Artist: Chaos Invocation
Origin: Germany
Album: Black Mirror Hours
Release date: CD - 01.03.2013, DLP - 08.03.2014

Tracklist

01.Delirium Worship And Total Abandon02.The Mirror
03.Beyond Coming
04.The Beckoning Flame
05.Hypertoxication
06.Faces On My Spiritual Plane
07.Lord Of Our Temple
08.Funeral Messiah
09.Towards The Boundless Horizon
10.Walking In His City
11.Into The Living Darkness

Playing time: about 68 minutes 

Chaos Invocation @ wordpress: http://chaosinvocation.wordpress.com
Chaos Invocation @ Facebook:  http://www.facebook.com/pages/Chaos-Invocation/202379059787910

Chaos Invocation - Faces On My Spiritual Plane

let me rot ft. REJECTEDREYNA (prod. JessieRosse)

Buy me a coffee

FOCUS

Bloodspire — Throne of Ruin
Debuting with their first full-length album, Bloodspire delivers a powerful fusion of heavy metal and melodic intensity. Throne of Ruin spans 12 tracks of thunderous riffs, driving drums, and commanding vocals that explore themes of power, conflict, and defiance. With a sound that’s both aggressive and epic, this album marks Bloodspire’s arrival as a force to be reckoned with in the modern metal scene.

The Last Stand of Kings

From Enslavement To Obliteration

Musclehead

Social Sterility

Iron Bonehead Productions, in conspiracy with Parasitic Records, is proud to present Weregoat's highly anticipated debut album, Pestilential Rites of Infernal Fornication, on vinyl LP and cassette tape formats. Fellow conspirator Vault Of Dried Bones will handle the album's CD edition.

Revered as one of the cultest names in the modern bestial metal scene, since their formation in 2009, WEREGOAT have become the penultimate extreme of total and utter BESTIAL fucking METAL: literally, sonic bestiality incarnate. Their Parasitic-released Unholy Exaltation of Fullmoon Perversity 12" introduced them in 2011 with a nuclear-powered bang, showing obeisance to the ancient ways but brimming with a disgusting 'n' debaucherous personality, and the IRON BONEHEAD-released Slave Bitch to the Black Ram Master 12" in 2013 upped the extremity stakes even further. Alas, now arrives what will be the most gutted 'n' godless WEREGOAT statement yet: Pestilential Rites of Infernal Fornication.

As a debut album, Pestilential Rites of Infernal Fornication embodies everything in that's endeared WEREGOAT to diehards worldwide - gibbering intensity, gnawing simplicity, a catchiness that's nothing short of filthy, frequent probing of the corners of chaos - but here, both the production and performances have been stretched to a sterling, unsurpassable limit. The mania with which WEREGOAT whip forth their foul fury befuddles comprehension; many bands dance around the idea of "ritual" - every fucking show now is called exactly that - but the trio sound truly possessed here. Likewise, no amount of nuance or nous is spared in the recording, as each detail across Pestilential Rites of Infernal Fornication is rendered in molten, mesmerizingly 3D tones; that very ritual surrounds you from all sides, and there is no escape. Altogether, the album becomes both the musical incarnation of its desecrating cover and a further, forever-endless defilement of it: the beast of WEREGOAT has arisen to stalk its prey and slake its salacious appetite.


WEREGOAT lineup 2017
Lecherous Agressor - Guitar Sodomy
Nocturnal Hellfukker - SubAtomic Detonations and Kommands of Bestial Penetration
SadoSeducer- Doomhammers of Primal Lust and Hate!

Recorded and mixed at Red Lantern Studios by Evan Mersky during two thousand and sixteen
Mastered by James Plotkin December two thousand and sixteen
Artwork by Kerbcrawlerghost
Photography by Jesse Lanier
VK - additional vocal atrocities on 'At Full Moon She Bleeds'
Impurath - additional vocal abominations on 'Osculum Infame' and 'Pestilential Rites of Infernal Fornication'
CD release date: 5 May 2017
LP release Date: 30 June 2017


IRON BONEHEAD PRODUCTIONS
www.ironbonehead.de

PARASITIC RECORDS
parasiticrecords.bigcartel.com/

VAULT OF DRIED BONES
www.vaultofdriedbones.com

Buy the CD

WEREGOAT — Molested by Evil

Remastered version of the album "Verwüstung".

Music written and recorded between Dismal Winter 2012 - 2013. Lyrics were written between 2002 - 2006. Adapted and translated in 2013. Vocals, Bass, Distorted Bass, Keyboards and Rhythm Guitar recorded by Sergiy Fjordsson at S.o.h.D. studio, Ukraine. Foreverdark Autumn/Winter 2013. Rhythm and Lead Guitars recorded by Azathoth at Fields of Tears Studio, Poland. Winter 2012. Drums recorded by Gionata Potenti at BeastCave Studio, Italy. Cold Autumn 2013. Tracks 1-5 Mixed and Mastered by Alex Menabde at Alex Menabde studio, Georgia. December 2013. Tracks 6-8 Recorded and Mastered by Sergiy Fjordsson at S.o.h.D. studio, Ukraine. December 2013.

This is remastered version of album with different track order than on other editions (Track "Du bist nichts in dieser sterbenden Welt" have different length, bass intro were cut and re-recorded; track "Spiritual Selbstmord" are missed and new unreleased track added "Große Geister aus dem vergessenen Königreich der Stille", recorded during original "Verwüstung" record session).

All tracks Re-mastered by Brad Boatright at Audiosiege Studios, Usa. May 2016.

Sergiy Fjordsson - Vocals, Bass, Keyboards, Rhythm Guitar
Azathoth - Session Rhythm and Lead Guitars
Gionata Potenti - Session Drums

Booklet painting by Odilon Redon (Bertrand-Jean Redon (1840-1916).

NOTE:
For better perception of the atmosphere - we recommend you to listen this album on Vinyl, CD and Cassette Tapes.

Verwüstung

Blutmond

Album: Born from a Tomb

Generally I tend to avoid Ukrainian bands, simply because the chances to find a rotten apple in their black metal scene is given at a too high rate. The more you travel on the metal map towards the east, the larger the ratio of NS-crap gets. It is astounding to see the degree in which scenes from these areas are infested with this ideology and accordingly do bands, who avoid/reject a political agenda, find it difficult to shine through this wall of stupidity. Ossadogva from the Ukraine would be a band whose concept lies far off what some of their native polished vacuum heads perform on a daily basis. Here, Lovecraft and the Cthulhu-myth is what the art is all about. The horrors from outer space... the unspeakable creatures that bring terror upon man … haunt their dreams and drive them to insanity. 

Three tracks can be found on the second full-length -- Born from a Tomb -- by this band and with around forty-two minutes in length quite a lot is offered to the listener. Depressive black metal is the style that can be found on this release, so it makes actually sense to have longer tracks. But can the listener expect the usual brew of ingredients that similar bands have gained some prominence for? In some respect Ossadogva follow what other artists have been created before and do not try to invent the wheel new here. The difference would be that the Ukrainians do not attempt to suck and get on the nerves in their attempt of creating a desolate and haunting atmosphere. Generally speaking, the music is slow played black metal, which comes with the typical reverb-loaded guitar play, screams by the vocals -- not overdone though -- and an extensive amount of repetition in terms of the motives and riffs. Even though there are some bursts out of the monotony which dominates the oeuvre of the Ukrainian artists from beginning towards the end. Alas, these eruptions are simply too short and appear to rare to have a lasting impact. Too sudden they pop up and also vanish again. 

As already discussed above, the band follows a quite basic concept here and avoided in the recording process any variation of already used ideas from appearing on his release. So, the listener might come to the conclusion that this is just one among other albums that can be neglected, as innovation seems to be far off. Yet, it all comes down on how the facets had been brought together and in this respect Ossadogva did a good job; despite their reluctance to progress towards new shores. The opener for instance has a nice play of the guitars and especially the bass in the background adds some neat harmony to the overtly dark and depressive atmosphere. This instrument creates some catchy tune and as it is clearly distinguishable from the rest of the music, it has an impact and a surprising positive one. The guitars play some minimalist riffs and repeat them excessively, but the band did not overdid it and the overall sound is as such as it will please the fans of the genre the band is generally associated with. In terms of the vocals the standard repertoire appears here, but the Ukrainians kept the extreme to a minimum: hence, wild screams of desperation, like some artists like to add them despite their negative impact on the perception and quality, cannot be found on Born from a Tomb. The vocals are extreme, similar to the depressive black metal stuff and able to transport this impression of desolation, but it was performed in a controlled way.

Ossadogva - Awakening Of Kadath

From the Painful Depression album Keeping The Pain Alive

Painful Depression - The Pain Of Past Years

Microcosmos

Sun of Great Nations Sits down (Декаданс)

Independent Black / Death Metal Label & Distribution, located in Germany

www.w-t-c.org

Chaos Invocation - Faces On My Spiritual Plane

W.T.C. Productions