Керовані жагою наживи
В мережах блукають духи сліпі
В кишенях несуть свої комплекси 
І хочуть їх трохи підкинути тобі

Втрачені всі старі цінності 
Довіри більше нема
Коли подаю тобі свою руку
То в іншій тримаю ножа 

Завжди обираєм ніщо
І в межах тотального похуя
Все що збирали згубили давно
Те що ти бачиш ілюзія

Втрачені всі старі цінності 
Довіри більше нема
Коли подаю тобі свою руку
То в іншій тримаю ножа 

Забуття стане ліками
Всі забудуть усіх
Плач стихне за мертвими 
Морок поглине живих 
Земля поглине усіх

Забуття

Five years on from their Osmose-released debut, Hanc Aciem Sola Retundit Virtus (The Algolagnia Divine), FIDES INVERSA strike with their second album, Mysterium Tremendum et Fascinans. In those five years, the Italian band have been honing their onstage assault all across the stages of Europe, their rituals becoming real celebrations of zealotry. That experience surely shows across the bold, finessed canvas of Mysterium Tremendum et Fascinans, where "black metal" is rendered not as a definition but as an alternately life-giving/life-destroying force. Classicist yet paying no lip service to tradition, FIDES INVERSA invested their very souls in the creation of this second opus: exhaustive spiritual research and a total immersion inside the darkest manifestations of what the German theologist Rudolf Otto called "the numinous." The divine, in its most terrifying forms, takes life from chaotic sounds and revealed words whose intent is to represent the mystic terror and the undefeatable fascination of Death, the human nullification, in favor of a complete prostration to the One whose light is spread out of the darkest vacuum. Ascend and descend with FIDES INVERSA's Mysterium Tremendum et Fascinans...


Or She-ein bo Mahshavah

Devathorn - Sapphires Of Vritra

taken from the "Omniscient Veil" Demo-Tape

Veiled - Omniscient Veil I

stortion 50 bpm 111224 take 1

someway in this harsh life I'll still fight.

someway (i'll still fight!)

Always the vanguard of purist-yet-boundless black metal, W.T.C. PRODUCTIONS is proud to present the debut album of SHRINE OF INSANABILIS, Disciples of the Void. Although literally emerging from nothingness earlier this year, SHRINE OF INSANABILIS are no mere acolytes, instead evincing a master's knowledge across their debut album. Never more aptly titled, Disciples of the Void comprises six testimonies to the fiery aspiration for enlightenment through inconceivable nothingness. These testimonies are also manifested into this world by their corresponding sigils. SHRINE OF INSANABILIS vividly portray these visions through a heaving mass of obsidian black metal, forever rising and falling, surging and merging, offering glimpses of glory and valleys of despair in equal measure. Like most W.T.C. PRODUCTIONS, Disciples of the Void is impeccably recorded - bold, full-bodied, even Technicolor - with mixing & mastering done by Patrick Engel at Temple of Disharmony, and finished off with David Glomba (Teitanarts) cover art truly deserving of its malefic contents. Blinding darkness, unbearable silence, and incureable madness, all displayed for everyone to experience: this is a raging beginning on a path through the Void.

Format: CD, LP (at a later point in 2015, in co-operation with Fallen Empire), Digital
Genre: black metal
Catalogue Nr.: W.T.C.136

Tracklist
1.End All
2.Ruina
3.Acausal Paths
4.(...........)
5.Invocation
6.Still Of This Earth
7.Cycles And Circles
8.Acerbus
9.Omega

Credits
All songs summoned from the void by Shrine of Insanabilis.
All artwork by David Glomba. Mixed and Mastered by Patrick W. Engel
at Temple of Disharmony in February 2015.

Shrine of Insanabilis - Ruina

Demise Rites – Side B:
I – Gates Of Doom
II – Demise Rites

taken from the "Demise Rites" 12"LP

Eucharist - Demise Rites

Baphomet's Blood - Whiskey Rocker

From "Philosophy Of Self-Flagellation: Being and Nothing", out now through Daemon Worship Prod.

LASHBLOOD, influenced by the likes of Sartre and Burgess, dives into the grey, nauseous apathy of the urban socium. Offering a bit of an avantgarde approach to the genre, the band freely utilizes saxophone and clean, sorrowful vocals, which reach the apotheosis on "Gospel Of Death". All this routine, this meaningless emptiness of the ever-repeating cycles.... It lives within all of us and drags us deeper and deeper through the helix of the mundane existence. Verily, it is Death reaching for us from beyond the veil of illusion, can you see her bony hand?

Order through DWP here.

Lashblood - Gospel Of Death

Independent Black / Death Metal Label & Distribution, located in Germany

www.w-t-c.org

V

W.T.C. Productions