pala  
        bras
sus - pen
            didas
    en
        el
aire

um tedio enorme

hyperreality

https://soundcloud.com/c-line-mathieu-40742579 for https://soundcloud.com/juliettehenriu

https://www.retreatradio.net/radiant

Tracklist:
Used tracks;
‘hoe ver nog’, Benne
‘<sntm’, Céline Mathieu
‘woonstschennis’, RIP DRARI
‘FUCK MAU’, RIP DRARI
‘Lortzingstrasse’, a piano rehearsal by Esther Blokbergen
‘For Céline to recover 1’, uo ray’m
‘For Céline to recover 2’, uo ray’m
‘For Céline to recover 3’, uo ray’m
‘Finite-CM3’, JAUME (Céline Mathieu and Levi Lanser)
‘Groupuscules’, RIP DRARI
‘Avenue du Gros Tilleul’, Céline Mathieu
‘03 instr’, RIP DRARI
‘Das Lernen lernen’, RIP DRARI
All voice (aside from the opera singing), written and read by Céline Mathieu

for radio, for Juliette

Radiant #10 w/ Céline Mathieu (26/11/23)

back on @noodsradio w/ a very special [and quite rare] guestmix by 
Luciano Maggiore

•Carlfriedrich Claus- Chenmitz (exc.)
•Jennifer Veillerobe - Luftlocher A1
•Michael Wolfart - 3+3+2   7
•V Mediale Musik, female entities (1970)
•@toshiyatsunoda - Taku Unami - Wovenland - In a farmland
•2.51 15'657" John Cage, for a speaking percussionist (realization Bonnie Whiting, exc.)
•Michael Barthel - Alber Pogo (exc.)
•Songs and prayers from the Izaiho ritual, Kudaka Islands, Yukenegamiashibi
•@senufoeditions - five wooden frames
•@claradeasis_ - Do Nothing - Nothing Lasts II
•Paul DeMarinis - Music as a Second Language - Fonetica Francese
•@gnaleniotna - Idiophases (exc.)
•Brézil Central - Songs and dances of the Kaiapó - Mekragnoti, Pêche rituelle avec lianes
•@franciscomeirino - undetected (untreated recordings from on-site testimonies archives) The Basement
•@dddakim - Results in 34 fragments - 34

Luciano Maggiore is a Palermo-born, London-based musician whose work is characterised by the use of speakers and several analogue/digital devices (samplers, CD players, walkmans, tape recorders) and addresses the performativity of the musical act, the perception of it, and the obscurity that emanates from it. His main interests include mechanisms of sound diffusion, performance, repetition, endurance, non-human animal languages, dance, folklore.

OOH-sounds w/ Luciano Maggiore 26.11 _ Noods Radio

MIX for DEARDOGS 

bimestral on LYL radio
https://lyl.live/episode/deardogs-4
https://deardogs.bandcamp.com/

Tracklist:
EVOL - punani rubberist
TOSHI TSUCHITORI - unebi
MARIACHI (NINA GARCIA) - fu/mi
RYU HANKIL - ⑥_catalysis_6
MINORU SATO & AMI YOSHIDA - 1997
ANNE GILLIS - rymoborus
LUCIANO MAGGIORE & LOUIE RICE - phone work
PETER ABLINGER - against nature (2020) many a
PETER ABLINGER - against nature (2020) drawing 2 (narrow)
JOHN WALL - stünde null (i)
JUNKO - full void
KIERAN DALY - twmvcseq - 2opfm
TAKAHIRO KAWAGUCHI - 116 water drops per minute
SAM RIDOUT - aspect
COSMOS (AMI YOSHIDA & SACHIKO M) - tears 3
FELIX HESS - 21-10-78, about 11.45 pm, brachina creek, finders ranges, south australia
MILFORD GRAVES - nothing 13
ROBERTA SETTELS - p1 - information
TOSHIYA TSUNODA & TAKU UNAMI - jinmu-ji temple, evening cicadas - playback speed at 1/3 + strange sound 2012 co. armagh n.ireland

Mix for Deardogs (LYL Radio) 12.12.23

This month I have Rock in my pocket. I tried to find for you what people do in 2023 with a voice, a guitar, a bass, a drum... and a lot of inspiration! 


After Eight w/ Aymard (15/12/23)

Odpływ: #30 <3

‘Quintela’, the debut album by Carme López, a performer, teacher and researcher of traditional oral music from Galicia, is the first experimental work for Galician bagpipe. Influenced by the approach of composers like Éliane Radigue or Pauline Oliveros, the Spanish composer creates slowly modulating sound environments, and stretches the sonic the possibilities of the bagpipe to its absolute limit. ‘Quintela’ is structured in four movements, plus a prologue and an epilogue, which serve as a link to the contemporary language of the instrument.

The bagpipe is strongly tied to traditional musics; its use in different genres and musical contexts is extremely limited and unimaginative. ‘Quintela’ brings it to a wholly unknown field, decontextualising the bagpipe in order to elevate a personal approach, and leaving behind its male-dominated past (in which it relates to ideas of prestige, dominance or carries even sexual connotations). López expertly demonstrates its grandeur and breadth; the music on ‘Quintela’ ranges from barely audible sounds of air passing through the hide bag through rhythmical use of its reeds to all-encompassing drones with complex harmonic structures and vibrant overtones.

The narrative arc focuses on the composer’s past, its people and places, and could be conceived as a journey in and of itself. A homage to those in our memories, but also a step into the unknown, ‘Quintela’ is an ambitious, graceful and captivating debut.

Quintela

Carme López - I: QUÉ? A Betty Chaos

some memories and melodies of anybard, who, as always, is attempting to establish connection with ghosts on the channel. chamber music, demos and walkie talkie singing. 
all music by spellcaster / h hartvig

the shadow channel w anybard w/ Spellcaster

LYL Radio - April 2024

Scène XXVIII - 09/05/2024

Record label and music studio based in Bratislava, Slovakia

contact [at] warmwinters [dot] ltd

SoundCloud doesn't feature the full catalogue, only the latest selected tracks. Please visit Bandcamp for the full discography
https://warmwintersltd.bandcamp.com

Carme López - I: QUÉ? A Betty Chaos

Warm Winters Ltd.

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