our Release on Innervisions !

17.03.2014 Vinyl record at MTN Shop - www.mutingthenoise.com and digital at Beatport 
31.03.2014 Record store & digital release date worldwide

Mastering by Bo Kondren at Calyx 
Design by Innervisions

Produced by:
Frankey & Sandrino

Released by Innervisions
Release/catalogue number: IV50.II

Digital

Distributed by MutingTheNoise



Frankey & Sandrino - Save

Mano Le Tough - Everything You've Done Before (Dixon Remix)

A. Guy Gerber - The Mirror Game

Nuno dos Santos’ boutique label SoHaSo (shorthand for Something Happening Somewhere; although, sadly the same can no longer be said of Trouw) has been cruising steadily for the best part of two years now, but "Tonii" might just be the best thing committed to wax yet. Love Over Entropy's 12m original is sturdy with bright flourishes throughout, forever climbing and searching without resolve; techy without, y'know, being techy. 

This retouch comes from none other than Innervisions' main man, although  less overtly lovelorn than we've come to expect. He  twists the lead melody into something resembling a steel pan drum, backed by laser-guided synths pinging all around: a festival-sized breakdown held just at the precipice, never fully cresting. Dixon, you big tease.

Released on 13/04/15 

Love Over Entropy "Tonii (Dixon Retouch)" - Boiler Room Debuts

Apotheosis 2

BLOND:ISH - Endless Games (Patrice Bäumel Mix)

B1 - Adriatique - Undrstnd (Original Mix)- Cityfox [CF026]

Tim Green is back with another brace of high impact club tunes of the sort that have made him one of the most in-demand producers of the day.

Whether serving up rolling techno treats for Cocoon, essential mixes for the Body Language series on Get Physical or laying down compelling club sets in the DJ booth, Brit Tim Green is unstoppable right now. Here he steps up to the Get Weird imprint with two more tantalising cuts that show just how broad and brilliant an artist he is.

Stirring opener ‘For A Memory’ is eleven minutes of wordless and intoxicating female vocals, slick rubbery drums and plunging bass. The overall effect is hypnotic, rolling and perfectly groovy, and it will no doubt have whole dancefloors locked under its spell. Some little melodic explosions, sweeping filters and luscious pads all help add a real air of grace to proceedings that mark it out as another classic from Green.

‘For A Distant Memory’ is a subtle but noteworthy reworking of the same cut. In this one, the drums are less direct and more stripped back, there is a focus on the angelic, glowing pads and on spine tingling slices of synth that are reflective and emotive as they drop in and out. It is a perfectly trance inducing, heart warming cut that the likes of Lee Burridge at his All Day I Dream parties, or various DJs playing on a sun kissed terrace around the globe, will all lap right up.

These are two more essential tracks from the ever on point Tim Green.

For A Memory EP

For A Memory

Buy on Beatport

Tim Green - For A Memory [Get Weird]

OUT NOW http://hyperurl.co/SE_BP

"Now, last week we had the Sound of Ibiza mix in from Mr Guy Gerber, during that mix he played his brand new tune, it is brilliant, it's called 'Secret Encounters', it's this weeks Essential New Tune" - Pete Tong

Secret Encounters EP

BUY NOW

Secret Encounters

Connect with WWD: 
YT >>> youtube.com/user/whenwedip
FB >>> facebook.com/wwdofficial

Read More: http://whenwedip.com/2017/07/premiere-jonathan-kaspar/

Follow: https://soundcloud.com/jonathankaspar // https://soundcloud.com/objektivity

@when-we-dip
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Premiere: Jonathan Kaspar- Khaya [Objektivity]

Out now on vinyl and digital - lnk.to/CRM194

Pale Blue, the duo of Elizabeth Wight and Mike Simonetti, released their debut album to much critical acclaim back in 2015. They come together once again with their latest EP You Stopped Dying due to drop on Crosstown Rebels in February.

“The “You Stopped Dying” ep takes influence from shoegaze groups like Slowdive and My Bloody Valentine and moves it to the dance floor....The result is a strange hybrid that some have called “technogaze”....This would never work if Liz wasn’t such a strong vocalist. Her amazing vocal range makes it easy.” Mike Simonetti

Pale Blue is a hypnotic affair, the driving bass sitting perfectly under Wight’s powerful yet ethereal vocals. Daughter of Babylon takes the record into heavier techno territory with its thudding bass and Wight’s breathy vocals delicately layered over the top. On the flip side Love is an unapologetically industrial number with screeching synths that echo around Wight’s vocals.

Simonetti and Wight have each earned their musical stripes in their own rights. Simonetti founded the hugely popular Italians Do It Better as well as his own successful record label, 2MR. He’s released a slew of records on highly regarded imprints such as Me Me Me, Correspondant and Public Release, and enjoys a fruitful career as a touring DJ, which shows no sign of abating. Wight has previously lent her exhilarating vocals to the West Coast band, Silver Hands of which she was once one half of.

Pale Blue - You Stopped Dying

vi•sion quest (noun): a search for personal communication with the spirit world. 

Every mystical journey eventually comes to a fork in the road. The seeker of life’s destiny has two options: remain satisfied with whatever level of consciousness he has already attained, or push forward into ever-new domains of promise and possibility. 2014 sees dance music’s best-known spiritual pilgrims, the Visionquest trio of Ryan Crosson, Lee Curtiss, and Shaun Reeves, bravely embarking upon that wondrous journey. Each member of this celebrated DJing and production team contributes a distinct yet interlocking vision that together forms a seamless, organic whole. Just think of Crosson’s enthusiastic shuffle, Lee’s soulful stare, Shaun’s soft touch. Everything they craft has the same unmistakable flair: slow-burning, shape-shifting, expansive techno and house marked by compositional elegance and unabashed pop hooks.

Although long-time partner and co-conspirator Seth Troxler has stepped aside to pursue other projects, 2013 was the biggest year ever for the four. Inspired by the passing of the Mayan calendar, the group embarked upon Visionquest 13, 13 dates where the boys not only played together the whole night, but curated a true multimedia experience. From London to Buenos Aires, from the American hinterland to the Chilean wilderness, Visionquest 13 was a Freudian trip into the deepest recesses of the Detroit rave unconscious, what Ibiza Voice described as a “collective expedition into the depths of your soul”—but with a sophisticated, modern twist.

Their accomplishments are well-known and too many to list. For starters: a critically acclaimed 2011 Fabric mix; year-defining hit remixes for artists as diverse as Kiki, Wareika, Tracey Thorn, and David Lynch; showcases and dates in the biggest clubs and festivals around the world; and the creation of a now iconic-label that’s played host to dancefloor weaponry from the likes of Benoit & Sergio, Life & Death, Dinky, and Laura Jones—all this while each member maintained significant individual production and DJ careers. But, by definition, no journey dwells in the past. So in 2014 they launched Visionquest Special Editions, a limited-release, vinyl only label. Evoking the experimental sounds of the European techno avant-garde that first inspired the boys back in Detroit, the debut release, remixes of Montreal songwriter Quilla, features a stunning collaboration between Shaun and long-time hero Ricardo Villalobos. With Visionquest Special Editions we see the group at home at a breezy, gentle afterparty, not just igniting the club. As Visionquest winds around the corner into their bright future, they remain open and excited for what lies ahead.

A. Guy Gerber - The Mirror Game

Visionquest Records