77th EP for Visionquest Records from Greek masterminds Bodj & Roksi

Weird Science EP

VQ077 B2. Tomodachi

Né en 1991 et natif de Rolle, Luca Masciocchi – A.K.A. K@lu – est passionné de musique depuis l’enfance. Il a traversé différents horizons musicaux. Influencé en premier lieu par le mouvement hip-hop, il a entrepris plusieurs projets avec des amis (Enregistrements, clips vidéo, etc…). En grandissant, il a continué à voyager musicalement en s’ouvrant à d’autres types de mélodies (Jazz, Bossa Nova, etc…) ainsi qu’à différentes cultures, ce qui lui a permis de constituer un bagage musical hétéroclite. 
Il s’est ensuite tourné vers la musique électronique, se rendant compte qu’à travers ses sets, il pouvait marier les différents genres musicaux qui lui plaisait. Il a par conséquent commencé à jouer avec les sonorités tout en combinant des rythmiques diversifiées, passant du groove à des lignes de synthé beaucoup plus grasses (Minimal, Deep Tech, Micro House, House Funky, etc…). 

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Born to 1991 and native of Rolle, Luca Masciocchi - A.K.A. K@lu - has been passionate about music since childhood. He has crossed different musical horizons. First influenced by the hip-hop movement, he undertook several projects with friends (Recordings, video clips, etc...). As he grew up, he continued to travel musically by opening himself to other types of melodies (Jazz, Bossa Nova, etc...) as well as to different cultures, which allowed him to constitute a heterogeneous musical baggage. 
He then turned to electronic music, realizing that through his sets, he could marry the different musical genres he liked. He therefore began to play with sounds while combining diversified rhythms, passing from groove to much fatter synth lines (Minimal, Deep Tech, Micro House, Funky House, etc. ...).


For Bookings : kalu-1180@hotmail.ch

Téléphone : 0782327470

DJ/Producer 
Bookings - rhysmomsen14@gmail.com

Instagram - rhys.momsen 
Facebook - Rhys momsen

Rhys Mømsen born and bred Johannesburg based DJ and Producer. His music ranges between different genres to make one complete sound, driven by profound, low end bass lines with a wide variety of unorthodox, offbeat Sonics that are mingled together to make his sound truly unique. A key ingredient to his music is the slapdash percussion, that is oddly scattered throughout. 



The evolving talent on the rise is one not to over do it and focuses on the cleaner aspect of mixing allowing the music to do all the work. Another huge factor in his eyes is the flow of music keeping everyone “in da groove”. He thrives on controlling people’s emotions throughout his mixing.

vi•sion quest (noun): a search for personal communication with the spirit world. 

Every mystical journey eventually comes to a fork in the road. The seeker of life’s destiny has two options: remain satisfied with whatever level of consciousness he has already attained, or push forward into ever-new domains of promise and possibility. 2014 sees dance music’s best-known spiritual pilgrims, the Visionquest trio of Ryan Crosson, Lee Curtiss, and Shaun Reeves, bravely embarking upon that wondrous journey. Each member of this celebrated DJing and production team contributes a distinct yet interlocking vision that together forms a seamless, organic whole. Just think of Crosson’s enthusiastic shuffle, Lee’s soulful stare, Shaun’s soft touch. Everything they craft has the same unmistakable flair: slow-burning, shape-shifting, expansive techno and house marked by compositional elegance and unabashed pop hooks.

Although long-time partner and co-conspirator Seth Troxler has stepped aside to pursue other projects, 2013 was the biggest year ever for the four. Inspired by the passing of the Mayan calendar, the group embarked upon Visionquest 13, 13 dates where the boys not only played together the whole night, but curated a true multimedia experience. From London to Buenos Aires, from the American hinterland to the Chilean wilderness, Visionquest 13 was a Freudian trip into the deepest recesses of the Detroit rave unconscious, what Ibiza Voice described as a “collective expedition into the depths of your soul”—but with a sophisticated, modern twist.

Their accomplishments are well-known and too many to list. For starters: a critically acclaimed 2011 Fabric mix; year-defining hit remixes for artists as diverse as Kiki, Wareika, Tracey Thorn, and David Lynch; showcases and dates in the biggest clubs and festivals around the world; and the creation of a now iconic-label that’s played host to dancefloor weaponry from the likes of Benoit & Sergio, Life & Death, Dinky, and Laura Jones—all this while each member maintained significant individual production and DJ careers. But, by definition, no journey dwells in the past. So in 2014 they launched Visionquest Special Editions, a limited-release, vinyl only label. Evoking the experimental sounds of the European techno avant-garde that first inspired the boys back in Detroit, the debut release, remixes of Montreal songwriter Quilla, features a stunning collaboration between Shaun and long-time hero Ricardo Villalobos. With Visionquest Special Editions we see the group at home at a breezy, gentle afterparty, not just igniting the club. As Visionquest winds around the corner into their bright future, they remain open and excited for what lies ahead.

DJ Roger (Digital Bionics) came to live in Australia in 2011 from England where he started DJing in 1994 in Glastonbury town, Bristol
and around the fields and forests of Somerset.

After being a part of the early rave scene in London, he left for the countryside of Somerset and settled in Glastonbury town in 1992.

He's mixed in a lot of tents and cafes in Glastonbury festival year after year, bars and clubs in Bristol along with lots of private parties, heavily 
influenced by what he describes as extraterrestrial Techno and other creative dance genres, that have a spacey and experimental edge, along with some melodic uplifting Trance sounds, Future House, Dubstep, Electro Tech, Breaks, Drum and Bass , Electronica, Electro House, EDM, Psy Trance, Pop ,IDM, Good Chill, Weird Trap, Odd Prog.

He left his decks and records in England for the benefit of a younger generation and decided to use a laptop and controller for mixing in Australia 

Roger could also be heard playing as a resident, in Jack’s Bar, Keen St, Lismore regularly, mixing a blend of House, Electro House, Techno, Prog, Breaks, always with a psychedelic, creative or crazy edge.

He is also a regular at Honey Pot Production's beats on tap gigs, as well and the monthly NEMESIS collective in Nimbin, bush doofs, and numerous private parties such as Fashionably Trashed and Triple Treat, 

He's also played multiple gigs for 3rd Eye Productions in Lismore NSW's Hub, which is now the Metropole Hotel in Keen street, Lismore, NSW where he’s also been playing upstairs at the rooftop bar and garden independently and now as a guest with the D’Bakery crew.

Long mixes are his passion, always busy in the headphones looking for a hook or some oddball sounds to throw in.

Most gigs are recorded and uploaded. They can be heard here. 

https://soundcloud.com/roger-andre