Sleater-Kinney first emerged from Olympia, WA in 1994. The group’s 1997 landmark album, Dig Me Out, earned a spot on Rolling Stone’s “The 500 Greatest Albums of All Time.” During 2015, they returned from a decade-long hiatus with the triumphant No Cities To Love, which closed out 2015 on dozens of year-end lists, reaching #1 for The Daily Beast and The Skinny. In 2019, they teamed up with St. Vincent to produce The Center Won’t Hold followed by a North American and European tour with multiple sold-out dates. Path of Wellness, their tenth studio and first self-produced album was released last year before embarking on a summer co-headlining tour with Wilco that included iconic venues such as Red Rocks, Merriweather Post Pavilion, and more. To commemorate 25 years of their iconic record, Dig Me Out, the band gathered artists across genres to reimagine the 13 original tracks. Artists include Courtney Barnett, St. Vincent, Wilco, The Linda Lindas, NNAMDÏ, Jason Isbell and Amanda Shires, and more. Their most recent record to date, Dig Me In: A Dig Me Out Covers Album was released on October 21, 2022.

A Decline in Morality....

Jamie Hanson - Bass
Thomas Joad Gibbins - Drums 
Jacob White - Guitar 
Luke Ellerington - Guitar / Vocals

cannibalanimaluk@gmail.com

From the outskirts of London and the outcast of society there comes a band forged from a pure passion of making music that’s meaningful and unique. Tokyo SexWail are punchy, political, poetic and surreal. Imagine The Doors and Rage Against The Machine made passionate love in the doorway to The House Of Commons simply to say a big F**K YOU TO THE ESTABLISHMENT! And produced a hard-core psychedelic lovechild that is Tokyo SexWail. The name says it all. 

The enigmatic frontwoman Luna Tico ranges from screaming punk to soulful melodies to powerful spoken word in the space of a minute, bringing the essence of our time and fears of a not so distant future into one juicy bite.  

The silent but deadly guitarist brings orgasmic psychedelic riffs into thrashing broken strings and a very tired audience.

The bassist leads the band with beautifully complex riffs that could head bang anyone into a trance state.

Dougie Wratt- Drummer/Synth Player has the fastest hands in the wasteland, he’ll hit anything and he’ll hit it hard with eye rolling passion.

This band will take you on a twisted journey through the third eye and beyond.

ATM MUSIC PRODUCTIONS
SOUTH JERSEYS FINEST
WRITER, PRODUCER, ARTIST

Portland, Oregon's EYELIDS existed long before the actual band came to be. Friends for over two decades, principal songwriters John Moen and Chris Slusarenko had long desired to get together to write songs, “sweet melodies” paired with “bummer vibes,” which would fuse Big Star’s jangle to XTC’s melodicism, connecting the dots between the dream pop sounds of the ‘80s Paisley Underground to the homespun post-punk of the legendary Flying Nun label.

For years, Moen and Slusarenko played and wrote in the company of some of the most legendary songwriters of indie rock including Robert Pollard (Guided by Voices), Stephen Malkmus (Pavement/Jicks), Colin Meloy (The Decemberists) and Elliott Smith. In 2014 they decided that it was time to finally start writing and recording together, adding the talents of guitarist/vocalist Jonathan Drews (Sunset Valley, Damien Jurado). The end result was their thirteen song debut album, 854, which gained positive notes from A/V Club, Brooklyn Vegan, BBC6 Radio and MOJO magazine. NPR called them “Portland’s best kept secret”.

That secret was short lived. Over the course of the next two-and-a-half years, the band has issued recordings at a prolific clip: They’ve released five 7”s and a 12” EP (which was labeled “EP/single of the year” by legendary East Coast freeform radio station WFMU ). They toured in the States and overseas, as headliners and as openers for Drive-By Truckers & The Charlatans UK (after hearing 854 Charlatans leader Tim Burgess asked to release the album overseas via his O Genesis label).

“With the first album we quickly realized that we were not just a studio project but a band, that wanted to play these songs live,” Slusarenko says. Eyelids wasted no time enlisting Paul Pulvirenti (No. 2, Elliott Smith) and Jim Talstra (The Minus 5, Dharma Bums) as their rhythm section. The band’s live action led directly to the band’s new album, or. “We wanted to make the second album with all five of us from the beginning and it was pretty exciting to see that come to full bloom,” Slusarenko says.

With or, the band’s second full-length LP, Eyelids has created their most emotional record yet. Produced by Peter Buck of R.E.M. and mixed by Thom Monahan (Peter, Bjorn and John, Devandra Banhart, Fruit Bats), or is liberally sprinkled with the hooks, melodies, and charming wordplay that make a certain kind of rock & roll fan fall madly in love with an LP. It’s all evident in the opening song, “Slow It Goes” — is that a play on Vonnegut or Nick Lowe? Somehow both feel appropriate — the kind of classic easily slotted between Superchunk and the Raspberries on a mixtape, locked and loaded with a perfectly winsome expression of angst: “She says, ‘If I can keep from sighing, why can’t you?’” From there, the sequence dives deeper and deeper into Slusarenko and Moen’s love of underground pop: listen to those sparkling “Starry Eyes”-worthy guitars on “Falling Eyes,” the psychedelic swirl of “My Caved In Mind,” and the Dream Syndicate mysticism of “Tell Me You Know.”

or is the sound of a band realizing its potential, of old friends connecting creatively and sonically, creating exuberant, nuanced, pop music.

hi I like to write songs. don't mind how bad all of them sound. i have no idea how to use garage band nor do I have any idea how to sing or play the guitar or the drums but i wrote these songs and i really wanted to put them somewhere so i tried my best. someone teach me how to produce music pls.

Limited Fanfare is an American Independent Record Label and Artist Management company based in Miami, FL.

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