You captured the haiku's special moment so well.

This is niiiice!!! [sorry that that is bit of a bland comment, it's just what I literally said out loud though! :-D ] What I could say is that this is super deep sounding, epic soothing drone, it sounds like soaring above the clouds or something, looking down over the lands

Naviar Haiku Challenge: www.naviarrecords.com/about/naviar-haiku

To participate in the Haiku Music challenge::

- Make a song in response to the weekly assigned poem (a new poem is published every Wednesday)
- When choosing a title for your piece also include the assignment number, for example “Title of your track (naviarhaiku382)”

To submit your track:

- If you’re a Soundcloud user, upload it on Soundcloud and send me the URL via private message, or tag me in the track.
- If you upload your music on Youtube, Bandcamp or anywhere else, upload your submission and then send me the link by email at marco@naviarrecords.com or contact me on X, Facebook or Instagram
- If you don’t use any music platform, upload it to this Dropbox folder and I’ll include it in the weekly playlist. If you choose this option, make sure you include your name in the track’s title. www.dropbox.com/request/JvKyUfuCSzJ3gRNRocZz

Your track may be included in Naviar's weekly podcasts and free (pay-what-you-want) compilations. If you can, please set the track as downloadable on Soundcloud and allow others to remix/reuse it by using a Creative Commons License.

Naviar Records store: www.naviarrecords.bandcamp.com

all submissions

haiku #555/ they spoke no words / the visitor, the host / and the white chrysanthemum

A work in progress piece.  Just to listen and breathe to.

Your Silences Never Last

Chapter 200 of 266
Reaching the milestone of 200 chapters in the "TAFFETA" journey, I am are overwhelmed with gratitude for all of you who have been with me from the beginning and those who have joined along the way. Your unwavering support has truly been the lifeblood of its creation, inspiring every chapter. "TAFFETA" is not just a musical endeavor; it's a shared experience, one that has been enriched by your presence and engagement. Thank you for allowing these stories, born from dreams and shaped by tragedy, to hopefully resonate in your lives. 

Chapters released every week. All TAFFETA tracks are created within seven days.

I use a complete hybrid of organic & electronic sounds within the scope of the Taffeta project. Nothing is out of the question and no limits are set on how things may evolve one way or another.

If you wish to take a dive into everything that has come before:
The TAFFETA Albums each contain 15 consecutive tracks and are available for free, exclusively on Bandcamp.

TAFFETA VOL. 12 is now released exclusively on Bandcamp:
https://belialpelegrim.bandcamp.com/album/taffeta-vol-12

TAFFETA VOLUMES 1-12 are all available on Bandcamp. 

COVER YOUR TORSO WITH TAFFETA! Check out the official TAFFETA t-shirt!
belialpelegrim.bandcamp.com/merch/belia…feta-design

The TAFFETA Playlist is always kept up to date:
soundcloud.com/belial-pelegrim/sets/taffeta-a-266-part-musical?si=d46fc7ad1b50446dadc7ce3ffe1a1b02&utm_source=clipboard&utm_medium=text&utm_campaign=social_sharing

Taffeta 200

TAFFETA | 200

My submission for Naviar Haiku Challenge #554.
Messing about with GForce OB-1 and Aparillo.

Night Light

Night Light - Naviarhaiku554

HAIKU MUSIC CHALLENGE

Naviarhaiku 555

they spoke no words
the visitor, the host
and the white chrysanthemum

For this week's challenge, I picked another poem by Ōshima.

Ōshima Ryōta was a Japanese poet of the Edo period. Some sources say he was a disciple of Yosa Buson, while others say his master was Hattori Ransetsu. He's mostly remembered for his essay “Bashō ku kai” 芭蕉句解 ('Study of Bashō's haiku') published in 1759, a magnum opus of his studies and literary theories on Matsuo Bashō's work.

Haiku by Ōshima Ryōta

Picture by Ioann-Mark Kuznietsov

Submission deadline: 28th August 2024

To find out more and participate, visit https://www.naviarrecords.com/haiku-music-challenge/

Chrysanthemum

Chrysanthemum (naviarhaiku555)

they spoke no words
the visitor, the host
and the white chrysanthemum

Ōshima Ryōta was a Japanese poet of the Edo period. Some sources say he was a disciple of Yosa Buson, while others say his master was Hattori Ransetsu. He's mostly remembered for his essay “Bashō ku kai” 芭蕉句解 ('Study of Bashō's haiku') published in 1759, a magnum opus of his studies and literary theories on Matsuo Bashō's work.

Haiku by Ōshima Ryōta: https://www.thepoetryhour.com/poets/oshima-ryota

To find out more and participate, visit https://www.naviarrecords.com/haiku-music-challenge/

more halF unusuaL

halF spokeN [naviarhaiku555]

22Aug24

My naviarhaiku555 submission
https://naviarlab.tumblr.com/post/759434058047602688/naviarhaiku555-they-spoke-no-words
:D

they spoke no words [naviarhaiku555]

This track was created for the Naviar Haiku group.
555
https://www.naviarrecords.com/naviarhaiku555-they-spoke-no-words/

2024-08-22

They Spoke No Words ( Naviarhaiku 555 )

Unfulfilled

An electronic composition, original sounds created in Pure Data.

Wordless Dialogue (naviarhaiku555)

"Trio"

art work: Public Domain Pictures via Pixabay

青白い
息を吐く花
馬の目の中の我
円蓋の底ひ
奥歯の玉座にすわる

A flower that exhales pale breath.
A face reflected in a horse's eye.
The bottom of the sky like a circular canopy.
Sitting on the throne of the back teeth.

Trio

2024-11-29

The Night Tells Its Story

2024-12-01

Flying Carpet

drifting (slowed  & reverb)

Fading warmth in endless shadows — “where the light once lingers” by instagram.com/arancinalofi and instagram.com/nooneislisteningmusic blends melodic darkness with cinematic stillness, like the last memory of sunlight.

arancina x no one is listening - where the light once lingered - slowed + reverb

to Maria Zambrano

Marco Lucch : piano, electronic tanpura and electronics

[2011] Lichtung

Jesús Lastra aka Voidborn Horde, is a Venezuelan ambient electronic music composer born in 1986. Since 2002, He starts this musical journey by exploring experimental sounds, influenced by ambient music and soundscapes that evoke vast and ethereal imaginary worlds. Under the alias Voidborn Horde, he has developed an unique style with electronic elements and ambient textures, finding a kind of "false enviroment sounds" to give the listener an immersive and dreamlike experience. His music is characterized by its ability to evoke neutral deep emotions and meditative states of patience, making him a reference in the ambient music scene.

@rawpinkbmp
@flat-stone
@zuheodosha
@jalastram
@kabomani
@solanmusic
@nobioyetmusic
@nobioyet
@0x4B

Software

- FL Studio
- Audacity
- Virtual Instruments
- Cubase LE AI Elements 6
- Adobe Photoshop CS2
- WaveEditor Record & Edit Audio (Sound-Base Audio, LLC)

Hardware

- Vieta Pro Way 4
- MSI GF63 Thin 11UC
- Interface Scarlett 2i2
- Condenser Microphone(CM25)
- Audio-Technica ATH-M50X
- Arturia MiniLab - USB/MIDI Controller
- Nikon D3200
- M-Audio Axiom 61
- M-Audio Oxygen 61
- M-Audio Hammer 88
- M-Audio BX5 D3 (Studio Monitors)
- JVC HA-RX330-E Headphone
- AKG Headphone
- SONY SRS-D25
- Samsung S10 Edge
- Xiaomi Redmi 9C
- Xiaomi Redmi 14C

https://freesound.org/people/jalastram/

Naviar is a music community and label. Through regular publications, open projects and events, we explore the connection between experimental music and traditional Japanese poetry.

To join the Haiku challenge, visit https://www.naviarrecords.com/about/naviar-haiku

Chrysanthemum (naviarhaiku555)

Voidborn Horde

Recent comments

Cthonicist

maRc1n0ZɅ

OCTOSHED!

Base

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