Co-Founder @resourcesmusic 
Resident DJ @rinse_france

░░V░░H░░M░░


Contact@voicehandsmachine.com

- 1/2 of https://soundcloud.com/bsnposse 
- 1/3 of https://soundcloud.com/casi_famosos
- @iberianjuke founder 

- https://linktr.ee/brokenlip

for bookings / remixes / collabs / sending tracks contact me :
bsnposse@gmail.com

Moshi Moshi Records started off as a hobby in 1998. Set up by three friends who had jobs working for major record labels. It was intended as a way of working with the bands that they loved but which didn’t fit in with the agenda of the day-job taskmasters. Early single releases from Zan Lyons, Kathryn Williams & Pedro and J Xaverre earned the label some plaudits. And sold a few records. Over the next five years Moshi Moshi slowly started to build a reputation for interesting, slightly leftfield, low-key releases. Then in 2004 things changed. For a start Moshi stopped being a hobby and became a fulltime job. Very soon after, Hot Chip and Bloc Party arrived and Moshi Moshi quickly became a name known to more than a few. Chart success followed with Yeti and The Rakes and higher-profile album releases from Architecture In Helsinki and Au Revoir Simone helped lift the label onto a new level. Then from 2006 onwards came artists such as Hot Club De Paris, Tilly And The Wall, The Wave Pictures, Slow Club, James Yuill, The Drums, Summer Camp, the list goes on.

In late 2006 the two remaining Moshi Moshi founders decided they wanted to get back to their one-off 7” release roots and the Moshi Moshi Singles Club was born. The intention was to try and release one 7” each month by a new up-and-coming artist. It would be limited to 1000 and only be available in a select group of indie stores. The artwork would be restricted to one colour and be designed by the bands themselves. Now some 40+ releases later the singles club’s roster makes an impressive list – (including) Kate Nash, Late of The Pier, Friendly Fires, Lykke Li, Florence and The Machine, Kindness, Dananananayckroyd. Disclosure. In 2011 Moshi Moshi expanded its remit by partnering up with some very talented young A&R folk to set up the imprints Tender Age, Not Even, Apricot and Dream Beach. Working under the Moshi Moshi umbrella these new labels have already yielded a clutch of exciting releases by artists from as far afield as Kenya and Seattle.

At the same time as running the record label Moshi Moshi Management has been quietly guiding the career of Metronomy and Slow Club as well as producers Ash Workman and Ollie Bayston. From 2012 this side of the business started to expand dramatically and now features a sizeable roster of emerging artists.

Looking back on the Moshi Moshi roster (particularly since the label ‘went fulltime’ in 2004) it’s a collection that bears comparison with any of its peers. For a label run by two people with no financial backing, it’s nothing short of an inspiration.

A boutique music publisher and network of composers

Slime Recordings Group is the home of Slime Recordings and it's subsidiary labels Downplay, Boss Mode and Shadowhearts.

"One of the most substantive, interesting labels around"
- Beatport

"Slime Recordings are without doubt one of the most forward-thinking labels operating in the garage arena right now"
- iDJ Magazine

"If you're a fan of the deeper end of breaks and garage, you're onto a winner here"
- Mixmag

"Neatly joins the dots between post-dubstep bass music, dark house and garage with a vision that will still sound sharp in years to come"
- Juno

"Britain’s undisputed home of garage music has been going strong for many years now. Slime Recordings nails its particular vibe like few labels do."
- Medium

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Slime Recordings
"Designed to move minds"

From its inception at the start of this decade, Slime has strived to bring you the very best in forward-thinking electronic music, designed as much for your own headspace as it is for the dancefloor.

We've sought to re-capture the wide-eyed thrill of the first age of rave, that era of experimental sounds and styles which changed the way so many of us listen to music forever, and re-interpret it for a new generation.

VHM is following