First contribution to our Spring/Summer mix series by LA's very own, @suzannekraft . Check out our short interview with him on our website! https://www.homagebrewing.com/spring-summer-mix-series

Homage Mix Series: Suzanne Kraft - 001

It’s been a minute between drinks 🥂

Our CR mix series returns with the prolific Parisian posse @lorem-ipsum-yo💫

Some of the most compelling wax diggers to bless our ears in recent times. Enjoy nearly 3 hours of uncovered 💎s crossing soul, gospel, r&b, gangsta hip hop & more.. diggin extra deep no matter the medium - private cassettes, CDs & vinyl.
Get ready to blast the comments with song IDs cuz this ones a doozey 🔥

Expect plenty more CR mixes to come 👀

🎨 by the master Ben Keynes.

Crown Ruler Mix #23 - Lorem Ipsum

Please meet London based DJ and producer, former Cafe Del Mar resident, and our long time close friend Phil Mison (@cantomamusic). Interview (excerpt) down below.

www.musicfrommemory.com

MFM: Hi Phil, many know you as one of the DJ's who has played all the best sunset spots across the globe. How did your summer look this year, still been scoring sunsets here and there?

PM: My summer was great. I travelled to Amsterdam, Cork, Copenhagen and Barcelona and had some nice gigs in the UK. My friend Deke has opened a bar on the seafront in Margate, you get pretty epic sunsets down there. I played a few records one evening and managed to fit in a few old cafe classics as the sun disappeared into the sea. 

MFM: Please tell us a bit about how it all started for you?

PM: I grew up in the 70’s, so there were quite a few different influences. David Bowie ‘Life On Mars’ was an early memory, and I was obsessed with Blondie. Parallel lines was the first album I bought. Later it was Northern Soul, Electro, nothing really that mellow! In 87 I met a couple of people who were really into House. I started going to groove records in soho to buy records like Adonis - No Way Back, Ten City - Devotion. Then as 88 rolled around I got into the more Balearic side of things. Later in 89 I’d pop into Reckless Records for second hand stuff and started to browse the New Age section where I got things like Kitaro  ‘Tunhuang’ and Paul Greaver ‘Joy’. Those records were the starting point really. 

MFM: DJing in clubs to make people dance never really attracted you?

PM: I’d say pretty much most of my DJing has been in clubs. I started at the Milk Bar in Soho in 1992 after giving Darren Emerson a tape. Even though I was doing the warm up and playing mellow stuff at the beginning, you had to build it up to a full dance floor by the end. In 1996 and 2000 I was the tour DJ for Lefttfield, playing in front of 1000 odd people. ‘Just get it going before we come on!’ Alongside Ross Allen and Rob Da Bank, I was resident at Bar Rhumba for our Next Level night in 1997. It lasted a year and we opened with Harvey and closed with Andrew Weatherall. I Have to mention Moonboots and Jason Boardman’s night Aficionado too. I always enjoyed playing to a dancefloor there, they’ve kept the Balearic flag flying since 1998. 

MFM: At what point did you got into making music on your own? 

PM: I’d worked on a project for Kenneth Bager in 1994. Then later on he started his Music For Dreams Label, and asked me if I would be interested in making an album.  So the first Cantoma album was started in Copenhagen in 1999, and finished in London in 2003. 

MFM: How do you come up with a new song, is there a certain Phil Mison way to it? Do you write the parts for the musicians?

PM: It usually starts with an idea that pops into my head. Sometimes a memory or travelling will get a melody going, and I’ll sometimes hum it into my phone and use that as a starting point. Ive worked with Engineer/Producer Robin Twelftree on all the Cantoma albums. I’ll go into Robin’s studio and usually start with some basic keyboards, then I’ll play a bassline in. I’ll take the demos away and think about what would work on the tracks. For some musicians the music is written down. Ive worked with Robin Lee from Faze Action on a few Cantoma tunes, and he usually transcribes my basic melodies onto sheet music. Other times I’ll play the melodies on a keyboard or hum the tunes for the musicians to follow along to. On some tracks I’ll write the lyrics too and get a singer to record on a track. There’s a lot of going back and forth until I’m happy with the final cut. The music rarely ends up sounding like the first version.

MFM: Making a mix must have been a piece of cake for you :) What is this mix like?

PM: I went back through my 92-94 selection and picked a selection of the lesser played records. Memories of magic times at the Milk Bar and warm summer evenings at the Cafe del mar.

MFM Mix 044: Phil Mison

SWAYMIX 001 - Telephones

SWAYMIX 002 - Eternal Love

"A late 2022 recording trodding through a swamp of precarious pop, zooty b-sides and muddy dubs fortified with a peppering of dub siren." - @good-block

B.P.T. Radio 061: Good Block

Not-for-profit party, reissue label and DJ duo Heels & Souls take the reins on the Secretsundaze show this month, running street soul, kwaito, house and plenty more besides over two hours. There's even an exclusive announcement of a forthcoming release live on air.

Heels And Souls on NTS Radio 12/01/23 (Covering for Secretsundaze)

DREAM ON with Lloyd @ The Lot Radio 02 - 01 - 2023

Live recording of the first to last record played at Giant Steps on Sunday 12 February, 2023.

This sound system haunted our dreams, since they packed it up at Swan Wharf. Came with high hopes and open minds for our first Sunday at the Hackney Wick Baths. What started as a soulful afternoon selection escalated slowly into a rolling dance. A few asked since if it was recorded and - luckily - this time we got the sucker. 

If you were there, thanks for joining us and hope you enjoy the playback as much as we have. If you weren’t, hope you catch the glow of this wonderful setup. Blended with *ahem* human touch on 2 modified Technics and an ISO420 mixer, deeper into the night than we’d expected, under the shimmers of their famous mirrorball.

Customs Live at Giant Steps 2023

Simon TK takes the Wax’o Paradiso show solo and pines for Edd Fisher in song. Lockdown edition: live from home.

Two hours of sweet soul music when the world needs it most.

Dedicated to DJ Jerry <3

Tracklist:
Sun - Time Is Passing
Franco Micalizzi - Jessica’s Theme
Cassandra - If You’re Not Back In Love By Monday
Fernandos Ginga - It Doesn’t Matter
Peter Hunningale - Rocking You Eternally
J. Caesar - G-Force (Mali-I Vocal Version)
Peter Spence - Don’t Leave Me Lonely
N.M Band - She Wants
Dee Sharp - Rising To The Top
F.J. - Fool’s Love
The System - Find It In Your Eyes
Mary J. Blige - Message In Your Music
Bob Baldwyn - Summer Madness
Kenny Thomas - Outstanding
Spanner Banner - Missing Persons Bureau
Eramus Hall - Just Me And You
Tommy McGee - Now That I Have You
Leroy Hudson - Lucky Fellow
Steve Parks - Movin’ In The Right Direction
Willie ‘Beaver’ Hale - Groove On
Carl Anderson - Buttercup
Breakwater - Say You Love Me Girl
Jeanette Lady Day - Come Let Me Love You
Philip Bailey - I Am Gold
Eros - Go For It
Golden Harvest - I Need Your Love
Photo: Montana Bourke: Freo De Janeiro 2019

Cafe Del Murray E5 Skylab Radio

004 Jamie Bennett

Do you know Jamie Bennett? Maybe you do, maybe you don’t, maybe you heard one of your friends whisper: “That’s the Crown Ruler guy." One thing is undoubtedly true – Australia’s music scene wouldn’t be the same without Jamie’s influence. The wonderful Crown Ruler brand has exerted its influence throughout the country and far beyond. If this is news to you, start looking a little closer to home and you’ll spot the clues.

We’ll keep this intro brief – a cheeky web-surf will provide plenty of thoughtful write ups on the man’s roots. We think Jamie’s an incredible DJ. A trove of aural excellence comes through in this mix; Lovers rock, sun-kissed gems, and plenty of soulful rarities from all corners. It’s a little less about genre and a little more about mood.

When we joked with Jamie that the cost of the records in this mix alone must be his retirement fund, he slyly shot back: "That's my super." It’s hard to explain the effort, the research, and even the resources that go into pulling together the sort of collections that are at the heart of a mix like this. Perhaps that’s a little digger-to-digger nod, a silent sign of appreciation at the incredibly impractical art of carting around bags and bags of records in this day and age.

Our admiration goes beyond knowing the work involved. Hearing and experiencing Jamie’s talent through Waxflower’s speakers was, for us, a thing of joy. And at the heart of it all is Jamie’s love of music. We were honoured to have him play on the wheels at Wax. Music and Human connection, Enjoy!

Recorded live @Waxflowerbar

004 Jamie Bennett

Aus Bookings: james@watartists.com 
Bandcamp: https://waxoparadiso.bandcamp.com/
Wax'o Paradiso x Hope St Radio Dec 3rd: https://ra.co/events/1808578

'Over the past 10 years, Simon TK and Edd Fisher have built, curated and cultivated the now-institution that is Wax’o Paradiso. Wax’o Paradiso’s holistic approach to music sees the esteemed outfit working as hard behind the scenes as they do behind the decks. Harnessing a harmonious balance between stalwart DJ duo, ever-reliable events series and recently founded record label, Wax’o Paradiso’s offerings have cajoled a passionate and dedicated community predicated on a commitment to creating playful and positive dancefloor experiences. 

Wax’o Paradiso’s once theatrically themed events remain charismatic - roving, leftfield locations, expert production and longform DJ sets from Wax’o Paradiso and like minded guests create place and space to elate. As DJs, the duo presents a sonic frontier with unparalleled synergy. Each rapturous journey, a cosmic concertina of rare groove and psychedelia that illuminates the vast reservoir that is Wax’o Paradiso’s ineffable musical knowledge and technical skill. The resultant long-lasting, high-impact performances almost always unfurl in moments that push exultant crowds to soar together in shared states of dancefloor freedom and energetic ecstasy. It’s with this mantle that the duo have a consistent and far reaching presence, amassing frequent club and festival appearances both near and far. 

Together, the pair also co-run the newly established Wax’o Paradiso Recordings, a label devoted to unearthing contemporary antipodean sounds spanning the soothing and the psychedelic, as well as a collection of spirited mixtapes - an expanding back catalogue that’s sure to keep your heart warm and your body moving.'

Words - Pjenne

Cafe Del Murray E5 Skylab Radio

Wax'o Paradiso

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