Miragens em Penumbra (2021)

“Sonho lúcido ou prévia imagem;
Pré-lembrança ou vã miragem,
Nevoeiro de ferro que esconde o amanhã.
Meia-sombra que autoriza o contorno,
Mas furta a cor do desfecho deste afã.

Por entre a névoa de passagem
Vejo campos de mil folhagens,
E vislumbro o fim desta febre terçã.
Vislumbro o concretamente vindouro?
Fins e começos que dançam, em meu divã.

O nevoeiro cambaleia,
Anuncia a dispersão:
Já é tempo de dançar à minha maneira;
Tingir as sombras da alucinação
E despertar esta alma que devaneia.

Eis que acordo em novas folhagens
E os contornos já são pós-imagens.
Todo hoje é penumbra de um amanhã.
Meias-sombras que dançam em passagem
À ainda ignota lembrança
De um presente de frescas folhagens
Que um dia encarnaram as mais vãs miragens
Desveladas, por fim, na aurora
Do que eu quis chamar de amanhã.”

XXIV Bienal de Música Brasileira Contemporânea

CRON Ensemble
Rubem Schuenck
Vicente Alexim
Cláudio Alves
Tatiana Dumas

Video recording: https://www.youtube.com/watch?v=anDRqYG4yRI

Miragens em Penumbra (2021) [XXIV Contemporary Brazilian Music Biennial]

Os Circunvagantes (2021), pantomima cantada em seis cenas para três tenores e orquestra, sobre libreto de Luiz Eduardo Frin, livremente inspirada em O Grande Mentecapto, de Fernando Sabino. Encomenda da Fundação Clóvis Salgado para o Ateliê de Criação da Temporada de Ópera 2021 do Palácio das Artes de Belo Horizonte. Gravação ao vivo em 21 de Dezembro de 2021.
Solistas: 
- Pancada: Giovanni Tristacci (instagram.com/giovannitristacci)
- Lelé: Flávio Leite (instagram.com/fleitec) 
- Aluado: Ramon Mundin (instagram.com/ramonmundin); 

Direção cênica de Rita Clemente (instagram.com/ritaclemente.arte)

Orquestra Sinfônica de Minas Gerais (instagram.com/amososmg), sob a regência de Gabriel Rhein Schirato (instagram.com/gabrheinschirato).

Cena 1: 00:00
Cena 2: 04:11
Cena 3: 07:28
Cena 4: 09:38
Cena 5: 13:10
Cena 6: 15:00

A comission from the Fundação Clóvis Salgado, The Circumwanderers (a sung pantomime in six scenes) was written to a libretto by Luiz Eduardo Frin freely inspired by Fernando Sabino's novel O Grande Mentecapto. It was premiered by tenors Giovanni Tristacci, Flavio Leite and Ramon Mundin and by the Minas Gerais Symphony Orchestra conducted by Gabriel Schirato, with stage director Rita Clemente, recorded live at the Palácio das Artes (Belo Horizonte, Brazil) in November 21st, 2021.

Vídeo: https://www.youtube.com/watch?v=nq_l_3P8YdM

Partitura: https://www.babelscores.com/catalogs/music-and-scene/7357-os-circunvagantes-the-circumwanderers

Os Circunvagantes, pantomima para três tenores e orquestra (2021)

Ponto Cruzado- For Double Clarinet And Electronics

Sopro Diagonal (2017)for wind quintet (excerpt)
Quinteto Lorenzo Fernandez

Rômulo Barbosa, flauta
Rodrigo Herculano, oboé
Cesar Bonan, clarineta
Alessandro Jeremias, trompa
Jeferson Souza, fagote

Estreia mundial - XXIII Bienal de Música Brasileira Contemporânea (2019) Sala Cecília Meireles

R. LIMA - SOPRO DIAGONAL for Wind Quintet (2017) Quinteto Lorenzo Fernadez

Gravação ao vivo da estreia com a Orquestra Filarmônica da UFPR, em Curitiba-PR, dia 18 de maio de 2022.
Regência: Willian Lentz

Cores Transversais (2022) - para Orquestra de câmara

Normalization: The process of bringing or returning something to a unite condition or state. First, I conceived all the gestures of the piece belonging to three groups. Some gestures have similar characteristics between groups, whereas others are unique to each group. The piece is articulated in four sections. Throughout the development of the piece, the gestures that define each category are gradually morphed to become increasingly similar.

Normalization--For mixed Ensemble(2021)

Innesco, para violoncelo e percussão (Maurício De Bonis, 2021) - Movimentos I, III e IV. 
Elise Pittenger, violoncelo (youtube.com/@elisepittenger522)
Fernando Rocha, percussão (soundcloud.com/feroliroc)
Gravada no Teatro Maria de Lourdes Sekeff do Instituto de Artes da UNESP, em 26 de outubro de 2023.
Vídeo: https://www.youtube.com/watch?v=rJ-sgP0xbu4
Partitura: https://www.babelscores.com/catalogs/instrumental/7366-innesco7366

Innesco, para violoncelo e percussão (2021) - Movimentos I, III e IV

for promotional purposes only:
Liza Lim: Ronda – The Spinning World (2016)
for 9 musicians: horn, tpt, tbn, harp, perc, vln, vla, vc, dbass + Smetak instruments (Ronda, Tres Sois, Piston Cretino)
Premiere: 25 February 2017, Ensemble Modern conduced by Vimbayi Kaziboni, Alte Oper, Frankfurt
Programme note: https://limprogrammenotes.wordpress.com/2016/12/26/ronda-the-spinning-world-2017/

Liza Lim: Ronda (The Spinning World), 2016

"In this piece, I aimed to create a continuous stream of different thoughts and emotions. It is not only that the consecutive sections significantly differ from each other, but also a number of contrasting layers are often superimposed, i.e. presented simultaneously. The music is dynamic with often and abrupt changes and goes to unexpected directions. The piece is inspired by the fictions of the Argentine writer Jorge Luis Borges. In this piece, I aimed to create a continuous stream of different thoughts and emotions. It is not only that the consecutive sections significantly differ from each other, but also a number of contrasting layers are often superimposed, i.e. presented simultaneously. The music is dynamic with often and abrupt changes and goes to unexpected directions. The piece is inspired by the fictions of the Argentine writer Jorge Luis Borges."

Adjacent rooms, for Borges
performed by Ensemble Reconsil Vienna

Antanina Kalechyts, conductor

Eric Lamb, flute
Helene Kenyeri, oboe/English horn
Mirjam Ilsebill Schiestl, clarinet
Kaori Nishii, piano
Bojidara Kouzmanova–Vladar, violin
Daniel Moser, viola
Maria Frodl, violoncello

Live recording on 10.10.2018 at Reaktor, Vienna
Special thanks to Mehmet Ali Uzunselvi for the mastering of the recording

Adjacent rooms, for Borges | Kalechyts & Ensemble Reconsil

Brazilian composer of contemporary music based in Barueri - São Paulo. My compositions comprise instrumental, acousmatic, and mixed works.

Currently pursuing his PhD in Music Composition at the São Paulo State University UNESP.

Miragens em Penumbra (2021) [XXIV Contemporary Brazilian Music Biennial]

Vinicius S. Baldaia

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