Tracks I repost shld be played on an as huge as possible soundsystem.
For maximum pleasure and details you usually wouldnt HEAR - nor feel...
If you don't own a system like that start beeing a DJ - and use other's systems. And you might start travelling clubs and 5star hotels. :)

Few weeks ago I was DJing for the GORILLAZ!
Their ofcourse bearded manager just yelled "U r doin it! U r doin it! Watch your ass! Gorillaz ladies around!"
A few days later Wu Tan Clan. They superhappy - me superhappy.
A groupie wanted RZA to show her how to become a DJ.
RZA replied over a fourty times: "You don't become a DJ! You ARE a DJ if you ARE a DJ! START DJING! HE is a DJ cuz HE-IS-DOIN-IT!"

If you have to leave the city and move to the country side to train DJing to the perfect tunes L-O-U-D - so DO IT!
PERFECT tunes optimized played with and loud - GRAB YOUR AUDIENCE!
And make ma happy.
May peace and my liked tunes be with you - and them.

Jah bless.

Record collector / DJ / Broadcaster / Producer / Brownswood Recordings boss / occasional remixer

Ten years ago, ‘We Are Your Friends’ reached our ears and pushed Justice to the front of the scene, a young French duo signed by Pedro Winter on the label he had just created: Ed Banger Records. The record that followed,✝, was an album of condensed jerky electro, of disco reminiscences and heavy metal energy, with unstoppable tunes like ‘D.A.N.C.E’, ‘Stress’ and ‘Phantom’, and its videos, allowed Justice to follow the 90’s French Touch and its filtered disco loop. 

Since the release of their debut album in 2007, Justice has been tirelessly touring the world by bus, road festival to festival and concerts all over throughout the planet. Since their first tour, the band developed a powerful stage design that they polished and magnified throughout the years and the gigs. The wall of vintage Marshall amps front of the stage, an imposing cross, impressive light shows, and the sound of Justice totally revisited for the live shows. 


Preview & download at:
http://www.cdbaby.com/cd/spacegambusexperiment

Space Gambus Experiment (SGE) is a circle of friends and family constantly creating their own art and music. An "open-source" kind of band that anyone can contribute.
To purchase the Space Gambus Experiment, contact Kamal at kamalsabran@gmail.com.
Each CD is priced at RM30.
For more information,
visit http://www.myspace.com/spacegambusexperiment. You can also download bonus tracks, B-sides, outtakes and rehearsals of Space Gambus Experiment for free at space gambus experiment
watch videos:http://www.youtube.com/user/kamalsabran77
Records released under the name Space Gambus Experiment may include contributions from any or all of these members; the lineup is not uniform.
FOUNDER:
Kamal Sabran - Electroacoustic
Zulkifli Ramli - Gambus/Oud
The Collective:
haneem: guitar, ambient (artist, curator)
bentara: guitar, soundscape (ex- langsuyr/tro-njo-i)
elly: bass (ex the hans)
Munis Musa: multi-instrumentalist (Uh Uh!)
andri: guitar, noise (goodbye 20th century)
aizat: guitar (keladak)
azmil mokhtar: drum , percussion (the Hans)
Syahril Fadly: sampler (moloko)
Fasyali: Rebab
mamel: drum (akta angkasa)
fadly Sabran: noise (Sosound)
putera oud: gambus (Oud-Kestra)
pyan: electronic manipulation (Shizuka ben aman)
bob: gendang (mentol 100 watt)
eric hausmann: guitar efx etc (Spilling Audio)
izuan ismil: bass (Mathari)
nexus polaris: electronic drums
Meta Hinggaq: noise
Poet
A Samad Said
Siti Zainon
Amirul Fakir
Rahmat Haron
Yusuf Martin
Ole Lillelund
Amir Zainorin
friends and collaborators:
Adam James davis (UK)
Alvari Lume (Finland)
Antonio Mainenti (Italy)
Arcano 18 (Ecuador)
Cathy Fern Lewis (Canada)
Derek Crofut (US)
Goh Lee Kwang (Malaysia)
Gunhild Seim (Norway)
Jim Leftwich (US)
Lily Taylor (US)
Lorenzo Pancini (Italy)
Matt Middleton Crude (New Zealand)
Masoud Takavar (Iran)
Markus Wenninger (German)
Zenmetalshirt (Switzerland)
Eric Hausmann (US)
Pandu Hidayat (indonesia)
Alan Herrick (US)
Man Troj (singapore)
Mojdeh (chicago)
Harold Seah ID (singapore)
Marlina shadun hausmann (US)
Az Stellarium (singapore)
Bryce Eiman (USA)
Veroníque Jacques (Canada)
Gembi (jakarta)
Hasnul Saidon (MGTF)
photo journalist
meor kahirulnizam
Jo ghazali
jongguttouch
nini marini
annaloq
DJ
MONO
Vj
RupaJiwa Studio
Kotaro Tanaka
dancer/performer
zubin mohammad
aida redza
TTS Mimer Group
The Half Show
Film Maker
Mamat Khalid
Music Studio
Dream Project
Experimental LAB
Gallery
MGTF USM



In a world of ever recycled trends, Tiefschwarz (deep black) is that most classic of shades. Its timeless style is testament to its staying power, and with a DJ and production career spanning over 14 years, this German deep house duo have proven just how apt a moniker can be. Born and bred in Stuttgart, brothers Ali and Basti Schwarz’s passion for techno and deep house flourished their initial experience as DJs in the early 90’s at the now legendary clubs that Ali ran in their home town, ON –U and Red Dog. This led to the formation of Tiefschwarz in 1997, from which they found rapid success with their debut single ‘Music’ (on Francois K’s Wave Music label) and album Ral 9005. By 2001, this had been licensed to the London label Classic Recordings from where they springboarded to international recognition. They decided to make the move to Berlin, at the time fast becoming the epicentre of a true electronic music renaissance, from where they pursued a hectic touring schedule and remixing the likes of Cassius, The Rapture, Missy Elliott, Kelis and their personal heroes Masters At Work. They then scored a double whammy with their all-conquering crossover hit remix of Spektrum’s ‘Kinda New’ and the single ‘Isst’ off their 2005 long-player, ‘Eat Books’. This was also the year that electrohouse dominated the charts and minimal the clubs, but Tiefschwarz have never allowed themselves to be tied down to a certain sound, staying true to their love of melody as demonstrated on their contribution to the Fabric mix series that year.
A series of high profile mixes in 2006, including Depeche Mode, Madonna, Roxy Music, Booka Shade, Phonique, Plastikman, dOP, and many others saw them continue perfecting their distinctive sound. Yet this was also the year in which Ali and Basti gravitated back to Berlin to found their own label, Souvenir. Basti explains “We like the idea of seeing music as a souvenir, an impression you take from somewhere. Something intimate that you remember”. They haven’t let this slow down their impressive production workload though, with a ten year anniversary compilation and a 2010 follow up album ‘Chocolate’ made in collaboration with Santé, and featuring Cassy, Seth Troxler, Dave Aju amongst others. At a perfect time to take stock of their career, the brothers are proudly contributing the ninth installment in the Watergate mix series, and have chosen a number of tracks that simultaneously pay homage to the tracks that shaped the beginnings of their career whilst also remaining very much forward looking. After years of constant touring, however, their Souvenir label has allowed them to lay down more permanent roots back in Berlin. It’s a place to foster talent, both young and old, not only in a sense of releasing records but also as a platform to share mutual experiences within a common network, a close core of artists work together including Ruede Hagelstein, Maher Daniel, the brothers Santé and Re.You, Ali &amp; Basti at the helm. With plenty more artists on the roster as well as a digital only subsidiary, Souvenir Plus, and a debut LP from Hagelstein on the horizon, there is promise of plenty yet to come for the Schwarz brothers’ imprint.

V I K T O R ● K R O E L L is following