i say give our children guns but stock with like the least effective rubber bullets and ass whip discipline to make Joe Jackson blush. I believe in the self defense safety of our children even at further range against attackers who can overpower them

Doesn't Matter What Is Real

Ode to What Could Have Been

Written, Recorded, Produced, Mixed and Mastered by Toto Peña at Kandinsky Western Recording Services in Bluffdale, UT

Toto Peña - Vocals, Guitars, Bass, Percussion, and Sound Design
Andres Escobar - Korg Poly-800
Andrew Goldring - Drums

Photograph by River Stephenson

Our loves a FUELT4NK
And we burned right through it
We measured our love
With each mile that passed on

Don't you think, that whats good is sometimes bad?
Don't you think, that whats bad is sometimes good?

So I can't hold
I can't hold your hand
And you
You can't hold mine too

Our loves a FUELT4NK
And we burned right through it
We measured our love
With each mile that passed on

Don't you think, that whats good is sometimes bad?
Don't you think, that whats bad is sometimes good?
Don't you think, that whats good is sometimes bad?
Don't you think, that whats bad is sometimes good?

So I can't hold
I can't hold your hand
And you
You can't hold mine too
So I
I can't hold your hand
And you
You can't hold mine too

Our loves a FUELT4NK

FUELT4NK

World's Most Important Somethi

This one is kind of a departure for us. While we've flirted with disco in the past, we've never really tried to make out with the genre. Don't worry, we won't do it again. This tune also distinguishes itself from our other material as having a guest musician: Guitarist Philadelphia Telepants recorded a beautiful, blistering solo to close this song.

Lyrics:
Gun metal green 
Prettiest that I've seen 
I've nothing to hide
And you've nothing to hide

I'd trust you at the wheel,
Even if we're going down
Our love is made of steel
Last us 'til the underground
Steady and surreal, 
In a world of lost and found

Took out the trash
Paid my bills all in cash
Nothing to hide
And it's summer outside

I'd trust you at the wheel,
Even if we're going down
Our love is made of steel
Last us til the underground
Steady and surreal, 
In a world of lost and found
Trust you at the wheel,
Know you'll keep us safe and sound

We don't need a key
We were already free
Cruising along
To a mexican song

Credits
Trocadero: Words & music
Nico: Danelectro baritone guitar, drums, vocals
Wendy: Kurtzweil K2661, vocals
Philadelphia: Fender guitar


Steady Ride (Gun Metal Green)

Campfire Song Song Punk Cover

Move To The Ocean (Remastered)

Cool Kill Machine is from Warbly Jets new EP out worldwide January 4th, 2019 via Rebel Union Recordings / Warbly Jets

Produced by Warbly Jets
Mixed By Michael Patterson
Mastered by Dan Gerbang
Recorded at Ultrasound Studios

Management:
Rebel Union Entertainment
ryan@rebelunionent.com

Warbly Jets are: Samuel Shea (vocals & guitar), Dan Gerbang (bass) & Julien O'Neill (synths & guitar)

www.warblyjets.com
www.facebook.com/warblyjets
www.twitter.com/warblyjets
www.instagram.com/warblyjets

Cool Kill Machine

A Noble Girl About Town

Clock n' Works - Romance in F sharp
Midnight Talking EP - 18.03.2013
Produced by Clock n' Works and Nathanael Huguet
Recorded and mixed by Nathanael Huguet at Studio la Vigie

Romance in F Sharp

Our little cover of Gorillaz is in free download.
Check out the recording video on Youtube =>http://youtu.be/AULpGLuc4fk


19-2000 (Gorillaz cover)

Found there was no evidence of this song on SoundCloud, so... Let's put it simply: If you want something done right, you gotta do it yourself.

TWRP - Black Swan ft. Dan Avidan

For WARBLY JETS (Samuel Shea and Julien O’neill) their second LP marks a new era, a shedding of skin, a clean slate. It’s been three years since the release of their first LP—years filled with all the highs and lows of growing up, and finding their footing as a band. “The first album changed our lives explains Shea. “But parts of it feel too one-dimensional since there are no rules in pop music anymore,” adds O’neill. “We’re witnessing a rebirth of what music can be. Music is getting way more flexible and people’s ears are wide open. It’s easy to be inspired by the infinite possibility. That’s what this album is about for us.” Defined by experimental, genre-bending production, massive sound-collage hooks, and the search for identity in an industry that has yet to fully accept them, MONSTERHOUSE features the alternative duo’s most personal yet highly relatable songwriting to date. “It’s a patchwork narrative of our own experiences,” explains O’neill, “but I hope people listening will find a lot to relate to with the questions we’ve been asking ourselves. Things like, why do you feel that you can’t go on without that person? How did you grow up so fast? How do you change again for the better?”

Cool Kill Machine

WARBLY JETS

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