???

180324 : Deux heures on affronte les choses du ciel, lequel termine de se tordre, près de rompre. On persévère avec un rythme irrégulier. Il conserve de la résistance, qu’on déclenche par salves et qu’il réserve on ne sait trop comment. On chiale à demi. On apprend comment pousser vers l’avant mais on s’inquiète plus tard du manque à obéir qu’engage cette course sans bornes..

???

190524 : L’âpreté du dehors inscrit notre peine et cette peine, découverte, nous grise.
*

catalogue : muzakorderEP0011

recording(s) : fhauna

mastering : Nil Hartman

13 Gnoses (Vol.7)

vulpes Ardis vulpes

Gaskinify Fustyem (TimeMix77)

Piani Lontani

HAIKU MUSIC CHALLENGE

Naviarhaiku 553

Other than the woodcutter
there’s nobody here;
late-blooming cherries
 
Ichihara Tayo-Jo (1776 – 1865) became a widow at 31, and for many years she had to take care of her family and business on her own. Tayo discovered haiku thanks to Ishii Ukoo, a local, accomplished haiku poet and friend of hers; she moved to Edo in 1823, where she lived as a haiku master until her death.

Haiku by Ichihara Tayo-Jo

Picture by Markus Spiske

Submission deadline: 14th August 2024

To find out more and participate, visit https://www.naviarrecords.com/haiku-music-challenge/

Late Blooming (naviarhaiku553)

This was my contribution for Disquiet Junto Project 0658: Re-Amplify. The assignment was to re-record and re-compose an organ improvisation by Daniel Glaus. This project was the last of three done in collaboration with 2024 Musikfestival Bern.

Here’s a copy of my post on the Disquiet Junto 0658 discussion thread on Lines:

This assignment took me out of my comfort zone. Although I appreciate dark and dissonant experimental music, I find it difficult to create that type of music myself – leaning to a more mellow ambient vibe. I really did enjoy the process and outcome though, so I might experiment more with other styles in the future.

I used about a six minute section of Daniel Glaus's "Kokytos", and re-amplified the more quiet sections to come close to the loudest parts. I then copied the WAV file to my iPhone. From there, I went outside to the deck behind our house. A gathering of crows, Scrub and Stellar Jays were calling loudly in the Oak trees nearby. I re-recorded "Kokytos" from the iPhone speaker, along with the bird calls and other ambient yard/neighborhood sounds, using a Tascam DR-100MK3 digital recorder. Maybe it was my imagination, but the birds seemed to be responding to the sounds coming out of the iPhone.

After copying the file to Ableton Live, I added reverb and other effects to two versions of the audio. Other tracks, a bell tone from a Buddhist temple and chopped up clips of a Japanese children's song about crows, were also added. I also played sliced random samples from "Kokytos" with a MIDI keyboard using the Jumble plugin by SoundGhost. Abstract photo by Greg Rosenke via Unsplash. 

More on the 658th weekly Disquiet Junto project, Re-Amplify — The Assignment: Re-record and re-compose an organ improvisation by Daniel Glaus — at https://disquiet.com/0658/ 1.

Elegy For Crows and Jays [disquiet0658]

Cascaderie [naviarhaiku558]

https://www.beatport.com/artist/xfa/589219

MMXXIVVIIIVBRCHD

BLÄTTER FALLEN / marc schaffroth/ulrich langenbach

A live stochastic experiment 
with the Roland Juno 106, and 
Jupiter 4 and 6 synthesisers 
from Cherry Audio.

Spectral Moments

Float with the Fish by linakamura. From the Ambient/Chill SC Singles compilation.

Bandcamp: https://linakamura.bandcamp.com
Spotify: https://open.spotify.com/artist/5JJaCP2DNoIXagSqLAWfhF
Youtube: https://www.youtube.com/@linakamuramusic
Find More Here: linktr.ee/linakamura

Composed and Produced by linakamura
Artwork/photography by linakamura
Released December 14th, 2024

Float with the Fish

Mariage d'amour - Ambient (sped up)

🟢 Spotify

Jesús Lastra aka Voidborn Horde is an ambient electronic music composer born in 1986 in Venezuela. Since 2002, Jesús began his musical journey by exploring experimental sounds, influenced by ambient music and soundscapes that evoke vast and ethereal imaginary worlds. Under the alias Voidborn Horde, he has developed a unique style that blends electronic elements with ambient textures, creating compositions that transport the listener to immersive and dreamlike environments. His music is characterized by its ability to evoke deep emotions and meditative states, making him a reference in the ambient electronic music scene.

@rawpinkbmp
@flat-stone
@zuheodosha
@jalastram
@kabomani
@solanmusic
@nobioyetmusic
@nobioyet
@0x4B

- Virtual Instruments
- Audacity
- FL Studio 20
- Cubase LE AI Elements 6
- Interface Scarlett 2i2
- Condenser Microphone(CM25)
- Audio-Technica ATH-M50X
- Arturia MiniLab - USB/MIDI Controller
- Nikon D3200
- Adobe Photoshop CS2
- M-Audio Axiom 61
- M-Audio Oxygen 61
- M-Audio Hammer 88
- M-Audio BX5 D3 (Studio Monitors)
- JVC HA-RX330-E
- Native Instruments
- AKG Headphone
- SONY SRS-D25
- Samsung S10Edge
- Xiaomi Redmi 9C
- WaveEditor Record & Edit Audio (Sound-Base Audio, LLC)

https://freesound.org/people/jalastram/

Late Blooming (naviarhaiku553)

Voidborn Horde

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