TalkinToys - Out Of Hell (Official Audio).m4a

**About This Track**  
An original AI-assisted composition by Rob Nelson (*Bring Your Own Brilliance*) and Ron Cameron (*Alien Garden*). This song blends human creative direction with AI tools to bring our vision to life—merging storytelling, mood, and innovation into a dynamic listening experience.

Based on the English song version, "Chalkboard: Erase Me Gently."


**Creative & Technical Details**  
- **Lyrics**: by Rob Nelson, CoPilot AI 
- **Executive Producer for this track**: Rob Nelson
- **Vocals & Instrumentation**: Produced using TopMediAI and AIGenMusic.AI  
- **Audio Format & Editing**: Mixed from MP3/WAV with NCH Software (trims, fades, conversions)  
- **Stem Splitting**: Processed with LaLaLaLa AI  
- **Cover Art**: Created with Stable Diffusion 3 Online, Aiease.ai, Pollo.ai, and Pixabay (Creative Commons), CoPilot AI  
- **Song Structure & Mood Profiling**: Cyanite AI

**Our Creative Blueprint**  
“CHOICES” is our internal code for the DNA of each track: genre, vocal tone, tempo, instrumentation, and emotional arc. Every detail is human-directed—AI simply helps us realize it.

**Rights & Licensing**  
We retain full commercial and non-commercial rights under our membership with [TopMediAI’s Terms & Conditions](https://www.topmediai.com/terms-conditions/). Lyrics, production, and arrangement are fully original works by Rob and/or Ron.

**Creative Use & Inquiries**  
Artists and producers are welcome to adapt or re-record our work—please credit us in any public releases. For licensing, collaborations, or sync opportunities, reach out directly:

Bring Your Own Alien Garden  
c/o Rob Nelson & Ron Cameron  
1211 Huron Street N., Suite 202  
London, Ontario, Canada  
N5Y 4L1

**Final Words**  
Each song we share is made with intention, imagination, and care. Thank you for listening—your support brings these stories to life.

Sotri Menya Nezhno [CEMG2Russ]

cant see the sun from this part of town
i gave up all my nuisances for this
i know i cant give up like this
this town dont know my name yet 
but it calls it night and day
i dont ever wanna lose all hope 
like this again, please open up for me
all of my texts you left on read
for all my shows of affection, i felt a shame
i cant fix what was never mine to fix
but damn i tried, pathetically set
i am blind for this 
dont tell me to stop, i wont listen anyway
i cant escape it anymore
i am set here

oh jermyn
je-jermyn
oh jermyn
jermyn
tell me when i'be free of this
oh jermyn
je-jermyn
oh jermyn
jermyn
tell me when i'be free of this

sold my soul for the feeling
i will be waiting in the field
we can stargaze the night
i will be gone when morning comes
the rain dont stop falling
i cant live in a storm
i gave it all i had
and it wasnt enough

(enough)    ohh jermyn
                je-jermyn
(enough)    oh jermyn
                jermyn
(enough)    tell me when i'be free of this
                ohh jermyn
(enough)    je-jermyn
                oh jermyn
(enough)    jermyn

tell me when i'be free of this

jermyn

When You Say It.

Die, Die and Die Again

Machine cover of a song written by Kevin Bianchi

2025 St. Francis Records, LLC.

Written by Kevin Bianchi
JakeOwen/St. Francis Music (ASCAP)

Forever

What's Been Done (Piano Version)

Warm acoustic ensembles blending Mediterranean and Hebrew folk motifs with Western chamber jazz harmony. That's a mouthful- and by design... a pleasant EARFUL too! Enjoy :)

Psalm 119 SHIN

Relax and unwind with "Echoes in the Alley" — a soothing lofi track that carries you away to a quiet, reflective space. Perfect for studying, reading, or just finding peace in the moment. Press play and let the gentle beats guide you.

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Echos In The Alley

American Soul is a journey through the heart of a modern cowboy—raw, reflective, and built on lived experience. Across nine tracks, the album blends gritty realism with emotional storytelling, capturing the quiet moments, heartbreaks, and hard-won strength that shape a man’s character.

It opens with “Cold Coffee Mornings,” a slow-burning reflection on routine and regret, before expanding into the dreamlike hope of “The Breath Between Stars.” Songs like “River Takes the Weight” and “Backroads Built My Heart” explore loss, memory, and the places that raised us, while “Porchlight Glow” brings warmth back into the darkness.

The middle of the record hits harder—“Dirt Road Revival” and “Iron In My Chest” pulse with grit, resilience, and the heavy bass of a life lived close to the edge. “Almost Had You” dives into heartbreak deep enough to leave a scar, while the finale, “Soul Fire Rising,” lifts the listener out of the ashes with a cinematic, powerful sense of rebirth.

From stripped-down acoustic moments to full-bodied, cinematic country crescendos, American Soul captures the dust, the quiet, the storms, and the resilience of a man carving meaning from a wild world—one song at a time.

Iron In My Chest

'to have & to hold' is not a biography, a lecture, or a historical reconstruction. It is an imagined world — one you step into to feel your way around an idea rather than to learn it.

The album takes place loosely in early-20th-century Cambridge, at the moment when Western thought was beginning to strain under its own certainty. Science had proved astonishingly powerful at breaking reality into parts, explaining mechanisms, and producing results — yet at the same time it was encountering problems it could no longer fully contain. Probability was replacing certainty. Events mattered as much as objects. Meaning no longer sat still.

Out of this tension emerged process philosophy: the idea that reality is not made of finished things, but of ongoing happenings — that love, time, marriage, and even truth itself are not states you reach, but activities you keep participating in.

The album imagines this moment through a human lens. A mathematician trying to complete a system of logic. A thinker insisting that nothing important is ever truly finished. Proofs accumulating. Years passing. A marriage understood first as a statement, then slowly revealed as a practice. Love appearing not as romance in the foreground, but as something quietly unfolding elsewhere — happening whether it is attended to or not.

Rather than explaining these ideas directly, the songs allow you to inhabit them. You hear bells ring. You feel evenings close in. You sense the weight of unfinished work and the relief of letting something continue without control. The philosophy is not taught; it is lived.

This is a soft documentary in sound — an audio quantum leap into a world. Its purpose is not accuracy, quotation, or instruction, but immersion. By the time the album ends, you may not be able to define process philosophy in a sentence — but you may feel why it arose, what problem it was answering, and why it still matters.

To Have and To Hold is an exploration of commitment not as possession, but as attention.
Of marriage not as a conclusion, but as renewal.
Of understanding not as something you arrive at — but something that keeps happening.

If you listen closely, nothing here ever quite resolves.
But something continues.

jermyn

vokeless