Although one could say Missing Toes describes me perfectly 😬 Aside from the one sound, I dig the rest of what's going on here... very industrial vibe in a cool way

I enjoy the dark, experimental vibe of the song. Also rellay dense considering you only used 8 instances.

I Like experimental genre. But this needed a touch more of something. I really enjoyed your experimental work.

i'm pretty interested in what you created on this one for me its getting a bit harsh at times but i like the risky aspects of how you went about creating a track

I wonder how it'd sound with a little more limiting and filtering in places.  interesting track

Some really nice crazy sounds. I like the  openness, good one.

I like that this track follows the creative sound design  - it's not as "musical" as some compositions but it is true to the spirit of the synth.  Also is kind of harsh.

I wish you had had more time to take all of these sounds and turn it into something more musical - but very fun listen as is!

Feel like I'm creeping through a fully automated robot factory - on the lookout for auto sentry robots.

Made for KVR OSC 199

16 Tracks Rippler X with FL Studio 2025

Used Plugins:

Fruity EQ2, Maximus, KSHMR Kick, TDR NOVA, Auburn Lens, LoudMax, Valhallah Supermassiv, Deelay, Auburn Panagement, Replika, SkyNet Reverb, Fruity Freq. Splitter, NI Raum, OTT, Ozone EQ 10, TAL Reverb 2

No external sound sources were used. All sounds are from INI in Rippler X! 

A small but powerful synthesiser that I had a lot of fun with! Excellent support from TILR, who spared no effort in troubleshooting problems and implementing suggestions. I have never seen so many updates during the course of development. And not because things weren't working, but to improve them. Very good support and many thanks again!

Enter the Realm of Rippler

Viroo - Enter the Realm of Rippler

My entry for the KVR one synth challenge #199 September 2025. Synth is RipplerX by Tiagolr. I used 6 instances of Rippler; the stock EQ and Bus Compressor on my DAW of choice (Renoise); and was inspired to create a kind of techno/drumnbass/lounge hybrid that I imagine might please Sentient Boiler Philip Jeffries from Twin Peaks The Return.

RIPPLENWHYND(PhilipJeffriesSentientBoilerMix)

Entry to the OSC contest #199 Using TILR's  RipperX physical modeling synthesizer.
All sounds created with that synth in Live 12.

Victory On A Knife's Edge (OSC199 RipperX)

Don't wake me up! "Dreams" is where the magic happens. A place with no space, no time, no dimensions. Only fantasy, freedom...and peace!
 
part1: (00:00) - entering the magic
part2: (03:08) - the chaos
part3: (05:22) - freedom to fly
part4: (06:09) - awakening

made with U-He Zebralette3 for KVR "One Synth Challenge #200

Dreams

Here's my entry for the OSC #200 challenge. A few people in our OSC Discord responded enthusiastically when I said I was planning to make a contemporary hippie piece. A promise is a promise. Dr Bob immediately sent me live recordings of his band from the good old days. But with my background, with Zebralette and the OSC rules, I can't quite match that. But don't worry, I've tried to capture the spirit of the Flower Power generation which was great fun.

DAW: Reaper 7.48
U-he Zebralette 3: 30 instances
EQ: Graphic EQ by Viator
Reverb: Body & Soul Intro by The Sound of Merlin
Delay: TARON Stereo Delay by Taron
Compressor: Frank CS by Analog Obsession
Mastering: TDR Nova, Airwindows Pear EQ and Limiter No6

The Power of Love - (OSC#200-Zebralette3)

My entry into KVR One Synth Challenge #200. (Pic from Sutirta Budiman @ Unsplash)

Polynik77 - Dancing in the Savanna Heat

45 x Zebralette 3 (rev. 17567)
DAW: Logic X
Host plugins: ChannelEQ, LinearEQ, Compressor, AdLimiter, DirectionMixer, SampleDelay, TapeDelay, StereoDelay, Echo, Chroma, SpaceDesigner
3rd party plugins: TalFilter, Raum

Circus Zebralette

Entry to KVR's One Synth Challenge #200

Using u-he's Zebralette 3 Beta

22 instances of Zebralette, no other instruments.

Ulaanbaatar

Entry for OSC-200

My concept this month was to use both of my keyboards (I now have 2!) - to their respective strengths.
I used the fully weighted piano controller (Roland FP-10) for very velocity sensitive sounds - like percussion. And I also did fast wild lead breaks with lots of pitch/mod bend (lighter keys and pitch bend on Roland A-70).

DAW: Reaper
21 Instances of Zebralette3

Dead Duck: Filter, Limiter, Delay, TiltEQ
JS Saturation
ReaEQ, ReaXComp
OrilRiver Reverb
SPAN, YouLean Loudness Meter

Button Moon Rave

This month's synth is u-he Zebralette 3. As others have stated, given the depth of this synth, I could've spent a whole month on sound design with another month for the track. Given the time constraint, I restricted myself to what my ignorance could produce and the result is this. Definitely more rhythmic than melodic, possibly a bit harsh in places. Once again the title has little to do with the content although, being tortoise adjacent, perhaps imagine a smallish tortoise has managed to get one of your toes in his mouth and won't let go...

This was started in Tracktion Waveform but the many crashes made me move to Bitwig again and the seemingly more stable Clap version of Zebralette. A paltry eight instances of Zebralette and the following additional plugins:

- dpMeter5, Blue Cat Gain3 and KClip Zero for clip to zero duties
- kHs Compactor
- xfer OTT
- NI Raum
- Valhalla Supermassive
- TDR Kotelnikov
- TDR Nova
- Mastering the Mix LEVELS and NI Tonal Balance Control to supplement my dodgy ears
- Bitwig Compressor+
- Bitwig Eq+
- Bitwig Mid Side Split
- Bitwig Saturator

Percussion MIDI initially generated in Modalics Beat Scholar and pasted into Bitwig. All other MIDI was either programmed or played 'live'. Arps from my Exquis.

Missing Toes

Fall (OSC 200 Zebralette3)

Soft synth noodlings with a bit of hardware design on the side....

Missing Toes

Violator_alba

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