Undama Tath'hur Al Shams Min Al Sharh (2007)

Al Shar Wa Aljan - Narjahanam

Always the vanguard of purist-yet-boundless black metal, W.T.C. PRODUCTIONS is proud to present the debut album of SHRINE OF INSANABILIS, Disciples of the Void. Although literally emerging from nothingness earlier this year, SHRINE OF INSANABILIS are no mere acolytes, instead evincing a master's knowledge across their debut album. Never more aptly titled, Disciples of the Void comprises six testimonies to the fiery aspiration for enlightenment through inconceivable nothingness. These testimonies are also manifested into this world by their corresponding sigils. SHRINE OF INSANABILIS vividly portray these visions through a heaving mass of obsidian black metal, forever rising and falling, surging and merging, offering glimpses of glory and valleys of despair in equal measure. Like most W.T.C. PRODUCTIONS, Disciples of the Void is impeccably recorded - bold, full-bodied, even Technicolor - with mixing & mastering done by Patrick Engel at Temple of Disharmony, and finished off with David Glomba (Teitanarts) cover art truly deserving of its malefic contents. Blinding darkness, unbearable silence, and incureable madness, all displayed for everyone to experience: this is a raging beginning on a path through the Void.

Format: CD, LP (at a later point in 2015, in co-operation with Fallen Empire), Digital
Genre: black metal
Catalogue Nr.: W.T.C.136

Tracklist
1.End All
2.Ruina
3.Acausal Paths
4.(...........)
5.Invocation
6.Still Of This Earth
7.Cycles And Circles
8.Acerbus
9.Omega

Credits
All songs summoned from the void by Shrine of Insanabilis.
All artwork by David Glomba. Mixed and Mastered by Patrick W. Engel
at Temple of Disharmony in February 2015.

Shrine of Insanabilis - End All

I hate the human race

taken from the "Ein Totenspruch zur viehischen Begattung" Demo-Tape.

Chrworsch - Missgunst ist Erhabenheit

Ice War - Battle Zone

Baphomet's Blood - Eleg

W.T.C. PRODUCTIONS is proud to present SHAARIMOTH's long-awaited second album, Temple of the Adversarial Fire. Ever aptly titled, Temple of the Adversarial Fire is a bold and brazen reinvention for this Norwegian trio, fully in line with the band's spiritual beliefs. More than the cliché "phoenix rising from the flames," SHAARIMOTH have stripped down their aesthetic to its barest essentials, and then rebuilt them into an incendiary, black-smoke-billowing monolith of blackened death metal majesty. Rarely in the nowadays metal underground will one hear a death metal record this pure and reverential in its intent whilst being so suffused with the blackest of blood. A glorious new epoch has arrived, and SHAARIMOTH are ushering it in with Temple of the Adversarial Fire.
 
Formed in 2004 but tracing its origins back to 1998, SHAARIMOTH emerged from the then-barren Norwegian death metal underground, and along with it, so did new incantations of darkness, death, and destruction. Both dark and ecstatic, furious and violent, defying genres, but at the same time paying tribute to its predecessors of the black arts, SHAARIMOTH's goals were firm from the very beginning.
 
Building upon its unique take of technical Morbid Angel-esque death metal with dark ambient interludes and occult lyrical content, SHAARIMOTH is not music; it is ritual. A sonic vehicle of occult propaganda, created to manifest dark currents by the means of music, the trio worked in earnest on their first public recording. That record, the debut album named Current 11, was released in 2005 via Carnal Records, and dealt primarily with Chao-Gnosticism as approached through the prism of ancient Sumerian tradition. The album immediately became an underground cult, and the status was undoubtedly reinforced through years of worship.
 
Following the album's release, SHAARIMOTH withdrew from the public eye for many years, only to break the silence now. Hereby, the band announce its inexorable return and rebirth with Temple of Adversarial Fire! The time of the Fire is drawing nearer, and new bonds have been forged in its flames. WORLD TERROR COMMITTEE is the label chosen by SHAARIMOTH to collaborate in the release of their monumental second album, making sure that its incantations will resonate loud and clear, far and near.
 
Indeed, Temple of Adversarial Fire is a monument: 11 songs in 47 minutes that feel far more vast and expansive than this concise running time suggests. Over that psychic/sonic terrain, the trio canvass a frightening, feral landscape that bridges the terrestrial and the Beyond. It is the blackest of death metal, rendered with the ceremony of a Roman Empire procession, cloaked in sulfur and reeking of brimstone. It is a vision that's limitless, and yet demanding the steeliest fortitude to behold. Are you prepared to bear witness? For SHAARIMOTH is the truth that will burn your world to the ground. Forged in fire and shaped by The Master, SHAARIMOTH is the sound of a thousand raging hearts, the Devil's music manifest.

http://www.shaarimoth.com
http://www.facebook.com/Shaarimoth

Shaarimoth - Fires Of Molok

W.T.C. PRODUCTIONS is proud to present ACRIMONIOUS' highly anticipated third album, Eleven Dragons. A work of unimaginable might, of enduring and unyielding spiritual will, Eleven Dragons is the sound of serious and thoroughly occult BLACK/DEATH metal given shape and successive flight. It is the many-splendored brilliance of eternal (and eternally damning) illumination, spread across 11 hymns in an engrossing 'n' engaging 67 minutes. It is the promise - and subsequent sonic manifestation, at their respective times of study - of ACRIMONIOUS' celebrated first two albums taken yet further into the hungry, ever-beckoning void. It is METAL, hailing the mysteries of death and draped in the blackest of shadows, unfurled full fathom across the ecstasy of sin and Satan. It is verily Eleven Dragons, at the threshold of The Beyond.

The volcanic eruption that churned ACRIMONIOUS out of the depths commenced in 2002. It was during a period that the underground was receiving an injection of creativity again after a long period of stagnation and aimless exploration, which had led to the dilution of the adversarial Light with elements hostile to the eyes of the Destroyer, within the extreme metal scene, which was hungry for madness and danger again.

Beginning the journey as a homage to the ancient and morbid ways of the '80s and '90s Satanic metal, the many-tentacled abomination of ACRIMONIOUS was nourished by the prana of old Samael, Sarcofago, old Mayhem, Tormentor, Nifelheim, and Dissection amongst others, while simultaneously sharpening the blades and perfecting the skills of the craft. It would later on manifest the Perdition Gospel mini-album, its first concrete attempt to glorify at the temple of Satan. Then the Broken Bonds of Balance 7" EP followed the next year. By that time, a change in members was necessary and inevitable a step, as Funus and Nuctemeron left the band, leaving only Cain Letifer as the sole member to contemplate upon the monuments of the trinity of Lucifer, Lilith, and Cain, thus giving birth to the first full-length album, Purulence.

Even though the band had deliberately kept a very low profile during the years, the Beast was fanning the flames constantly in the shadows, aiming at a reconstruction of identity which would lead further into the Abyss of formlessness, darkness, and uncertainty through majestic Art. So it happened that, in the year 2011, Semjaza of THY DARKENED SHADE entered the ranks of ACRIMONIOUS as a second guitar-player and bassist, and also the addition of C.Docre on drums. Thus, the band proceeded to record the second full-length album, which was released at the end of 2012 under the name of Sunyata.

Many moons passed and many sparks illumined the midnight sky, by the striking of the hammer of will on the anvil of tribulation. Much blood watered the fertile soil that led to the crucifixion of matter with Spirit, and so it came to pass that the third sonic invocation was conceived, namely Eleven Dragons, glorifying the forces that bring All back into the primordial nothingness. ACRIMONIOUS is honored to announce its collaboration with WORLD TERROR COMMITTEE for the release of the third horror of nameless Void on CD and LP. This is the pinnacle of Glory and Thunderous Power, the crowning achievement, an echo of ecstatic laughter in a backward dance of malicious Fury that venerates the Eleven Flames of the One without Names. BEHOLD!

Lineup

Cain Letifer - guitars, vocals
Semjaza - guitars, bass
C.Docre - drums

Credits

Recorded in Sitra Ahra Studios
Mixed and mastered by Stamos Koliousis
Album artwork, design and layout by Vamperess Imperium
Additional lead guitars by Semjaza
Additional vocals on “Stirring the Ancient Waters” by J.S. and CTN 358
Whisper on “Elder of the Nashiym” by Dymadiel

W.T.C.Webshop

Acrimonious - 08 - Ominous Visions Of Nod

DØDSENGEL - Deus Sol Invictus

From ISRATHOUM's "Black Poison And Shared Wounds". Lyric penned by Kvohst. The cover artwork by Held.

Created beyond the threshold of consciousness and inspired by ancient teachings of the Infernal metaphysical Qlippothic regions, ISRATHOUM is the compendium of misanthropic conspiracy, cold forged in disused mineshafts as sharp-edged bottomless Black Metal... The invisible spear... An obscure and limitless supernatural barrier... A weapon to His Will. ISRATHOUM was formed in Portugal in 1992 by the initial trio of Arvath, Arluth Dhu and VxInfr. During the next several years the band continues to evolve and shape, until finally assuming its current moniker in 1998, which also coincides with the band’s relocation to the Netherlands. In 2001 ISRATHOUM releases “Hatred (demo)” and, one year later, “The Art Of Malice” MCD sees the light of day. In 2004 “Black Scenery Avatar” is released. Several years later W.uR joins on guitars and with his help the band records “Monument Of Brimstone”, which eventually brings a contract with Spinefarm and the worldwide release of the album takes place in 2009. But, as the time passes things change, so the band decides to move on and seek new opportunities to spread its poison. And so, in 2011 ISRATHOUM inks a deal with Daemon Worship Productions for their second full-length album, entitled “Black Poison and Shared Wounds”. With its line-up reduced to a trio of Arvath, W.uR and VxInfr, the band is stronger than ever! At different points of their career sharing the stage with such entities as MARDUK, SECRETS OF THE MOON, HELHEIM, SOLSTAFIR, CODE, ZEMIAL, ALTAR OF PLAGUES and DESASTER, and featuring members of such bands as PERDITOR and AB IMO PECTORE among others, ISRATHOUM is prepared to take the world by force!

Order through DWP here.

Israthoum - The Unravelling Traveller

Musica / Music: Arousing Wombs in Nine Angles Pleroma

Artista / Artist: Merrimack

Álbum / Album: The Acausal Mass

Merrimack - Arousing Wombs in Nine Angles Pleroma

Independent Black / Death Metal Label & Distribution, located in Germany

www.w-t-c.org

Acrimonious - 08 - Ominous Visions Of Nod

W.T.C. Productions