[UNDER CONSTRUCTION]

Fantaisies tracks (courtes) series no. 211

creation: 2022/02/12

These tracks were uploaded to SC between 0_/2021 and 02/2022,
except for the following, older ones:

. . -
[TO BE COMPLETED]

Happy listening!

* Soundcloud time: 1 year = 12 - 23 months.

HK_Fantaisies_tracks_211

Lars Bröndum: electronics, theremin
Per Gärdin: soprano saxophone

Recorded live at Larry's Corner, Stockholm, 20210810

Lars Bröndum / Per Gärdin: Horizontal Time

Soundscape #15 - Kela Variations

Nerkstura

21 5 10

'Giganti Rosse/Red Giants' reflects on what sacred may mean, the non-negotiable and radically vital choices of our life.

This sonopoem will be performed in Florence (Italy) by https://soundcloud.com/marcolucchi during the Festival 'PAESAGGI SONORI URBANI'.

Poetry, sound effect and mixing by IB
pic Selvazzano Dentro, 2015 by IB

'What if this is the time 
the non-negotiable self, the sacred.
The line we already crossed.
Nothing is more real than the wind 
in the winter when it cracks the skin and
clenches the throat, when it forces 
each frequency.
On the riverbank, it lashes 
the floodplains and then it pauses.
You told me about these years
the fatigue, and I do nothing
but ponder over our presence.
Where have we been? What are we
bringing along? History is
a tale within a tale 
a series of omissions, hypotheses
and mitigations. 
And we may desecrate remembrance
and contaminate our becoming
but the urge to outlast the death
of the sun slams us. 
Massively entrenched in the anxiety 
to get lost, evolving away from
the main sequence like red giants.  
A few decades down the line
we will meet, I will sit down across 
from you and I’ll ask once more
do you know my name?' 

'E se fosse questo il tempo, il sé
non negoziabile, il sacro.
Il confine ormai oltrepassato.
Nulla è più vero del vento in inverno
quando taglia la pelle e serra
la gola, quando forza le frequenze.
Sull’argine sferza le golene
e poi si arresta.
Mi hai detto della fatica di questi
anni, e non faccio che pensare
alla nostra presenza. 
Dove siamo stati? Cosa 
ci accompagna? La storia è
un racconto nel racconto
una serie di omissioni, presunzioni
e attenuanti. 
E possiamo profanare il ricordo
e contaminare il divenire
ma la foga di sopravvivere allo spegnersi
del sole ci sbatte addosso. 
Radicata in modo massivo l’ansia 
di perdersi, uscire dalla sequenza
principale come giganti rosse.
Qualche decade più oltre
ci incontreremo, mi sederò
di fronte a te e ti chiederò di nuovo
conosci il mio nome?'

Giganti Rosse/Red Giants

Like to share some fantasy rhythms with you! 

Hope you enjoy💚

Fantasia

℗ © Copyright Ian Stokes. All Rights Reserved
Recorded, mixed and mastered in Logic. 
Guitar played: Taylor 714CE in standard tuning 
Photography: Thanks go to Nigel and Libby Hume at Hume Photography.
LYRICS:
From the northlands up in the mountains
To the southlands across the seas
You might ask me what I know
About the places I have seen 

And I might say that I’m not sure 
There’s always something new out there to learn
Grey skies follow blue and blue skies follow grey
Who can say when the weather will turn

But it’s funny…………. how the wind knows
Funny…………… how the wind ……………just knows
It’s so funny…………. how the wind knows
So funny…………… how the wind ……………just knows

Could go west to the setting sun
Could go east to the break of day 
And you might ask me what I know
About the places I'll see along the way

And I might say that I’m not sure 
There’s always something new out there to learn
Grey skies follow blue and blue skies follow grey
Who can say when the weather will turn

But it’s funny…………. how the wind knows
Funny…………… how the wind ……………just knows
It’s so funny…………. how the wind knows
So funny…………… how the wind ……………just knows

How The Wind Knows

Piano composition, and piano: Debra Buesking @debra_buesking
Melody for the voice, poem and voice: Oddrun Eikli
cover design: Debra

Thank you from my heart Debbie for this great JOY it is to work together with you,
and thank you so much for your friendship.

Regrets.

Hear the whispers
Of the falling leaves
When i write the words
I will never speak
A few unspoken words
Appear like falling leaves

No heart would seek regret
But I hold it`s hand
And i will not forget
Sweet autumn fields
That lingers in my mind

A few undspoken words
Appears like falling leaves
At other times they wildly fly
Until they reach the sky

Regrets. Debra Buesking and Oddrun Eikli

Il y a quelques temps notre Ami David, a gentiment accepté de m'accompagner dans cette nouvelle aventure où la charmante voix de Clara Sorace apporte un grand complément d'harmonies.
En grand merci à eux, d'avoir accepté ce challenge ....
À découvrir ou redécouvrir ici:

https://clarasorace.com/
https://soundcloud.com/david-dunhamuser589535203

********************************************************************************************************************

Some time ago our Friend David, kindly accepted to accompany me in this new adventure where Clara Sorace's charming voice brings a great complement of harmonies.
Many thanks to them for accepting this challenge ....
To discover or rediscover here:

https://clarasorace.com/
https://soundcloud.com/david-dunhamuser589535203

Into The Light .... With Clara Sorace & David Dunham

Escape Three by Tarek Younis performed by Zina asfour, 
The Piece is based on oriental rhythms and actually has a beautiful Mawwal (written improvisation)in the middle section. It is not an easy piece. 
Recorded at The Babajim Studios in Istanbul in 2023.

Escape 3 by Tarek Younis

Drifting

Main Dans La Main

Ravie de présenter ma première collab avec la fantastique Maîtresse Domino, dont je vous invite à découvrir la page ! https://soundcloud.com/maitressedomino
Méditation guidée, invitation a l'auto-érotisme (pas pour toutes les oreilles !)
Texte et voix : Maîtresse Domino
Musique : Damga

Méditation Guidée

Méditation Guidée - Maîtresse Domino & Damga

This solo piano piece is made with noire, partially felt, so I thought I call it Felt, because of the heartfelt melody and ambience. Hope you like it....

Felt

Skottevången

Music,
centered on dance but I made the circle very,
very wide, from everywhere, for everyone.
Enjoy.
...

2024/03/20:
My linux won't boot so I'm presently forced to use Windows, and because of the bug in Soundcloud's system my account is all messed up when I don't use a VPN to connect which I am unable to do now... trying to get help from my VPN provider.  Because of this, and because I started working very long days I will be less present here.  Sorry, I'm trying.

2024/02/22:
Hi,
"Tracks: 0" is wrong, it should read 40.
Ever since the closing of this account by error by SC two or three months ago, this problem has remained unfixed.  Soundcloud and their AI are apparently still working on solving this and other problems with this account, and with my other account ; )

2024/01/29:
What I wrote below was heart felt but presumptuous and pretentious.  I would have to not be stupid myself to be allowed to claim such a thing.  More importantly though, I don't believe it is correct or accurate.  These people are probably not stupid but just don't care.  Justice is a collective thing and many if not most people seem to live in bubbles.  It is perhaps economic oppression which is responsible, they just don't have the resources, the time, the energy to be concerned about what lies behond that bubble.  It used to be fine but there's this thing they call globalization which makes this increasingly impractical or impossible.

mid January 2024:
Justice and vengeance are not the same.  Apparently most people are too stupid to see the difference.  Unfortunately it is not something unique to the Israeli-Palestinian conflict, and not unique to group conflicts.

What happened to intelligence?  Aren't we supposed to be the "intelligent" specie.
...

Here's the other account, for celebrities, ... this one here is for regular folks:

https://soundcloud.com/ha-kekong

I love you.

...

You can't see it because of the angle with which I took the shot, aiming down, but beyond those blocks is the sea.  To the left is the Mediterranean, to the right is the Atlantic Ocean.  No it's not Gibraltar, but a little bit further West.
...

My face and the bike are a courtesy of Joël Vaudreuil
[https://vimeo.com/user8897093]  ... Merci Joe!
I then went ahead and butchered his work with a borrowed helmet.
... Sorry Joe. =(
...

I'm trying to promote what I think is good music, so if you want to help out a bit I'd rather you [like] or [repost] my *playlists* rather than my field recordings, if you don't mind, unless you are a die hard fan of those things. Thank you ; )

I speak French, so if you send me a private message, and that you are a francophone, please write in French, thank you.  ... I mean, you don't absolutely have to, but I would prefer it. 

All my field recordings (except for when I record a person) are public, freely downloadable by anyone who is able to click on the button.  I encourage anyone interested to use them in any way whatsoever, on purpose or accidentally. No need for permissions or credits or any other kind  of administrative maneuvers.
...

Anarchists give me hope.

I'm a big fan of EFF.  Love ya EFF.  (no connection with the above line)
... and of course Richard Stallman and Linux and all the others.  Bless yous.

Now don't be lazy, go find out what it is this "EFF" that I'm talking about.  I'll give you a hint: it has to do with computers.

You have a nice day now.  Hugs & Kisses.

https://www.youtube.com/c/ViolinSoundscapes
https://www.pond5.com/artist/zenviolinmusic
https://www.facebook.com/groups/1750961958717801
https://x.com/Art_From_Anna

Soundscape #15 - Kela Variations

Violin Soundscapes

Recent comments

Cumbrian

Patros15

Martin Hoogeboom

R. R.

Related tracks