exploit him – it silenced him completely. The contract forbade him from producing. His own music, his own name, locked away by legal fine print.
The industry didn't just take his work. It took his voice.

2000-2018: THE LONG SILENCE
What do you do when the thing you love most is taken from you?
You survive. Barely.
For 18 years, Gee worked jobs that had nothing to do with music. He paid bills. He existed. He watched the electronic scene explode into the mainstream while his name faded into obscurity. The tracks he'd ghostwritten circulated globally – uncredited, unacknowledged, generating money he'd never see.
In 2009, he became a father. A reason to keep going.
But the darkness was closing in. The exhaustion. The rage. The pattern of destructive relationships – giving everything to people who gave nothing back. Burning out, over and over, unable to understand why.
2012: The diagnosis. Bipolar disorder.
Suddenly, 20 years of chaos made sense. The manic production years in the 90s. The crashes. The inability to protect himself from predatory contracts. The disorder had been there all along, untreated, shaping every decision, every mistake, every loss.
The disgust with the music industry became something deeper. Not just anger at the labels who stole his work – disgust at the entire system. The exploitation. The lies. The way it chewed up young artists and spit them out. The way it had destroyed him.
He couldn't stay. Not anymore.

2016-2024: THE HEALING
In 2016, Gee vanished.
He left Europe. Left the industry. Left everything. West Africa became his sanctuary – a place far enough from the machinery to finally breathe.
For eight years, he lived in Gambia. Not running away. Healing. Processing decades of trauma, betrayal, and illness. Understanding what had been done to him. Understanding what he'd done to himself.
And then, something extraordinary happened.
With the help of a doctor in Gambia, combined with meditation, yoga, and swimming, Gee began to heal. Not just manage the bipolar disorder – heal from it. Day by day, stroke by stroke in the ocean, breath by breath in meditation, he rebuilt himself from the ground up.
The disorder that had shaped 20 years of his life began to lose its grip. The chaos quieted. The clarity came.
And in that clarity, something unexpected happened.
He started creating again.
Not for labels. Not for contracts. Not for anyone but himself. In Gambia, far from the clubs and the exploitation, Gee produced two albums: NEVERENDS and PERVERSECITIES. The sound of exile. The sound of transformation. The sound of someone who'd been silenced for 16 years, healed from 20 years of undiagnosed illness, and finally found his voice again.
These weren't nostalgia projects. They were resurrection.

2024: THE RETURN OF THE GHOST
Late 2024, the call came: his son needed him.
Gee came back. Not for the industry. Not for redemption. For love.
He returned to Europe carrying two albums created in exile, healed in body and mind. He returned with a new name – Princess Gee Gee – not just an alias, but a manifesto. The final evolution. The sound of someone who survived everything the industry threw at him, healed from the disorder that nearly destroyed him, and came back on his own terms.
Princess Gee Gee isn't a comeback. It's a revelation.
This is Gee reclaiming his story. Putting his name – G. De Windt – on his work. Showing the world what he built, what was stolen, what he survived, what he healed, and what he became.
NEVERENDS – the album of return, created in Gambia, released as proof that some fires never die.
PERVERSECITIES – the final statement, the masterwork that closes a 34-year circle.
Not bitter. Not defeated. Hyper-lucid. The sound of an artist who walked through hell, found healing in exile, and came out the other side with something to say.

THE NAME YOU NEVER KNEW
Here's the truth: you've heard Gee's work.
You just didn't know it.
Hits that circulated globally in the 90s. Tracks that defined the rave era. Productions that made careers for others. For decades, G. De Windt was the ghost in the machine – creating without recognition, building without credit.
The industry buried his name. Bipolar disorder nearly destroyed him. Predatory contracts silenced him for 16 years.
But in Gambia, he found what Europe couldn't give him: healing.
Through medicine, meditation, yoga, and the rhythm of ocean waves, he rebuilt himself. And when he was whole again, he created his masterworks.
Ghosts don't stay buried forever.

WHY THIS MATTERS
Because this is the story the industry doesn't want you to hear.
The ghostwriters who made the hits. The artists who got exploited at 21. The mental health crises no one talks about. The contracts that steal voices. The decades of silence.
And the miracle of healing.
Gee's story isn't just about survival. It's about transformation. About finding healing where you least expect it. About creating your best work not despite trauma, but after healing from it.
For every name you know, there are ten you don't – producers who built the sound, got erased, and disappeared.
Gee came back. Healed. And now he speaks.

THE LEGEND LIVES
Many tracks in the 90s. Hits worldwide under other names. 18 years of forced silence. 8 years in Gambia. Healed from bipolar disorder. Two albums created in exile. A return for his son in late 2024.
You danced to his music without knowing his name.
The industry made millions from his ghost work.
The contracts tried to erase him.
The illness nearly broke him.
Gambia healed him.
And now he speaks.
This is Princess Gee Gee.
This is G. De Windt.
This is the legend you never knew existed.
MIRACLE is dedicated to his beloved son Emile Louis  💜

Viktorija Jerzina Aka ViKA Official ° is following