Andrew Wowk is a DJ, producer, radio host, promoter, and writer who has been active in the Eora (Sydney) electronic music scene for over 20 years. First introduced to dance music culture through work experience at community radio station Rhythm FM at age 16, Andrew exudes a passion for and knowledge of music that is the result of years of experience.

As a DJ, Andrew has earned a reputation for refined technical skills and eclectic track selection. His tastes run the gamut of techno, house, breakbeat, drum & bass and jungle, electro, and leftfield electronica, demonstrating a deep respect for the history of dance music, a love for its present, and excitement about its future. But even with such a wide range of music at his disposal, he finds ways to combine various sounds into a cohesive whole. Often focused more on telling a story or creating a particular feeling with his sets, he regularly moves fluidly across stylistic boundaries, preferring to find other similarities between tracks than just their genre.

His intelligent approach to DJing has led to him playing at some of Sydney and Australia's most well-respected clubs/events, both as a headliner and as a support act for international artists. He has also received international recognition, being invited to play guest sets at Circus Osaka in Japan, DEPTH and Train Car House Party in Seattle, as well as perform on 313.FM in Detroit, WNYU in New York, and provide mixes for Animal Instinct in Berlin, Fnoob Radio, and Error Sessions in the UK.

Outside of club DJing, Andrew also produces music under the alias End User License Agreement, which has been released on labels such as Biotech Recordings, Baroque Recordings, Extra Spicy, Communication Records, Monarch Recordings, and Late Night Music. His remix of Floor Twenty’s “Say My Name” and his original track “Chonk” were both featured in Beatport’s and Juno's best bass music releases from 2021. He also hosts a weekly radio show "Time To Track" on 2SER, regularly writes for both print and online media, and runs events covering the spectrum of underground dance music, featuring previous headliners such as Dave Clarke, Ben Sims, Marcus Intalex, Regis, Hodge, Adriana Lopez, Djinn, SNTS, and Nastia Reigel. 

Andrew is passionate about social and political issues and strongly believes in using music as a medium for addressing these issues. Much of the music he loves was originally created in tandem with social, cultural, and political movements, and he believes that contemporary music should also carry a message. To put this into practice, he launched Music For Change, a label which donates 100% of profits from all releases to various charities, alongside Jessica Tassone in 2021. Releases on the label have been supported by international artists such as Dave Clarke, Ani Klang, and Alchemist/Amy Kisnorbo, played on BBC Radio 1, and added to the rotation on local radio stations FBI Radio and 2SER.

UK based Emma Clair is a DJ and producer making serious waves with her distinctive blend of pumping house and darker edged tech house that's gained her support from artists such as; Tiesto, Jaguar (BBC Radio 1), Armin Van Buuren, Steve Angello, Claptone, Flashmob, Marco Lys, Paco Osuna, Vintage Culture, Mark Knight and R3WIRE.

A true artist with an ever evolving sound, Emma’s high energy DJ style has led to performances across the UK and Europe at festivals and events such as Beats For Love (CZ) , Boomtown Fair, Beatherder and
London's iconic Ministry Of Sound nightclub , sharing the stage with high profile names including Eats Everything, Utah Saints, N Trance, K Klass and Marshall Jefferson.

Known for delivering high-energy DJ sets where infectious house rhythms collide with the grit of techno, rolling basslines, hypnotic grooves and catchy vocal hooks, Emma is fast becoming a name to watch. From intimate club nights to major festival stages, she blends technical precision with pure, unfiltered energy.

Over the past 12 months Emma has played headline shows in Leeds and Wales, achieved multiple top 100 releases across Beatport and Traxsource, hit the number 1 spot in the Traxsource' best new tech house hype December chart and reached 2 million Spotify streams.

With a bold style that takes influence from her colourful past, Emma loves to push boundaries, and is just as comfortable playing at 125bpm as she is at 145bpm, but one thing is for sure, she’s firmly rooted in the beat that started it all: house music.

Her radio show Beats Underground airs on Data Transmission on the first or second Saturday of every month at 8PM (UK time)

Being raised on a bland diet of mainstream pop had German born Llayt convinced an affinity with music would never be common to him. The enthusiasm that music seemed to create in others would remain elusive to him till the age of 15, when the aurally malnourished adolescent discovered techno. 
A visceral quality as familiar as home emoted from its incessant, vocal-less groove. An immediate disciple was born and techno had found its biggest advocate. 
Alex begun collecting and mixing vinyl in 1995, pursuing 'cutting edge' sounds with passion, with a disposition for the deeper and often darker end of the spectrum.

With over two decades of DJing and industry experience behind him, Rikki Newton’s dedication to music is readily displayed through his dexterous and versatile sets, as well as his involvement in the Brisbane scene as a promoter running events like Andromeda Festival, the now defunct Subtrakt and his most recent project, inner_circle. 

Cutting his teeth at Family Nightclub’s notorious Uncle between 2004-2009, Rikki gained a well-deserved reputation as a go-to warm up DJ for the duration of his five year long residency. These formative years played a key role in him honing in on his sound and perfecting his craft.

Not content with simply presenting his own sound to a growingly eager Brisbane audience, Rikki harnessed the momentum building in the local scene and poured it into his own brand, Subtrakt. Since its inception in 2007, Subtrakt played host to the likes of Kenny Larkin, Fred P, Steffi, Motor City Drum Ensemble, Move D, Smallpeople Claire Morgan and Jane Fitz to name a few. After 10 years it was time to move onto something new and thus, Inner_Circle was born alongside good friend Leighton James.

Now in it's 5th year, inner_circle continue's to present diverse line-ups, including revered internationals alongside solid local and interstate guests. Inner_Circle has welcomed the likes of DjRUM, Martyn, Claire Morgan, Moopie, Perko, Kate Miller, Andy Garvey, Escape Artist, Cousin and Pugilist to it's stages.

Staying true to what he loves and armed with a constantly updated record collection, Rikki remains an integral player in his local circuit and beyond.

About the artist…

Originally from the south of Brazil and now rooted on the Gold Coast/Australia, Razah has been a steady force in the underground club and festival circuit for nearly a decade. Known for his immersive and propulsive DJ sets, he blends his style into Deep House, Melodic House and Minimal Deep Tech, crafted for dance floors, altered states, and a deep connection.

Driven by a pure love for music and community, Razah’s journey began after falling for the local scene, soon channeling his passion into sound exploration and DJing. His sets are rich with hypnotic grooves, steady rhythms, and emotive melodies that invite full presence and movement.

A regular at iconic venues like Elsewhere (where he used to be resident), Razah has also graced the stages of renowned festivals and parties such as Rabbits Eat Lettuce, Earth Frequency, S.A.S.H, and Eden QLD. Offstage, he curates his podcast series Z Cast, spotlighting top-tier selections from global producers.

Now diving deeper into analog culture, Razah has launched his new label Annalog Affair, a project focused on vinyl-only releases and intimate events designed to bring authenticity and depth back to the dance floor.

Booking:  
Oliver Marquardt
(DJ Jauche / Jack Flash / Robin Masters Orchestra / Machomovers / Rockford Inc. / Charm / The Faction)
Born in East Berlin, Oliver Marquardt was first inspired to become a DJ when the 1984 Break Dance Film "Beat Street" permeated the city's isolated music scene. Equally influential was the dance music he listened to broadcasted from West Berlin radio.
After closely following these new music styles - hip hop, acid house etc - Oliver bought his own pair of turntables in 1989.
This was right after the Berlin wall came down, providing fertile soil for the city's new underground music scene to take roots and by the following year Oliver was organizing his own techno parties.
Although his illegal warehouse parties (complete with 50k watt laser lights) were noteworthy in themselves, Oliver forged ahead as one of the first german DJs to establish a nationwide presence. DJ Jauche, as he is known, began a residency at Berlin's legendary „Walfisch“ Club. Also he played regularly at many other Berlin Underground Clubs. By the mid 90's he had presented his unique style throughout Austria, Switzerland, Poland, Italy, Spain, Greece, Russia, Hungary and Malaysia, on top of countless clubs and events in his homeland.
Also mid 90's (1995 exactly) he had started his party "Jauchomatic" ( where he brought his brother Sven Marquardt into the club scene and gave him his first job as a "selector/doorkeeper" . Today Sven is famous for his work as an Artist and Photographer and of course as the " Iron Man" selector of Ostgut and now Berghain Club. ) and also the „Jet Stream Club“ and later the „Night Dimensions“ Party - Series.
Oliver still does his party „ Jauchomatic“ once a year in Berlin.
He plays music from 1988 until 1995, from house over techno to some Oldschool Trance Tracks, Acid and Breakbeats.
While the rest of the world still has been associating Germany with its stark techno output, DJ Jauche nurtured a parallel space for deep house sounds to evolve.
In 1998 he launched Jetstream, a small-scale record label of his own. For the 1999 edition of the annual summer festival Loveparade, Oliver prepared under the name Jack Flash a re-edit of the disco classic "Love is in the Air" and pressed 500 white label copies. When the track became an underground hit, he approached the production team Milk & Sugar (who were running a label under the same name) for advice on giving it a bigger release. Without Oliver's knowledge and with a bigger budget they appointed the track's original singer John Paul Young to record new vocals for their own version of the track and received a worldwide major label re-release in 2001, accompanied by a music video. Frustratingly,  AND the rest of this vita you can find on facebook... soundcloud sucks
https://www.facebook.com/pages/Dj-Jauche/76777792381?tab=page_info&view

Tommmygun is following