Such a gentle beauty!..crisp clear piano that holds me spellbound!..Beautifully heartfelt! ;)

You are a magician for wonderful melodies. Magical work ....

really like that descending melody!!! well done!!

A Lovely, Delicate and Classically Composed Reverie.

My October Favs

Boris Rogowski – The Darkness of Future Past
(out on piano and coffee records on November 7, 2025)

Jonas Burgwinkel—drums
Viktorija Kukule—vocals
Roland Muenchow—flute
Boris Rogowski—keyboards, (bass) guitar, percussion, programming, vocals
David Schuette—cello
Isabelle Seemann—vocals

Press info:
Somehow, Boris Rogowski’s The Darkness of Future Past manages to go from Renaissance and Baroque influences and minimalist piano pieces via Ambient all the way to arena-sized pop music. It has no right to work, but it works perfectly. I don’t know how.
If I had only one word to describe its general mood, I would call it haunting. And the album itself is haunted, too, by the ghosts of the past, of classical composers (Orlando DiLasso, Eric Satie and Alfred Schnittke explicitly, many others lurk in the shadows) and more recent musical specters. It’s called The Darkness of Future Past, and yes, that’s a Twin Peaks reference… but let’s not make too much of it, there are no real connections (I think!) except for a general love of mystery, darkness and beauty.

In contrast to Rogowski’s 2023 album The Waste Land that was largely defined by a good amount of classical rigor, consistent chamber instrumentation and a complete lack of vocals, The Darkness of Future Past is almost loose: We have long, winding instrumental pieces that straddle Ambient (The Past, Like a Strange Bird), Minimalism (The Bloom and the Flutter) and Jazz noir (the title piece). They are humming with sounds and melodies that always seem in a state of either synthesis or decay, giving way to one another or sticking around in the form of eerie echo loops that build up a dreamlike musical structure always on the verge
of collapsing into itself.
Those long-form soundscapes, some of which feature ominous spoken Journal Entries, alternate with solo piano pieces that sound like at least three different instruments—but were, in fact, all recorded with an old upright built in 1906 by some regal German manufacture. The audaciously titled Gymnopedie No. 4 wears its influence on its sleeve—and delivers on its promise: Rogowski’s love, respect and understanding of the original works of Eric Satie shine through in every note. Similarly, the other piano pieces, from the tiptoeing Sleeping Dogs to the dreamy, improvisational One Lonely Autoresponder Message, feel a bit like memory palaces—reminiscent of music that has always been around, but at the same time very much their own beasts.
And then, of course, we have the songs: Nothing Wrong is strikingly beautiful, its sparse musical arrangement serving as the perfect bed for Rogowski’s falsetto and the ghostly choir backing it. breatheINbreatheOUT is downright scary, like a field recording of some strange initiation rite: The words ‘breathe in, breathe out, it’s all right/mankind is no longer your kind’ are delivered in a moody croon that seems to channel the later Scott Walker.
And then, just when you think you have finally figured out how this album works, it leaves you with Them!, a monolithic sound colossus that begins as a shoegaze-y electro pop song and develops over 6 minutes into an arena-sized hymn with an otherworldly female voice lamenting ‘What a lonely world’ over and over. Rogowski did much of the work on The Darkness of Future Past in a desert cabin near Joshua Tree—maybe he passed Coachella on his way back; that, at least, would be a good explanation of the sound of Them!

There is a very clear and distinct consciousness of the past, and there are projections into the future that are as nebulous as they are frightening. The Darkness of Future Past has the power to conjure up mysteries, to shed just the right amount of light on them and keep us intrigued—without ever giving them up or serving us easy explanations. The beauty of the music itself remains a secret, one that Boris Rogowski as its composer seems hell-bent on protecting. After all, no-one needs to know who killed Laura Palmer.

A Pane of Glass

Original Soundtrack of the Series "Au cœur de l'histoire, le procès Nuremberg" directed by Alfred de Montesquiou.
Produced by KM, Arte

Ce qui reste

Album mêlant titres de rock et néo-classique, le tout dans une ambiance rebelle et mélancolique 

Thème (Partie 7)

composed, arranged and perfomed by andrea veltroni 2008

Album

schizocrazia (2008)

andrea veltroni - bass and vocals; cristiano riccardi - guitar; fausto casara - drums. This is PITBULL POWER TRIO LIVE IN 2001

30 years

medley live 2001- misirlou\break on through\war pigs\moby dick\aneurysm

Please don’t hesitate to comment, like and repost. We can all use more feedback, comments, and plays. Enjoy the production.

Released: 6/6/20

Turn me up play me loud here’s another countdown 
3–2–1 love the sound Call it Lou’s Motown 
Underground more inbound totally spellbound 
if you want to hang follow me because I get around
Come on baby fast or slow I’m here to rock the tempo 
get down let’s go stay open- feel the vibe though
I’m on fire I suggest my haters try to stay low 
the Beats gonna move ya cause the track is pure dinero
￼
That unexpected reason to go harder than I’ve gone before 
push the limit keep it real but everybody is wanting more 
let’s go it all depends on me because it’s time to soar￼
Gotta hustle harder not the only one that’s keeping score￼
Input output nobodies been this close before 
long days short nights I’m my own competitor 
stay calm focus why should there be an uproar 
so many changes going down it’s time for me to explore 
one thing in my favor is that I was born a Warrior
one thing in my favor is that I was born a Warrior

Step it up keep it epic hot and hype still legit 
On top on exhibit I hit it right then transmit 
won’t stop wont quit I keep on going till it’s lit 
murder Mayham on the track my haters getting desperate￼

Patients trending no rules of engagement 
stations tuned in providing entertainment 

payments- cool I’m thrilled keep providing statements
hope ya-listening underground don’t mean my basement
I do for love the response is pure amazement￼


I got a little something left -so act like you know bro
I’m packing so much heat —to back it up—they call me pyro
Oh no —-let’s go —-I think of words—- and ink flow
I’m mer keep you vibing to this track —until tomorrow
Yo bro—-if so——it’s so dope you gotta know
I’m mer keep on spitting flames —like I was s a volcano
You know—words flow like lava—-track is fire tho
I’m mer drop the facts and —-paint a picture like Picasso

Simple Insights

I have reworked this old classic from Cecilia and myself and as always when you rework something it is getting very different from the original.
If you feel at the end that you hear George Zamfir - it´s not him, it´s all guitar :-)
I hope you like the track and enjoy this new fresh version.

@spacialcecilia Vocals and Lyrics
myself: guitar, bass, drum programming, keyboards and mix and mastering

Mysteries Part 1 2020 Reissue feat. Special Cecilia

Mysteries Part 1 2020 Reissue | Special Cecilia & N.o.b.S.

Featuring the sublime vocal talents of Annie Smart, this is our fifth collaboration. 'Changes' began life as a solo piano idea that Annie breathed life into with her wonderful vocal! If you enjoy this please listen to more @annie-smart-1

Lyrics (by Annie)
Never seen the same cloud twice
Oh how they change
Oh how they change

Never seen the same snowflakes
Oh how they change
Oh how they change

I’ll be your shield
When the heavens open
I’ll be your shelter
If you lose your way
You’ll be my shield
When the heavens open
You’ll be my shelter
In the pouring rain

Never held the same leaf twice
Oh how they drift
Oh how they drift
Never seen the same sun rise
Oh how how it glows
Oh how it glows...

Changes (with Annie Smart)

Picture created using http://spaceengine.org ver. 0.9.8.0

Fusor 13Mj

Hope someone will enjoy my new acoustic piano song! Thank you goes to the lovely Sander for mastering and removing some hiss. I owe you one...😉❤️😃🎵🎹🎤

HOW TIME FLIES (with acoustic piano)

Closer

Super sky guy https://soundcloud.com/john-palmer

John Palmer + Spiralizer - Darkening Sky

Im very happy to share a collab with my friend Lea-Mona. She is a talented multi aspects artist (painting, sculptures, poetry and much more) and her mother tongue is german so here is a poetry she wrote and says on my music and some vocal ambient, for our first collab :

Tiefe:

In Steintreppen geschrieben
Geschichten aus alter Zeit
Geschichten von Beton und Stein, Gips
die ineinander verlaufen
Man kann immer wieder Phantasien entwickeln
die dem Stein entspiringen
In ihm und auf ihm stehend, heruntersehend - ein Abgrund - ein Stein.
Fuss auf dem Boden - pieds sur le sol
Treppen steigen, Treppen gehen, 
so wie im Leben, nach oben, nach unten
Mich immer wieder zusammenreissen um die Anstrengung
 zu überwinden - ständige Motivation - 
anstrengend wenn man nicht nach oben kommt 
und sich sagen kann
Ja, Ich hab's geschafft! oben auzukommen
Ausser Puste, aber doch.
Jeden Tag versuche ich mich auf Neues zu motivieren 
um endlich etwas zusammenzustellen
das mein Leben bedeutet
Im Leben zu stehen, mit beiden Füssen
im Gleichgewicht auf dem Boden
in ihm - auf ihm - hinein 
Vereint mit meinem Körper

Collabs 2020

Tiefe

Tiefe Feat. Lea-Mona

A composition to remind us all that "this too shall pass" and at some point the tribulations of 2020 will be behind us.

This Too Shall Pass

The Sun slowly setting on Balearic seas!..please enjoy this chilled moment on me as your so worth it ;) video to go with it now here ;) https://www.youtube.com/watch?v=T6x0Pd7dovg

Sunset To Sunrise (chillout)

Nasha, The Girl who Touched the Sky - Nasha's Dance 
December 2020
Duration: 2:35
Music for Danse Etoile Ballet (www.danseetoile.org) who with be performing Nasha, The Girl Who Touched the Sky September 2021
Painting by Marie-Jose Payannet
There is an African plain the color of the sun where men dance for the rains to come.
They paint their hair and bodies red and jump toward the stars,
while the women sing the story of Nahsa, the Girl who touched the Sky.

A note from Marie-Jose Payannet, Director of Danse Etoile Ballet:
In those hard times when live performances cannot happen, Danse Etoile Ballet is producing a movie based on the original story written and illustrated by director Marie-Jose Payannet.  The story will unfold with dances mixed with narration and dialog, choreographed to diverse musics. Danse Etoile has been fortunate to work with Colorado's own composer Bruce Klepper who composed this beautiful piece for a solo danced by Nasha. 

For Bansuri, Duduk, Bass Quenacho, Marimba, Gambang Gamelan, Xylophone, Ih Khuur Bass, String Bass, virtual instrument and percussion

Nasha, The Girl who Touched the Sky - Nasha's Dance

Mostly I make ambient/melancholic electronic music. Or I play the piano. 
Sometimes there will be faster songs. And sporadically I will do something different. 

Thanks to everyone who takes time to listen to my tracks, or likes them, or reposts them... much appreciated <3

Also check out my synth pop project with the lovely @annie-smart-1: 
Passion Arcade - https://soundcloud.com/user-949559825

Rock, Rock, Rock and no Alternative …
Rock is not dead, you can validate the evidences here.
People who want to get mellow might be wrong on this site, but are more than welcome to take up some energy here 😀
I am playing guitar and Bass. Keyboards and Drums are programmed.
Mix and Mastering was done in the „N.o.b.S. Moonshine Studios“ in Mainz Germany.
Nearly everything had been recorded during the night, sometimes at daylight on weekends.

Closer

Wane of Summer

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