free download at http://sublimeporte.net/index.php?/releases/sp10/
enjoy

Sublime Porte - Red Apple (Subsky Remix)

Doc Martin & Sublevel present SUBLEVEL 005 - The DOZA E.P.

http://www.sublevelcalifornia.com


Buy on Beatport

DOZA - PLEASURE [CLIP] - SUBLEVEL

Smalltown Boy feat. Jimmy Somerville

The Landing

Buy on bandcamp

Red Richards & Hondo - The Landing

Yapping

Having been on a musical journey through the wayward world of techno lasting over 10 years, Eddy Kreischer &amp; René van Geenen (co-founders of the techno imprint Audiosculpture) felt the time was right for a new and ambitious project in which they would be returning to their musical roots. They went back to the late 70’s early 80’s, at the time that the introduction of analogue synthesizers and drum computers changed the music scene in a dramatic way. Suddenly mysterious faceless projects producing alien-like sounds emerged from a world of pop music being played by recognizable artists. It was like opening doors and being sucked into a new universe filled with electronic styles like electro, wave and disco. Due to this first wave of new trends the awareness that producing music was no longer tied up by fixed musical patterns grew. This sense of freedom marked the beginning of an obvious development towards house and techno. Nowadays more powerful computers and better software guarantee even more unprecedented possibilities. This has inspired them to go back to the analogue basics using current technology and today’s knowledge. Last year this vision materialized into the ‘Sfera Celeste Project’ which resulted in their first instrumental track called ‘Celestial Stars’. Working in this innovative way made them focus their attention again at the use of vocal elements. Their first production seemed ideal for a trial to assess the added value of the human voice. On top of their list of voices from the past was Fred Ventura, nowadays best known for his work as producer and remixer of great Italian artists but who still occasionally gets involved in projects that appeal to him. A raw demo of ‘Celestial Stars’ was enough to succeed in welcoming him at Visitors Records thereby giving birth to an intriguing version of this song called ‘Walk With Me’. Everything seems to come together resulting in a deep, fresh and modern music style which is not restricted by too many rules. This again opens boundless possibilities regarding the creation of new tracks and inspiring livesets.
For more information regarding Visitors Records and their artists, contact Willem Overbosch info@visitorsrecords.net or visit www.visitorsrecords.net. The release will be available on vinyl and digital@ Clone Distribution (worldwide) in november of 2010.


Sfera Celeste Project featuring Fred Ventura - Walk With Me

https://getphysicalmusic.lnk.to/GPM553

Pezzner’s entry into the esteemed Body Language series lands in early 2020, and before that we’re treated to a series of tracks from it.

American James Curd began DJing in Chicago aged just 15. He went on to make his production mark on the Classic label, had music licensed for Grand Theft Auto 4 and has topped Juno sales charts. Here ‘Getting Into It’ is a fantastic disco licked house groover with feel good chords and hip-swinging claps that will warm through the club. Chick Iverson is a tech talent whose standout ‘Alright’ is a stripped back affair with dry hits and sci-fi effects that take you on a roller coaster ride through whirring atmospherics and synthetic sounds.

Switching up the mood again are Homero Espinosa, Cris Herrera & Tokita with ‘Spanish Joint’, a fresh acid jam with lush, swaying drums that build to a peak then pull back before building again, making for a real dance floor journey. Last of all, Beats in Space and Compost associate Tomasz Guiddo links with frequent collaborators Piro and Arnold Kasar for a soulful house cut with warm synths and spoken word vocals that lend the track an intimate, funky, romantic feel.

As well as these fine offerings, Pezzner’s forthcoming mix features four brand new exclusives of his own, meaning Body Language Vol. 22 will be special indeed.

www.getphysicalmusic.com

When The Night Comes

Tomasz Guiddo & Piro Feat. Arnold Kasar - When The Night Comes (Snippet)

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Kiku is here, the next various artist album on Oleeva. Featuring label mainstays such as Daniel Verhagen, Didacte and Sam Goku whilst also providing a spotlight and platform for newly discovered debutants such as Alec Robertson and 3 S. The release is a testament to the diversity and originality of these artists and the sounds they’re capable of creating. A colorful, cohesive, aural trip that spans the spectrum of electronica, house and techno. 26 tracks for you to live with and get to know over the coming months.

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Buy / Stream

Florian Busse - Reel

Artist: Meeshoo, Dave Aju
Title: Teleport EP
Label: Culprit
Release Date: 2020-06-29

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Teleport EP

Teleport (Dave Aju’s Remix

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Meeshoo - Teleport (Dave Aju’s Remix) [Culprit] [MI4L.com]

Buy/stream: https://kompakt.fm/releases/videosphere

Videosphere, the debut album by Kompakt’s latest signing, the London-based artist Lake Turner (aka Andrew Halford), swoons into focus with “The Sunbird”, a teasing drift of lilting, ambient tones, riding out a submerged piston-pulse rhythm. Across its brief 109 seconds, it manages to traverse evocative terrain – something mythopoetic, something both humble and grandiose, a glimpse of the other behind the sky’s curtain. “I wanted to conjure up something resembling an ancient ceremony or death procession,” Turner nods. “Like a hymn to the surroundings of a faraway hill.” It’s both sky-bound and earthen, a ritual incantation to call in the music of the spheres.

Turner was introduced to the Kompakt family by his sometime collaborator Yannis Philippakis of Foals. He’d previously made music in post-punk and indie groups Great Eskimo Hoax and Trophy Wife, but Videosphere is the first time he’s fully articulated his own vision of electronic music, aside from one limited lathe-cut 12”, 2018’s Prime Mover EP, on Algebra. The lush ambient-disco-techno dreams of Videosphere were constructed and completed in his London studio and at his parents’ arable and sheep farm in Worcestershire, which might help explain the hazy, unhurried pastoralism of the album.

“There was a slight bittersweetness in finishing the record (in Worcestershire) as my parents were in the middle of selling my childhood home,” he sighs, before quipping, “on the plus, I ended up shearing a lot of sheep over the summer.” A student of archaeology and ancient history, Turner is no doubt carefully attuned to the twisting cogs of history and memory, and it’s no surprise that Videosphere has a nostalgic, melancholic cast; much of its beauty rests in the way it tugs, gently, at the heart strings – see the tear-stained cheeks of the lush, dappled “Honeycomb”, or the sweetly sad electro-roundelay of “No Way Back Forever.”

It’s not all drift-dream hypnosis, though – Videosphere is very much grounded in the now. ““No Way Back Forever” is a nod to the linear nature of time,” Turner explains by way of example, “and the tipping point of the world climate crisis that scientists have now declared.” Jayne Powell’s vocals are sent spinning through the song, wound like candyfloss; she takes centre stage on the techno hymnal title track, too. Throughout, there’s a sense of forward movement, despite the life stasis we find ourselves collectively bound by in mid-2020; there’s also a yearning for the communal, for community, that’s captured in the album title, a nod to an object Turner encountered at London’s Geoffrey Museum, “a television set in the shape of a spaceman’s helmet from the 1970s.”

“The vision I loosely had was to make an electronic record that had a communal warmth and almost ceremonial or ritual feel. I wanted to examine the relationship of our archaic minds in the trappings of the modern world,” Turner concludes. “What the Videosphere also symbolizes for me is the oneness of humanity and community, prevailing.”