Dark Piano

Magika´s Private Playlist * Kylie Minouque * Padam Padam - Fury Drums Remix * Your Tension

David Guetta & Bebe Rexha - I’am Good   NoMad Digital Remix

Through My Eyes ... Klaviers 1980

Vintage Klavier 1980

Liked Song

One song from every genre we currently track. <a href="http://everynoise.com/thesoundofeverything.html">Annotated here.</a>

The Sound of Everything

Bolero de Ravel

A Fragment of My Soul

Musik - Seemann/Celtic Richtung - den Wellerman/Deutsch nun auf Spotify abspielen und anhören ----- Listen this Coversong Wellerman/Deutsch to Spotify ..new --- now

Wellerman Deutsch - Sinngemäße Übersetzung Des Originaltextes (Walfänger Sea Shanty - Seemannslied)

Billie Eilish - I Didn't Change My Number (Official Audio)(128Kbps) Soundtrack

Billie Eilish - I Didn't Change My Number (Official Audio) (128 Kbps)

One Last Glance

The Hebrew’s Singing To Deliver Us To The Promised Land In Hebrew

Deliver Us - Prince of Egypt (Hebrew Version)

Bagatelle No. 25, in A minor, (WoO 59, Bia 515) - Für Elise - Ludwig van Beethoven - Binaural 3D Sound - Music Therapy

https://oolongbois.bandcamp.com/
ohhyeah im deadha

roxies and cigarettes - oolong

»Tides« marked a radical change in direction for Arovane. After Uwe Zahn had made a name for himself with cutting-edge IDM rhythms and slick ambient textures on a slew of releases, his sophomore album saw the prolific producer opt for a sample-based approach that resulted in a more organic sound and laid-back downbeat grooves. Having reissued Arovane’s seminal »Atol-Scrap« as a double LP in 2021, the Berlin-based Keplar label now makes »Tides« available on vinyl for the first time since its original release in 2000 through the legendary City Centre Offices. The new version has been remastered by Kassian Troyer at Dubplates & Mastering and comes with a brand new cover artwork. It shines a new light on a release for which Zahn quite literally ventured into previously unknown territory — »Tides« is an album that emits a timeless, quiet calm and nonetheless stays constantly in motion.

»The idea for the album came to me after a vacation in France«, says Zahn. Inspired by the landscape, especially the coastline and the sea, he made field recordings throughout his trip that were also used on the record, giving it its sensual feel. The foundation of the album however, the loose yet gripping grooves at the heart of every track, result from Zahn working extensively with samples. »I wanted to make use of drum sounds and small excerpts from old jazz vinyl records«, he explains. He maintained the unique sound signatures and rhythmic flutter of the source material while building intricate beats with them. Most of the material was culled from the record collection of Christian Kleine, whose spontaneous guitar improvisations over the first musical sketches were recorded and edited by Zahn and can be heard on four tracks. Also employing the occasional cembalo or spinet sound, he worked with a hardware sequencer and a delay to integrate the different, discrete elements into nine tracks that feel both dense and light at once. 

What’s astonishing still 22 years later is how spacious »Tides« sounds. This is due to the fact that Zahn not only paid close attention to the sonic idiosyncrasies of his source material, but also to what happened in between those sounds. »Mark Hollis’s solo album was a huge inspiration at that time«, says Zahn. »What I find fascinating about it until this day is how silence and the subtle hiss of the mixing boards were being used on that record.« Silence was also an important stylistic element on »Tides« and adds greatly to the overall atmosphere of an album that with the appropriately named »Theme« immediately sets the mood with intricate spinet melodies: Zahn opens a door for his listeners and invites them to follow him to see a specific part of the world through his very own lens.

As a whole, the album mirrors Zahn’s trip that took him along the steep cliffs on a foggy day (»Seaside«), to an abandoned house in which he found old maps (»A Secret«), along the coastline during a long car ride (»Deauville«), to a sleepy village and the slowly moving sea (»Tides«) and finally back home to his native Germany where he started reflecting upon his experiences, ultimately deciding to translate them into music (»Epilogue«). »Whenever I listen to this album now, the images and memories it evokes are incredibly vivid and vibrant«, he says. It’s not hard to see — or rather hear — why. »Tides« may have been a deeply personal project, but it effortlessly evokes universal feelings by (re-)building an entire world in the course of only a few pieces of music.

All tracks composed and recorded by Uwe Zahn.  
Originally released on CCO in 2000.  
Remaster and cut by Kassian Troyer @ D&M.  
Cover art by Jim Kühnel based on a photograph by Uwe Zahn.   
Text by Kristoffer Cornils.

Tides (2022 Remaster)

Arovane - Tides (2022 Remaster)

Remember

QUEEN (Marco Sartori Remix)
Abum : Gold & Platinium Vol. 31

Gold & Platinium Vo. 31

QUEEN (Marco Sartori Remix)

Madonna - QUEEN (Marco Sartori Remix)

Sergei Rachmaninoff: Prelude in C Sharp Minor, Op. 3 No. 2. 

Played by me with my Korg SGProX digital stage piano controlling Yamaha Montage 8. The piano preset: Yamaha Montage CFX Stage. It sounds even better than my 2005 Motif ES synthesizer's piano sound which was already quite impressive. 

Played substantially slower than many pro players and e.g. the honourable Mr. Rachmaninoff himself on one recording (it may be also that I prefer this piece to be played a little slower than it is usually played). I got some speed however somewhere in the middle part.. I played it a lot faster however when I was young and didn't have to think about tomorrow. Because that's what this Prelude is about (much like the Scriabine etude Op. 8 No. 12): you really have to play it like there would be no tomorrow, so to speak, meaning, among other things, that you cannot think about some "secondary" things like hand injuries..

I learned this prelude initially in the 1990's at the time when also the piano movie "Shine" was released (the movie definitely was an inspiration). I practiced it countless hours with my Korg M1 synthesizer which was indeed not the best machine for this kind of piano music.  This was one of the first classical piano pieces I ever learned and, since I have learned it by myself without receiving any formal piano training whatsoever, this warrants the following conclusion: Anything is possible, remember that!

Sergei Rachmaninoff: Prelude in C Sharp Minor Op. 3 No. 2

A Smooth Rendezvous (Edit: Mastered with Ozone on October 5, 2023)

I am not a professional and I have been very lucky and blessed to have been able to play music using so wonderful instruments as I have in all these songs. With them I have been able to try to mimic or recreate something that once was, something that could be and is "out there"; something that is so clearly and vividly expressed in the music genre often called "smooth jazz" - and in fact in the whole genre of "classical music". So I have wanted to try to demonstrate these amazing instruments, how I love them all and also how I feel playing them. This track maybe conveys some of that affection and the feelings to You and I hope this maybe would bring some joy or happiness to You, even for a brief moment.  

A minor partly improvised "song" (or maybe a basis for improvising) that also demonstrates once again the richness, beauty and potential of the Rhodes electric piano (which to me is maybe one of the world's most beautiful instruments) and hence also the Scarbee EP-88S. This was played by me with my old loyal workhorse Korg SGProX digital piano using the following sounds: 
- Scarbee EP-88S (Rhodes Mk I electric piano),
- Bass and Lead: Lounge Lizard EP-4/Insomnia sound pack,
- Strings: UVI Orchestral Suite/All String Ensemble Vel.

The drums and drum grooves come from Native Instruments Abbey Road 80s Drummer (with some adjustments and additions made by me and with a LinnDrum snare layer added with the UVI Drum Replacer).

Sorry about the large quantity of drum fills... I am an ex drummer (the quality of the fills of course is astounding bc they are from the 80s Drummer). I also am not a jazz musician so the lead lines in this piece truly are not very sophisticated; instead I tried to concentrate on the chords and chord progressions.

This track was inspired especially e.g. by 1) Mr. Bill Evans' song "We Will Meet Again"; 2) by my great hero Mr. Jeff Porcaro, who could easily record this kind of a drum track at one take (using his right-hand sixteenth-note hi-hat); 3) by Mr. Chris Rea's song "The Mention of Your Name" and 4) by a relatively large bunch of popular and classical music and jazz. Of course also everything Mr. Robbie Buchanan does and plays keeps inspiring me continuously.

A Smooth Rendezvous

Alexander Scriabin: Etude Op. 2, No. 1 in C Sharp Minor

This was played by me with Korg SGProX digital piano using Yamaha Montage 8 Synthesizer's CFX Concert sound.

Alexander Scriabin: Etude Op. 2, No. 1 in C Sharp Minor

"Through My Eyes" (Edit.: Mastered with iZotope Ozone 11 on December 4th, 2023)

This is a partly improvised "smooth jazz" or "lounge" track made as a humble tribute to my - for the most part American - collection of the wonderful musical adventure called smooth jazz that has given me so much over the years (maybe also the term "Westcoast music" could be relevant here). 

I shall call this track "Through My Eyes" because it kind of tries to capture and present something about the American smooth jazz tradition - as seen through my eyes. 

This track was loosely inspired first by Mr. Keith Jarrett's two wonderful songs, "The Good America" and "Country" which both express an enormously positive and hymn-like feeling, and second by Johannes Brahms' Symphony No. 3 in F Major, III. Poco allegretto (Op. 90), the beauty of which has been "haunting" me for many years (and maybe also to some extent by Mozart's Symphony No. 40, I. Molto allegro, and Schubert's Symphony No. 8 "Unfinished", I. Allegro moderato, etc.).

I have not found out much about the origins of the two Mr. Jarrett's songs but in a recent interview he talks about them and rightly describes - if I understood correctly - the song "The Good America" as almost like a prayer. I also got the impression that both of these two Mr. Jarrett's songs kind of represent a view of America. 

I have also gotten inspiration here from the music of one of my all-time favorite jazz bands Spyro Gyra and from all the wonderful music that Mr. Carlos Santana has provided to the world. Last but not least as a source of inspiration I shall mention the music of Mr. Burt Bacharach (especially his breath-taking song "Bells of St. Augustine"). There is again also a bunch of other classical and popular music and jazz lurking on the background as a source of inspiration. 

The instruments and plugins I have been privileged to use here are once again my old workhorse Korg SGProX digital stage piano (master keyboard), Yamaha Montage 8 synthesizer (CFX Concert) and the wonderful instruments from Scarbee (Rhodes, EP-88S), Native Instruments (Abbey Road 80s Drummer), the UVI SonicPass and Arturia V Collection. The drum grooves, fills etc. are from the 80s Drummer and edited by me.

Through My Eyes

Días y días

Hay días que no se lo que pasa.
Hay días que mi amor no te alcanza.
Hay  veces que que me ves como a un loco,
medio roto.

Hay días que persigo quimeras.
Y hay días que todo me supera.
Y a veces yo soy fiel a mis sueños,
soy mi dueño.

-----------------------
Hay días que voy  lleno de ideas.
Y otros que me siento a la espera.
Hay veces  que dependo de otros,
y hay otros que me dicen muy poco.

Soy alguien que repite la escena.
Cantando en una tarde cualquiera.
Mirando una postal de nosotros,
frente a el mar.
--------------------------

Hay días que extraño tu mirada. 
Hay días que no quiero hacer nada.
Y hay noches que imagino tu cara,
en mi almohada.

Hay días que te veo alejarte.
Hay días que no quiero encontrarte.
Y hay veces que no puedo esperar, 
para abrazarte.

 -----------------------

Hay días que voy  lleno de ideas.
Y otros que me siento a la espera.
Hay veces  que dependo de otros,
y hay otros que me dicen muy poco.

Soy alguien que repite la escena.
Cantando en una tarde cualquiera.
Mirando una postal de nosotros,
frente a el mar.

Letra y música :
Pichy Sotomayor

2023 Original Song

Dias y Dias

Días y Días

The Temper Trap - Sweet Disposition (Bruno Palace Private Remix)BUY

BUY FULL WAV: https://www.paypal.com/cgi-bin/webscr?cmd=_s-xclick&hosted_button_id=JH3KN8K3GV6NJ

LISTEN FULL REMIX: https://darioxavier2.bandcamp.com/track/bad-bunny-un-ratito-dario-xavier-club-remix

Bad Bunny - Un Ratito (Dario Xavier Club Remix) *OUT NOW*

Passion

Get ready for an explosive experience with my Brazil Epic Edit of "Do It Again"! 💥 This remix is packed with bass-heavy tribal beats and a catchy, powerful melody that will have you moving non-stop on the dance floor. 🌍🔥

Feel the pulsating rhythm and energy as this remix takes over your body, making every moment a dance-worthy adventure. Whether you’re at a party or in your own world, this track will make you feel alive and keep the vibes flowing! 🎶💃

📀 FREE DOWNLOAD: Download Here
🎥 YouTube Video: Watch Here

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#FreeDownload

Do It Again 🇧🇷💥 Dj Wickey Brazil Epic Edit 🔥 #Free

Hey , I’ve done a new mix with my partner in vibes @specialececilia
Here are the other mixes. https://soundcloud.com/ricochet8888/same-planet-2-step-demo. https://soundcloud.com/ricochet8888/same-planet-friday-night-1

Enjoy!!

SAME PLANET**CECILIA & RICØ **LATE NIGHT MIX

Debra 's been generous enough to let me try to sing something over her beautiful "Song for the morning ". Thx a million my dear friend :))

Morning Song 

you feel my gaze and you wake up
and then slowly you seek my voice
when you have so much trouble waking up from sleep
I want to be near you
because you're looking at me with that unmistakable look because you squeeze my hand
to say "it's forever "
so I wrote this morning song for you

Chanson Du Matin (translated) w/ Debra Buesking

Texte Français et Google Traduction

LE MONDE EN MISERE

Il faudra bien que l'on se libère
Tout le monde est en misère
Sous la folie d'un dictateur
Qui nous fait toutes ces horreurs
Tuer pour un morceau de terre
Tout le monde est en misère
Dans la folie d'un massacreur
Qui se joue en envahisseur
En suivant cette folie guerrière
Tout le monde est en misère
Se faisant plus meurtrière
Détruisons cet adversaire

Ce grand débile autoritaire
Il ne faut plus le laisser-faire
Tout son esprit dévastateur
Nous fait très mal en profondeur
Et peut-on vivre en guerre
Tout le monde est en misère
Finissons en de ce calvaire
En tuant ce fou sanguinaire
Dans ses menaces nucléaires
Tout le monde est en misère
De ce que font ces militaires
Sous ce régime totalitaire
Pourquoi ces jours de malheur
N'avons nous pas un grand cœur

Dans ses raisons mensongères
Tout le monde est en misère
Sa si grande folie fait peur
Et nous donne de la douleur
Assassin et incendiaire
Tout le monde est en misère
Et que nos Dieux nous libèrent
Tout le monde est en misère

Que ce grand salaud en meurt 
Et enterré en profondeur

Retrouvons nos bonheurs
En réchauffant nos cœurs
En réchauffant nos cœurs

THE WORLD IN MISERY

We will have to break free
Everyone is in misery
Under the madness of a dictator
Who does all these horrors to us
Kill for a piece of land
Everyone is in misery
In the madness of a slaughterer
Who plays as an invader
Following this warrior madness
Everyone is in misery
Making herself more deadly
Let's destroy this adversary

This big authoritarian moron
You don't have to let it go anymore
All his devastating spirit
Hurts us deeply
And can we live in war
Everyone is in misery
Let's end this ordeal
By killing this bloodthirsty madman
In its nuclear threats
Everyone is in misery
Of what these soldiers are doing
Under this totalitarian regime
Why these days of misfortune
Don't we have big hearts

In his false reasons
Everyone is in misery
His great madness is scary
And gives us pain
Assassin and arsonist
Everyone is in misery
And may our Gods set us free
Everyone is in misery

That this big bastard dies of it
And buried deep

Let's find our happiness
By warming our hearts
By warming our hearts

LE MONDE EN MISERE

LE MONDE EN MISERE (Chanson Française) - Anti-POUTINE N° 1 -

english songs-sweeping-orchestral-big pipes-irish/scottich-piano-heartfelt-heartwarming 

for Musik nach Wunsch

The - Sea - Is - Calling -

Beyonce - Vs. - Madonna - Break - My - Soul - Vs. - Vogue- BeeM - Remix

Beyonce -Vs.  Madonna Break My Soul Vogue BeeM Remix / Audio

"Rays of Summer Sun" 

Here is a small summer-related excercise I played the other day using my old Korg SGProX as a midi keyboard! Everything except the brass was created using sounds from the wonderful UVI Emulation+ virtual synthesizer (representing the lovely hardware sounds of the E-mu Emulator, Emulator II, Emulator III and Drumulator). The brass is from the UVI JP Legacy/Saturn-6 (cf. Jupiter 6).

Rays Of Summer Sun

KYLIE MINOGUE - Padam Padam - Furi DRUMS Remix *YourTension *

KYLIE MINOGUE - Padam Padam - FUri DRUMS Remix *Your Tension*

Taylor Swift - Karma ft Ice Spice  MDMATIA S remix

Wings At The Speed Of Sound

Silly Love Songs (2014 Remaster)

Divenire

Big Heavy Horn Riffs

Golden Swagger

Salem's Secret - Peter Gundry

Exam Study Music - Best Homework Songs for Studying and Deep Concentration

Orchestral Suite No. 3 in D Major, BWV 1068: II. "Air on the G String"

Myuuji

Identity Crisis

Ultra Top 10 February

Hot (Malibu Breeze Radio Edit)

Hifalutin

baglaens

Adès, Nørgård, Abrahamsen: Music for String Quartet

VI. O Albion

The Vikings Final Season (Music from the TV Series)

Hvitserk's choice

Com letra, arranjo, adaptação e interpretação de Carlos Santorelli.

Bolero de Maurice Ravel

Good As Hell

Self-learned piano and keyboard player (pop, classical, jazz). Have also played violin, some drums and bass etc.

I came here to play!

Contact: vintageklavier88(at)gmail(.)com

Sergei Rachmaninoff: Prelude in C Sharp Minor Op. 3 No. 2

VintageKlavier1980s