find all my info @ https://www.heikolaux.com

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Founded in 2002, Stockholm LTD began as an outlet for singles and EPs from Swedish artists with a focus on releasing timeless electronic music. It has since developed into a hallmark for finely crafted electronic music from a range of international artists. Stockholm LTD is owned by Pär Grindvik.

Associated artists.

Adam Craft
Flug
Hardcell
Joel Mull
Oliver Kapp
Pfirter
Pär Grindvik
S100
Simon Haydo
Skudge
Staffan Linzatti
The Hollow
The Subliminal Kid
Tom Dicicco


Inigo Kennedy is a pioneering and respected techno and electronic music producer and DJ. Since early on he experimented with electronics and technology and immersed himself in the airwaves, music stores and scenes of London, Manchester and beyond. From there has evolved his distinctive sound and attitude to music making and performance - entertaining accidents, taking risks and steadfastly following his heart rather than the herd.

He is well known for always bringing technical and creative originality and skill to his work - not least to his own innovative label Asymmetric which freely criss-crossed the electronic music landscape.

His DJ schedule has taken him all over the globe where he consistently plays energetic and emotionally-charged sets - often throwing in curve-balls or nodding to classic tracks that have shaped his own musical arc.

He has been responsible for a large and diverse back catalogue of releases and remixes on a number of labels around the world and has worked under a number of aliases such as Reducer and Tomito Satori. His discography stretches to well over 100 releases on vinyl, CD and digitally on established, if not seminal, labels such as Missile, Semantica, Stroboscopic Artefacts and current home, Token.

He is now a keystone of the Token label, having been responsible for its first release in 2007 and dozens of releases, remixes and collaborations since. He has planted seeds along the label's history with bold, distinctive and memorable tracks like 'Arcing', 'Cathedral', 'Obsidian', 'Plaintive', 'Voyager' and 'Tornado'. His critically acclaimed LP 'Vaudeville' released in 2014 perfectly captured his uniquely evocative sound and attitude.

Fast forward to 2018 and the culmination of his next steps with a powerful follow-up LP 'Strata' for Token. As the title of the tenth release on the label put it, onwards and wrongwards!

booking contact :clara@acheron-booking.com

Terence Fixmer's music has the remarkable ability to not only set feet in motion on the dance floor but also resonate deeply with the searching soul, all while maintaining a profound musical depth and integrity.
In the world of techno, Terence Fixmer is a highly respected figure, celebrated for his innovative and genre-defying approach to music production. With a career spanning over two decades, he has released numerous albums and EPs on some of the most prestigious techno labels. His remixing talents have extended to tracks from industry giants like Depeche Mode, Yann Tiersen, Sven Väth, Dave Clarke, Front 242, Nitzer Ebb, Indochine, and more.
Terence Fixmer is renowned for the quality of his live performances, gracing renowned clubs and festivals worldwide.

Chapter 1: 1998-2007.

In 1998, Terence established his own label, Planete Rouge. From 1999 to 2007, he gained worldwide recognition with the release of his debut album, "Muscle Machine," under DJ Hell's legendary International Deejay Gigolos imprint. This album masterfully blended elements of electro, industrial, EBM, and techno, pioneering a dancefloor-oriented style later recognized as "Techno Body Music." Tracks like "Electrostatic," "Body Pressure," and "Electric Vision" are still hailed as modern classics today.

In 2002, Fixmer joined forces with Nitzer Ebb's lead singer, Douglas McCarthy, to form Fixmer/McCarthy. Together, they released two full-length albums that pushed the boundaries of Techno EBM to the maximum. The album "Fixmer McCarthy Between the Devil" has earned its place as a revered classic, and the band has become iconic in the Techno EBM scene.The duo has performed their energetic live sets at numerous renowned clubs and festivals all across the globe.Fixmer/McCarthy earned respect in the global scene for their unique way of creating truly pioneering sound fusions by elegantly blending the aggression of Techno Body Music and the sensuality of Electronica.

Chapter 2: 2007-2015

Fixmer continued to expand the horizons of modern techno, releasing albums and EPs under his own name as well as various alter egos, showcasing his ability to maintain a unique sonic personality while avoiding repetition. His works found homes on highly respected techno labels such as Electric De Luxe (notably the "Comedy of Menace" album in 2010), Prologue, Jealous God, CLR (including the "Depth Charged" album in 2014), Aufnahme + Wiedergabe.

Chapter 3: 2015-2020

Terence Fixmer continued to evolve his sound in 2015. His EP "Aktion Mekanik," originally released in 2003, was reissued on Ostgut Ton, marking his entry into the Ostgut Ton family—the flagship label of Berlin's Berghain club. He subsequently released various EPs and his album "Through the Cortex."
 Fixmer's distinct sound signature remained in high demand, leading to remix requests from notable artists such as Depeche Mode, Front 242, Ellen Allien, Front Line Assembly, Arnaud Rebotini, Yann Tiersen etc..

Chapter 4: 2020- 
 
Terence produced music for Thomas Cohen (formerly of Scum) with tracks like "Braid" and "Chain of Love" on Mute Records.

Additionally, he signed with the legendary label Mute Records, renowned for its roster of innovative and influential artists. 
In 2022, he released his first album on Mute Records titled "Shifting Signals" .
His music has been used by Fashion brand, such as Prada, Raf Simons ...
A 2nd album is in the plan for 2024.


Terence Fixmer's unwavering drive to craft experimental, mind-bending, and relentless sounds continues to transcend the boundaries of the musical mainstream, solidifying his place as a visionary within the techno and electronic music landscape.

Being one of the most in-demand Techno DJs of our times, Ben Klock needs little introduction. His name has been closely associated with Berlin’s legendary club Berghain since 2005. His monthly residency has formed the backdrop to his international success, providing an invaluable platform for his ability to create a room rather than just play to it.

Much of his early career was marked by marathon sets – a signature that played a considerable role in nurturing his skills and reputation – but even the more compressed sets he shares today evidence an intricate narrative and sense of flow that defines him as a DJ. It was these inherent abilities that led him to compile the fabric 66 compilation in 2012, before winning the BBC Radio 1’s Essential Mix of the Year award in 2015.

His releases on Ostgut Ton have become landmarks in the imprint’s history. 2009’s “Dawning”, the first of his collaborations with Marcel Dettmann kickstarted the label itself and remains a stand-out track in its discography. Another release of particular note is the Before One EP including “Subzero”, which many techno lovers still refer to as their gateway track into the whole genre itself. For many, however, it is his album One (2009) that best captures Klock’s talents as a producer. His skills as a remixer have also seen him rework tracks by a wide variety of artists, including Kerri Chandler, Depeche Mode, Robert Hood and Kenny Larkin.

Additionally, Klock curates with great passion his own label Klockworks, founded in 2006. With releases from DVS1, Stef Mendesidis, The Advent, Sterac, Etapp Kyle, Temudo and many more Klockworks became a synonym for unique, high quality Techno.

In 2017 Ben started his own event series PHOTON which is a unique concept show that blends light, architecture and music. Since then he toured PHOTON at special venues in major cities around the world such as Printworks (London), Gashouder (Amsterdam), Arca (Sao Paolo), to name a few. It quickly became a new standard for audio visual electronic music events. In 2023 the project returns after a pandemic induced break with a brand new visual and artistic concept.

Children Of Tomorrow is a label managed by Arnaud Le Texier & Emmanuel Ternois who share their passion of timeless Techno music since 20 years...

This page is only for you to send me emails and links for tracks for inclusion on my radio show / dj sets.

FLOORPAN "THE MASTER'S PLAN" (CLASSIC MUSIC):
https://cmc.lnk.to/cmcd141d

Before I got into this music I wanted to be an originator ; I wanted to be original".
Founding member of the legendary group Underground Resistance as a 'Minister Of Information' with ‘Mad’ Mike Banks & Jeff Mills, his seminal works on Jeff Mill's Axis and his very own M-Plant imprint paved the way for a wave of stripped-down dancefloor minimalism that directed much of techno's path throughout the late Nineties.
Robert Hood makes minimal Detroit techno with an emphasis on soul and experimentation over flash and popularity. 

"Growing up in Detroit, I grew up with Motown in the house - a lot of Motown and Philadelphia soul, artists like Marvin Gaye of course and Curtis Mayfield. I remember Isaac Hayes, the soundtrack from ‘Shaft’ had come out. My father was a jazz musician; he played piano, trumpet and drums. My mother was in an R’n’B group.
We listened to a lot of Motown - in fact, my grandfather’s first cousin is Berry Gordy.
"I was influenced by my father - I wanted to play trumpet like he did."
Robert's father tragically died when he was just 6. The photo of Robert siting down holding a trumpet is his fathers.
"I had to beg my grandmother to let me borrow the trumpet to take a picture with it"

In the early 90's he began to concentrate on his own production 'Vision EP', the 'Riot EP' and X-102 were big stepping-stones for him as they were the first releases he worked 100% on his own. The X-101 to X-102, were Waveform Transmission projects with Mills for Tresor. He slowly progressed to work more and more on his own, but collaberated on some of the first Axis releases with label owner Jeff Mills as H&M (Hood & Mills) with ‘Tranquilizer EP’ and ‘Drama’.

He soon decided it was time for him to start his own label to focus on what was in his soul musically. M-Plant started in ’94. I had developed this “grey area” sound - what I mean by that is that in Detroit, even when the sun is out, there’s something in the atmosphere. I don’t know if its pollution or whatever, but the sky has that grey haze over it. It’s got to be something from the industrial factories there. I’d never really heard a sound like that before and it came from a Roland Juno - it was a chord sound that really went along with my depiction of what Detroit was at that time. A lot of buildings were abandoned and there was a lot of lifelessness in the city, especially downtown. The M-Plant, in minimalism, kind of reflected that. I remember thinking of Detroit like a museum. You know, like a work of art standing still, suspended in time. There wasn’t a whole lot of activity going on.

Releasing singles such as "Internal Empire,", “The Protein Valve” "Music Data," and "Moveable Parts", "The Pace", more recently "Range", "Alpha" and that isn't even touching his other monikers Floorplan, Monobox, The Vision, etc.
"M-Plant is what I've always wanted to hear: the basic stripped down, raw sound. Just drums, basslines and funky grooves and only what's essential. Only what is essential to make people move. I started to look at it as a science, the art of making people move their butts, speaking to their heart, mind and soul. “It's a heart-felt rhythmic techno sound. M-Plant is just M. minimal. “

Although his desire to remain underground has been replaced by an urge to reach a wider audience, mainly via his housier, disco, gospel moniker Floorplan with his daughter Lyric Hood,   Hood remains fiercely critical of artistic and economic movements destructive to inner-city communities and has combined his musical enterprises with outreach and social activist ends.

Since 2011. 

https://nonseries.bandcamp.com/

contact: a1 [a] psyk.es

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