fantastic work my friend! strong performance

Dope track and sound...goes hard!!!🔥🔥🔥

So nice - in every way - positive vibes and love the harmonies

wow, vocals fit in perfekt in this  classic, like it 🔥🔥

Vocals / Lyrics / Cover Pic: Janelle @the-real-janelle
Drums: Jens Fehrensen
Music, Guitars (Martin & ???), Bass (P), Mellotron (Redtron), Mix & Mastering (DAW): @bonetender

Spotify: https://open.spotify.com/track/3ACvWWwj8gVHrxV2S8E1Mv

======= Lyrics =======

Can you call back those days
We were the rabbits of the show
They were always amazed
Some kind of secret play

Remember when all was fun
We couldn’t get enough of life
Remember when we were young
That we thought that we could reach the sky

The sky
The sky
So high
The sky

We used to play it cool
But no one knew
About your hidden haze
Shining in you

And every little thing was fine
Just a little thing or two that went by
And every little thing was fine
All was at ease in those different times

Remember when all was fun
We couldn’t get enough of life
Remember when we were young
That we thought that we could reach the sky

The sky
The sky
So high
So high

©Janelle, Jens Fehrensen & Bonetender 2022 All Rights Reserved

Sky (with Janelle and Jens)

Instrumental 

I’m just a balloon. Nothing to see here

Eden

Just Balloons

Translated video :
https://www.youtube.com/watch?v=5cjEWvfhRIk&lc=Ugw5u4B82UJ3Rb4sGi94AaABAg.A-h0pR-WPAPA-j20V0aUa8

Présentation en musique d'un récit musical (logique).

Note : Ce morceau a été réuploadé qques temps après sa publication, avec un texte modifié... Mais l'histoire reste la même ;)

Présention /Trailer  (----  see YT translated video  ----)

Piggy In A Blanket

I am curious how my, or anybody's, musical output is altered by actual life. Usually, well, at least over the last bunch of years that I've been posting here. I can't really say because both the music and life are in a constant flow. This last year though the music and my normal day to day life were somewhat interrupted. I seem to be settling into a familiar but slightly different approach. Although most of my curiosities remain. This piece is really a reframing. That's what I like to call it when I cover a song by someone but keep the original vocal. In this case Ian Stephen. As a change of pace I am actually playing, as a bassist with Mr. Stephen. I must say it delights me that for once I can share one of my musical portraits with the subject. It's also fun to ponder why I've changed, in my own music, what I have.

Let Elvis Free

SOMEDAY *Copyright 2014/ 2022 SCRT Records

A collaboration between :
Shane Beck, The Last American Poet (Words)
progettosonoro (Music)

If you should repeat the words of the poem in which I gave
Were they meaningless things you said, a poet you swore to save
Could you truly feel all those things that you said that made me sigh
To silence the poet of your life, knowing without you I will surely die
And yes, She Called Me Her King, only to let it all go & pass me by

To say it is best to let go because giving me hope is cruel & wrong
I wrote thousands of poems for you & used your name in a song
Why has She Called Me Her King when it was never really true?
Knowing that all those years I never once let go of you
I never once let go of you

Shane Beck & progettosonoro - She Called Me Her King

Vocals By Me
Written and Composed by Me

I had to redo this track, My previous version sounded a bit empty, So I added a few more elements like an electric guitar and more layers on my vocals

When It Hurts [Interlude]

Get ready to experience the ultimate fusion of rap and R&B as "Amerie Season" takes on a freestyle twist to one of my favorite R&B joints, "Why Don't We Fall in Love" by Amerie. This electrifying track, recorded, mixed, and mastered by yours truly, captures the essence of summer, where the beat grooves, the rhymes flow, and love fills the air. Don't forget to show your support by commenting, liking, reposting, and sharing this track with your friends and loved ones. And for those eager to have "Amerie Season" on repeat, it's available for download exclusively on Bandcamp. Let the infectious rhythm of this freestyle rap uplift your spirits and make this summer truly unforgettable. Get ready to groove, rap, and fall in love with "Amerie Season"!

Amerie Season

This is the third track I've worked on in the Departure series of experimental poetry readings, inspired by a set of 13 cantos written by Jo Richter a.k.a. Sonic Structures and Silent Stretches @sonic-structures. 

Jeff -- Stonerjazz/ @user-911083679 -- took Jo's reading and added his own reading plus a little bit of bass and drums. I thought the direction he took it in was delightfully weird so tried to play that up by adding more percussion, and a melodic lead that sounds a bit like electric guitar but is actually a synth plugin with tons of saturation and effects layered on. 

This was another unique experience with a couple of wild and unique artistic explorers! Thanks for the journey guys!

Art by Stonerjazz

---------

Departure:
canto VIII (poetry copyright Jo Richter)

What goes around: Unless familiar minds adopt
a major work of art, it cannot be recognized,
not even by the finely tuned, academic apparatus
of the scholarly persuasion. It longs to be gently
directed out of obscurity by intimate alignment.
It unequivocally needs to be claimed by readers,
by listeners, and by those who take it to their hearts
and minds. Then, only then, it comes around.


Most poets, though, feel little inclination
to join the showy, self-assertive blaze of what
the market forces call a fair. There is a dis-
connect within the meanings held within this term.
He remembers public events pertaining to focus on
poetry that only captured the self-congratulatory
sensations of those who spoke the welcomes and
thus abused the art to elevate themselves.


In Schlegel, in Schiller and in Borges, he tried to
find the remedy to reconcile this rift, but
neither understanding nor play nor underlaying fantasy
would overcome that star-crossed constellation
that casts a valley made of shadows between the
divergent meanings of such a simple word as fair.
If those he spoke to found beauty only in the advance-
ment of their social fortunes, nothing could be saved.


Of course, he drifted off the course his art
demanded. He tried to quiet down the insurgent
poetry that sought expression through his puny
skills. This very nearly drove him to seek refuge
at the place ineptly called asylum which gathers all
the muted voices in wanton seclusion. Spiteful, he
wrote once again trying to outline all hope that
remained for aesthetic rigour and beauty to survive.


Eventually, he gave in and all his art served
but for one end: to represent the conundrum of
his being who he is within a stoic pattern of
existence he could not but accept. He wrote
for stones, for plants, for lakes, and for hills that
listened more intensely than his fellow men. He starved
for lack of response but refrained from complaining.
That‘s when he first came ‘round, beheld the spire.

Insurgent Poetry (Departure: Canto VIII) - w/ Stonerjazz and Jo Richter

"GOD SPEED" out NOW
https://jaywalkerblack.bandcamp.com/album/god-speed

Amerie Season

Jay Walker Black Presents

Recent comments

aKa

Xyz ZyX

SistasanDRA

Jamie Rhind

Related tracks