Recordings of the BART, recorded in San Francisco's Powell Street Station, manipulated with AudioThing's Noises, then modulated repeatedly using Cableguys' Shaperbox. All the Shaperbox modulations used  the barcode from a packet of Walker's Shortbread Fingers to define the gates. These, depending on the effect, are then stretched between 1/16 and 32 bars.
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More on the 712th weekly Disquiet Junto project, Zebra Code — The Assignment: What rhythm do you hear in a bar code? — at https://disquiet.com/0712/.

fingers in the pie (disquiet0712)

Each song I cover has a tutorial on how I made it (including all the files) at: www.davebstevens.com/music

fight the bpm egemony
improvise your dreams

My music asks listeners to be like dreamers uncovering hidden patterns in passing clouds. Support me @ patreon.com/blisterpop

My 33 1/3 series book about the Aphex Twin album <i>Selected Ambient Works Volume II</i> was published in 2014. The book was one of the top 5 bestselling titles for the calendar year, and in 2015 was ranked by Pitchfork as one of the "33 best" of the 100-plus books in the 33 1/3 series. It has subsequently been translated into Japanese (2019) and Spanish (2018)

Since 2012 I have moderated the Disquiet Junto group, which began on SoundCloud. More at disquiet.com/junto. 

I've written for Nature, Pitchfork, The Wire, Down Beat, Boing Boing, NewMusicBox, Red Bull Music Academy, Art Practical, the website of The Atlantic, and many other publications. 

I've exhibited sound art at galleries in Los Angeles (Crewest), Manhattan (apex art), and Dubai (DUTAC), and I had a audio-visual installation at the San Jose Museum of Art as part of its 45th anniversary.

And since 1996 I've run the website Disquiet.com about the intersection of sound, art, and technology.

fingers in the pie (disquiet0712)

wasabicube