Sigma - Hi Top / Dawn Alarm single from 2007 on Viper Recordings. 

Sigma
Hi Top / Dawn Alarm
1. Hi Top
2. Dawn Alarm

Label: Viper Recordings
Cat# VPR010
Released: 19th Nov. 2007

Buy on Beatport: http://www.beatport.com/release/hi-top-dawn-alarm/81163
Buy on Viper Shop: https://viperrecordings.databeats.com/download/vpr010

https://www.facebook.com/sigmahq
https://twitter.com/sigmahq
https://www.facebook.com/viperrecordings
https://twitter.com/ViperRecordings

Sigma - Dawn Alarm

Various Artists – 15 Years of Technique
iTunes: smarturl.it/TECH005CD 
Beatport: bitly.com/Tech15LPbeatport
Release Date: 22nd Feb 2015

Yes, it really has been fifteen years since Future Tech (aka Drumsound & Bassline Smith) signalled the beginning of the Technique Recordings odyssey with their eponymous debut collaboration. Since then, the drum and bass sound has spread its tendrils from the dark corners of the underground into the limelight of mainstream appreciation. And Technique has been at the forefront of that evolution all the way. So, here's an LP to show the world exactly what a decade and a half among the top tier of D&B labels sounds like.

Label heads Drumsound & Bassline Smith take pole position, dropping straight into the drama of the Friction-supported “Spring Heel Jack”. Then comes another of Technique's most recognisable acts, Tantrum Desire with the low-down funk of “Shuffle”, followed by another Friction-favourite from the bossmen with “Sputnik”. The big names keep coming throughout the album, as Crissy Criss supplies the VIP of his monumental “Create the Future” and the mighty Digital goes dubbed-out with a remix of “Phantasm”. Plus Drumsound & Bassline Smith's alter-ego 2DB pass through with the highly-grimey “Terrahawk” and L Plus delivers two precision-engineered killers in the form of “Red Planet” and “Going Down”.

Flipping the script, Technique new boys Document One strike from two angles with the laid-back “Jazz Club” and the dirty dancefloor uppercut of “Body Like Wow”. TREi takes us to the big room with “Here & Now”, and the ever-individual MaxNRG shows off his ability to combine energy with melody on “Far Frontiers of Space”. Erb N Dub and Skope recruit Mr Dirty Smirks, MC SMK himself, to bring some typically hard bars to “Pull it Back”. Kronology does what it says on the tin with some “Razor Sharp” technoid-jungle vibes. And Aussie badman Spectrem brings some hands-in-the-air euphoria with “Say Goodbye” and then roughen things up with “The Future”. Infrasonik take the honour of completing the collection with “Bricks Breaking”. And finally, Drumsound & Bassline Smith step back up for a lap of honour with a mix of all the tracks from the LP.PreOrder "15 Years Of Technique" Album

From the veteran headliners to the breakthrough talent, from the filthy rave-wreckers to the stadium-sized anthems, this album demonstrates the versatility and innovation that has kept Technique Recordings' status for all this time. So, better get set, another fifteen years at the top of the game starts right now.

Kronology - Razor Sharp  [15 Years Of Technique LP] Clip

Left Right

Beatport

Get full release: https://offishproductions.bandcamp.com/album/missing-links-vol-2

Get our releases 🌐

[OPRD021C] Offish - Missing Links  Vol. 2 [previews] • OUT ON BANDCAMP!

Greypost Audio presents Alpha EP by ChaseR

Tracklist:
01. ChaseR - Killshot
02. ChaseR - Wah Wah
03. ChaseR - Deconstruction
04. ChaseR - Bite The Rhythm
05. ChaseR - Atomsk
06. ChaseR - Zenith

Beatport Exclusive - 19 Oct 2015
Worldwide - 02 Nov 2015

Follow ChaseR on:
-Soundcloud: @chazzik

Follow Greypost Audio on : 
- Soundcloud : @greypost-audio
- Beatport: www.beatport.com/label/greypost-audio/34799

Alpha EP

Wah Wah

ChaseR - Wah Wah [GPST094 preview] OUT NOW!!!

These days, the name L Plus on a release comes laden with expectations. There'll be expansive areas of soundscape harbouring rave-reverberating bass and precision-strike drums. There'll be detailed attention to musicality and a never-lapsing surge of energy. And if you've been checking shows from heavy-hitters like Friction recently, you'll know that this EP delivers on those expectations to the max.

“Jailbreak” is all about controlled aggression. A suspenseful chord pattern interspersed with drive-by shots of bass sets the scene. Then there's a multi-stage drop, first delivering us into a pressurised container of bass and kicks, before a further build leads us to the addition of punch-to-the-solar-plexus snares. This is heavy, heavy, unrelenting stuff.

And talking of heavy stuff, the next track is, aptly enough, “One Tonne of Bass”. A big room intro built from swirling atmospherics and wide sonorous sustained notes shimmers into view. Then the eponymous vocal sample signals a drop down into straight-up head-nodding grimy funk. Then L Plus keeps the heat rising as the bassline modulates to give each sixteen bars a character of its own. This is one to give the dancefloor a proper workout.

Then “Arcade” brings something for ravers to love and producers to envy. The chirps, bleeps and melodic patterns of eighties gaming are recreated and woven into twenty-first synthesis in a way we haven't quite heard before. It's a shoot 'em up between nostalgic stabs and ultra-modern bass and riffs which grows into a full on sonic war, and it's an addictive exultant joy. This is one that screams out to be pulled back and played from the top.

Things are a little darker in the dystopian city conjured up by “Snitch”. There's a technoid paranoia in the air, brought on by an approaching insurgency of low end. The drop provides no relief as sparse beats leave the bassline free to fill the space with interrogation-room oppression. With one eye always on the dancefloor, this is where L Plus proves his mastery of creating mood with music.

This EP proves why L Plus tunes are a constant fixture in the sets of well-informed DJs. Combining a rare technical proficiency with a well-honed musical and storytelling sensibility, plus a ruthless desire to smash parties everywhere, this producer is at the top of his game. This is creative rave music set to blaze on raves and airwaves alike.

Tracklisting:

1.	L Plus – Jailbreak
2.	L Plus – One Tonne of Bass
3.	L Plus – Arcade
4.	L Plus – Snitch

For interview requests and further information, contact:

info@techniquerecordings.co.uk

Arcade

Smooth - True Grit EP out 27th May 2016 on Viper Recordings. Buy or Stream: https://viper.lnk.to/vpr087

Smooth has laid a steady foundation with his Drum & Bass productions of late. Between his work as one half of Telekinesis with releases on labels such as Blackout Music, Eatbrain, and Mainframe – along with his last release on Viper, ‘WTF / Revenge’ which wrapped up 2015 with monstrous noise and support from: Wilkinson, Matrix & Futurebound, Calyx & Teebee, TC, Audio, Metrik, Mob Tactics, and more. Starting of 2016, Smooth’s ‘True Grit EP’ brings plenty more dance floor destruction to continue the Slovenian’s mark in D&B. 

Leading the charge on the EP is ‘True Grit’. With occasional glimpses to the early days of rave, this track is nothing but forward thinking madness. You’ll need bags of energy to keep up with this one as ‘True Grit’ switches, changes and turns and every possible musical turn. Packed to the brim with attitude and balls this one’s not for the faint-hearted.

Next up is ‘Eraser’, which opens with a spacey atmospheric intro, only to get stripped back into a chunky underground banger. Going sparse on the riffs and heavy on the low end, ‘Eraser’ is a perfect draw for the early morning sets to get the crowd jumping. 

Switching gears, ‘Oxygen’ rolls deep with the melodies and high on that feel good liquid vibe. Subtly epic in its own right, ‘Oxygen’ gives us an early peak to the coming summer vibes. It has weight, presence, and the ability to make you tingle all over. 

Rounding off the EP is ‘Tinnitus’, a condition normally associated with the perception of noise or ringing in the eardrums. Smooth’s version is quite the opposite. After a brief intro, the full impact is laid out for all to bear witness, thundering drums and a huge bassline. A peak time dancefloor weapon has definitely been created here. 

SMOOTH
‘True Grit EP’
1. True Grit
2. Eraser
3. Oxygen
4. Tinnitus

Label: Viper Recordings
Cat: VPR087
Genre: Drum & Bass
'Eraser' Beatport Exclusive: 29th April 2016
Released: 27th May 2016
​Buy or Stream: https://viper.lnk.to/vpr087
More Info: http://bit.ly/vpr087info

SMOOTH ONLINE:
https://www.facebook.com/lukasmooth
https://twitter.com/lukasmooth 
https://soundcloud.com/lukasmooth
https://www.instagram.com/lukasmooth​

Buy or Stream

Smooth - True Grit EP Minimix

Out 12th July 2017 on Mayan Audio. Pre Oder now - 

Mayan Audio Goes To Let It Roll

1. Barbarix - Severed
2. Roklo & Recs - Evolution ft Nuklear
3. Kung - Sourdough
4. Intraspekt - Far Away

Label: Mayan Audio 
Cat# MYN021
Genre: Drum & Bass
Released: 12th July 2017
Buy or Stream: http://mayanaudio.com/Goes_To_Let_It_Roll_EP_MYN021

Mayan Audio Online:
www.facebook.com/mayanaudio
twitter.com/mayanaudio
www.instagram.com/mayanaudio
www.mayanaudio.co.uk

Kung - Sourdough

In 2014 I joined forces with a local MC for a few shows, the dude was a legend and we decided to work on a few tunes together. 

This is one of them that the release fell through for..

So here it is as a free download. Big ups

Killer Industries Feat. Bad C - Manifest (2014 FREE DOWNLOAD)

Mountains

Prophecy (Teddy Killerz Remix) [feat. Ad-Apt & Mike Romeo]

Black Sun Empire feat Inne Eysermans - Killing the Light (June Miller Remix)
Worldwide release date: March 25th 2013 (Exclusive to Beatport for two weeks)
www.facebook.com/blacksunempire
www.facebook.com/junemillermusic

With support from a stunning cross section of industry players – Chase & Status, Pendulum, Friction, Camo & Krooked, Loadstar, Rockwell, High Rankin, Feed Me – and a position in the top five best-selling albums of 2012 on Beatport, Black Sun Empire’s ‘From The Shadows’ LP was one of the Dutch trio’s biggest accomplishments in their fifteen year, five album history. To celebrate? They’re serving up this disgustingly massive remix compendium.

Featuring some of the most exciting talents in drum & bass, each of the six remixes here offer a sizzling new slant on three of the album’s biggest tracks. All armed with their own character and uncompromising dynamics, it’s a challenge deciding which one to drop first…

‘All Is Lost’ starts the set with the perfect balance of emotional sonic star-gazing and gritty bottom-end welly. With stunning hymn-like vocals from Thomas Oliver and hype-hungry attitude from Youthstar, it’s widely regarded as one of the album’s boldest highlights. Naturally both Memtrix and Telekinesis have stepped up to the massive challenge.

Lifted fave Memtrix goes first. Opening with teases of the original’s euphoric synths, he lets the vocals breath for one second before BANG: utter bassline sickness takes over. Complete sonic bombardment of the senses, there is no mistaking Memtrix’s direction and focus for this prime-time piece of D&B naughtiness. And there’s no mistaking the raw power of Telekinesis’s remix, either… Igniting with piano-primed ‘lighters up’ intro, we’re soon pushed into the deepest end of the darkness pool with Youthstar’s spitfire delivery, a gut-busting halfstep groove and a murder of distorted bass tones. Flipping to full D&B tempo midway, it’s a strident party piece that will stay in your wallet or playlist from now until the 23rd century.

Next up, ‘Dawn Of A Dark Day’: A blazing unity of UK grime and Euro neuro, the day Black Sun Empire called up the Foreign Beggars for mic-duties was a game-changing day for the entire bass industry. Naturally both remixes pay respect to the fusion and fire of the original. Prolix takes the original’s swaggering halfstep intro and adds a touch more menace on the low-end and an industrial punch to the beats before dropping into a rampant, rolling speaker-smasher. No face will be left unmelted when you drop this. We guarantee it. Meanwhile Receptor adds his own interpretation with an instant uptempo kickstart and the creative use of drama-drenched cinematic strings and devilish Slayer-level guitars.

‘Killing The Light’ brings us to a fitting climax with two of drum & bass most distinctive, forward-thinking acts on remix duties. Delicately dressed with the heart-melting vocals of Inne Eysermans, the raw emotion makes ‘Killing The Light’ the closest thing to a ballad Black Sun Empire will ever write. Paying respect to this, Icicle sharpens the kicks and snares, weaves haunting pads into the mix and takes the vocal to the darkest place imaginable. For those looking for more of a laser-snapping edge, look no further than June Miller’s remix; bolstered with a gargantuan bassline and searing sonic flares, the Dutch-Anglo duo have taken the softness and depth of the original and subverted into a priceless peaktime banger that NO D&B DJ should be without this season.

Black Sun Empire feat Inne Eysermans - Killing the Light (June Miller Remix)

Contact: info@viperrecordings.co.uk. We do not regularly check messages on here. To submit a demo please visit https://viper.fanlink.tv/demos. Do not send to any other address or they will be ignored. 

Since its inception in 2004 by Futurebound, Viper Recordings has become a powerhouse in the Drum & Bass scene and has been responsible for releasing some of the biggest dancefloor hits of the past 15 years. Viper’s current roster of artists includes: Matrix & Futurebound, Cyantific, BMotion, Ekko & Sidetrack, Dossa & Locuzzed, Jack Mirror, Madface, Giganti, and Blaine Stranger. 

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