Exclusive Downloads

"Simulacrum IV - Ziúr Remix" by @ziurinhell is the latest track from @ahossan 's upcoming release out on the 15th of October for @subtext-recordings

Pre-order: https://ahossan.bandcamp.com/album/simulacrum-remixed
Read More: https://soulfeederweb.com/premieres/premiere-aho-ssan-simulacrum-iv-ziur-remix/

Simulacrum Remixed

[Premiere] Aho Ssan - Simulacrum IV - Ziúr Remix

Sub-sunken and plaintively enchanting, All Centre debutant Mucho Sueño demonstrates capacity for tear-jerking beauty.

'Relacional' is out November 5th on All Centre.

@muchosueno
@all-centre-504822953

Premiere: Mucho Sueño - Relacional [All Centre]

E-Saggila / Exploited Body — Split
Format: 12"
Cat.No: PAN 125
Release Date: 25 November 2021
Purchase: https://p-a-n.bandcamp.com/merch/e-saggila-exploited-body-split

Fourth installment of PAN's split 12'' series, featuring Toronto-based producer E-Saggila (Northern Electronics, Hospital Productions) and Helsinki's experimentalist and Changeless label founder Exploited Body.

Limited to 300 copies, hand stamped, no repress.

The EP is mastered by Beau Thomas

A1 E-Saggila - Cluebeat (PAN 125)

〜 Taken from Debit's album 'The Long Count', out via Modern Love on Feb 18th 2022 〜

Delia Beatriz’s musical output straddles two distinct artistic poles; her debut solo album, 2017’s acclaimed “Animus”, oozed from sensual, beatless soundscapes to high-octane club music, while her 2019-released EP “SYSTEM” harnessed tribal guarachero elements while simultaneously scraping ideas from industrial techno. 

On “The Long Count”, the Mexican-American producer has inked her most rigorous statement to date, sublimating opaque ancestral knowledge into vaporous AI-stirred fog banks, activating an ancient rite that reaches into tomorrow. It’s audacious electro-acoustic archaeology that sounds disorientating, anachronistic and arcane.

“The Long Count” is rooted in research Beatriz made into Mayan wind instruments – whistles, ocarinas, flutes and trumpets – using the archive of the Mayan Studies Institute at the Universidad Nacional Autonoma de Mexico, the oldest and largest collection of its kind. Developing a set of digital instruments that could be played using different types of temperaments and scales, Delia processed these sounds using machine learning techniques to shuttle the distant past into our extant artistic universe, peering into Mexico’s pre-colonial history and weaving those ideas into complex tonalities gleaned from musique concrète and contemporary electro-acoustic music.

The ten tracks of ‘The Long Count’ form a ritual that’s a few footsteps out of time – neither a part of our present, nor the past. Beatriz describes the Mayan instrumentation as ancestral technology, part of a world that’s not so much been forgotten, but purposefully erased. And although it’s impossible to know exactly how Mayan music may have sounded, it’s feasible to converse with history using modern technology to conduct a ceremony of remembrance.

Beatriz’s soundscapes are haunted by indistinct, shared memories and centuries of pent-up emotion, and are as intentional, direct and meticulously crafted as the work of Deathprod or Thomas Köner. Her microtonal compositions are psychedelic to their core, shapeshifting through dimensions and painting complex mental images, while retaining a stylistic focus and lucidity that’s all too rare. Although “The Long Count” was nurtured by machines, human experience is coded into its DNA – an ancient-future heirloom that whispers through countless generations.

File under magick concrète.

All tracks written, produced & mixed by Delia Beatriz
Additional Machine Learning for Audio by Isomov
Mastering by Rashad Becker
Album Art Photography & Creative Direction by Debit
AI Album Art by Moisés Horta Valenzuela

The Long Count

Debit - 2nd Day

Maoupa Mazzocchetti p̸͓̥͖͇̋̍̔̐̀͛͌̐ŕ̷̤̲͎̤̲̩̻̦̑̎͐̕͜esents : 
UXY Dosing© Vol. 2 (NineTr̵̙̀ȧ̸͈̩̤̥͝c̷̫̹̻͈̼͕͇͈̀͒ks Unsel̶̛͔͚̬̞̐̒͝e̸̡̘̩͂͊̀̄̕͜cted by Judaah)
BFD̵̼́͗̽̑̀̐̕̚͝͝M̴̧͕̲̰̰̪͐͑͂̽̈́̒͜025B x ╔҉╦҉╗҉╔҉╦҉╗҉

Prȩ̷̛̛͓͙̘̬̤̻̘͍͊̑̽̀̔͊͆̕ö̸̢̗̤̙̞͔̣̟͔́̈͐̈͆̚͜͝r̴̛̮̱̹̀́͝͝der : maoupamazzocchetti.bandcamp.com/
Out : mar̸͍̬͖̦͕̗̘͎͕͈͗͛̽̽̏c̴̺͉̣̭͚̪̬̽̃͋ͅḩ̷̢̢̺͎̜̝̞͗̍̆̏͌ 28t̵̜̤͖͊̇̎̒̾̈̈́̅̊h 2022

UXY Dosing© (UD) is a maximalist g̵̡̢̨̛̞̰̼̣̃͊́̍̓̌̆̚͘enre of electronic music that refers to sound productions that make for a radical succession to the minimalist genre, regardless of style and aesthetic practice though mainly à̸͈̙̤̥̝̽̉̈́̕͝s̷̰͍̣͔̤͂͌̽̍s̵͖̙͈͋͋́̏ǫ̵̰̟̩͔̊͂̊̿̎̆̿̀̑̕ͅc̵̥̖̝̞̞̔̈į̶̛̖̰̯̬̋̆̄̀͛͗̌̈́å̷̢͚͚͐̚t̴̺͖̪͎̞̄͛͑̅͛̇e̸̛͇̥̮͕̹̬̱͚̿͆̉̑͒́̊ͅͅd̷̯͇̦̝̻̝͎̦̭̔̒̈̏̕͝ͅ ̷̺͇͘͘ẇ̷̳̝̙͇̑͠ǐ̵̛̮̘̥̰͙̼͉̱̂̀̑͊̏̚͝͝ṭ̴̡͍͙̰̪̫̊̓́͒͂̾̄̍́h̴̢̢̛̲͙͙̮̤͓͈͗̀͌̏͊̎̿͗̓͜ the field of sound arts. More precisely, it designates that which embraces heterogeneity a̷͎̲͇̰̤͇̤͚̼͍̒̌̊̈́̏͂̚͝͝ņ̵̲̳̞͓͎͎̤̱̇d̸̩̈́̓̈̈́̅̄͐ ̶̞̩̼̀̉̇̉͋̋̐͝ȃ̵͕̺̟̘͇l̶̡̧͉̺͖̱̑̏̈̾̌̀ḽ̴͎̈ö̴̓̍̐͆ͅw̶̖̞̹͗̀͌š̸̲͈͔̥̘̩͙̮͕̌͂̄̈͗͜͝ ̴̡̥͙̝̯̣̙̘͈̦̓͠f̵̟̔̔̔͂͐͘͠ơ̵̢̞̞̘̬̐̃͘ͅr̶̹̳͚̱̥̹̦͗̂͘͜͝ ̵̯̖́̓́c̶̡̳̦̗̉̈́ö̸̮͖͎̯͓͇̹͚̙́͐̉̉́̈̍́̒ḿ̶̻͚̥͐̉̀͐̋͊̕͠p̸̣͙̬̔͊̊̒͆̚͝l̶͔̹̹͐͌̍́ͅė̸̛̫̪͔̫͙̻͙̈͆̐̑̑x̸͔͙͌̐̿systems of juxtapositions and collisions, in which all outside influences are viewed as potential raw material. 
However, UD rel̵̛͎̣̾̕į̶̝͎̘́́̈ĕ̴̠̂͆̍̂̇͝s̸̡̨̱̯̭͍̺͇̒͘ ̶̦͖̬̪̆͐̾̋̅̕m̶̪̘̪̮͐̚ȏ̸͎̜́̈̾̓͛͂̏̅̕r̶̬͕̻̈́̃͆́̂̚e̸̢̛̗͓͛̏̆͑̍̄̾͝͝ ̶̛̻̻̝̤̩͕͙̖͇͑̈́̓̊͘o̸̪̓̀͛̒͗́̉n̷̛̛͉͔̮͔̬̹̤̘̣̹͐̐̍̄̚͝ ̶̬̳͐̇̓̀̔̽́̒̏́s̶̲̖̄̍ì̶̫̲̺̻̳͐͂̋͊ṇ̷̟͊̒̐́͐̋͊̓͘̚g̵̼̅̊̋͛͆̓͋ṵ̴͖̜̬̪͚̄l̵͉̦̤̩͈͈̝̼̪͎͆̄͆̒̓̊̋a̵̢̛̝̙̘̜̻͊̂̓r̴̢̰͎̰͉̣͆̂̑̂̊͜͝ ̵̡͉͌̀̀e̵̪̫̣̼̠͒̿̎͒̿́̄͠x̶̜̯̰̝̟̘̖͍̉̅́̆͑̀͋̇͘͠ͅp̸͉̝̱̩̹̳̳̙̓͛̈́͂͛͗̃̉͑͝e̸̛̺͖̳͔͓͈͖̻̗̋͛̈́͛͑̈́̋̚̕r̸̡̧̘̠͔̀͗ȉ̷̹̩͈̫̦̲̪͕̩̈̆̑̑̉͊̂͛͜͠m̶̮̥̗̗͈̘͇̈́͂͊͊͗̎̓̕è̶̢̯̙͕̿͌̈́́̍̑͠͝n̷̲̼͎̈́̚ṯ̶̢̥̙̯͆̄͋̔͑͆̆ą̶̥̫̬̜͛̉̇͊͛̊̔̑͘t̴̜̞̫͆̓́̈̾i̴̝̫͖̠̣̗̽͆o̶͇̍̇̾̓̑̆́͘ņ̵̪͆̽̒̾̀̃̐ ̵̜͕͍̰̻̭̿͘r̸̡̢̃͆̄͑̈́̋̐̏͠͝á̴͙̮̦͍̮̩̯̝͎̂͝t̵̢̧̩͙̜͕̩̬́̋̏̾̚͘͜ḩ̷̳̟͉͈̺̹̯̳̻̔͑́̅́̕ë̴̡̤͍̥̀̊͂͌͛̐͝ṟ̸̹̱͓͈͙̎͂ than the addition of musical characteristics a̸̬̺̓̏̃̒̎̇͑͗͒͝ţ̸̨͔͖̥̭̱̦̌̆́͘͜ţ̶̧̰̦͎͊̅͊a̶̢̡̢̜̮̗͒͆̕c̴̨̨̝̰̝̮͒͐̄̑̽̐̌͘͜͠͝h̴̟͓͌̋ę̸̤͙̞̲̞̼̖̈́͌͝ḍ̴͖̯̜͉̯̝̑̂͂͑́̈́̃͆̏̇ ̶̝͇̻̬̓́̈t̶̯̰̦͓̝͊̌̓̌̔̓̑̾ͅơ̸̬̝̱̼̰̖͖̲ ̸̨̱͓̤͕̻̙̪͙̽̉͛ͅś̵̨̛̰͉͓͖̲pecific genres.  Subsequently, UXY Dosing© gives birth to MDM (Maximal Dance Music) which, beyond a sole m̸̫͕̅̂͛a̴̺̜̪̓̈̋̏̔́̎̉̉͝t̸̨̡̼̹̟̗͙̘̪̑̂t̸͉͍̭͈̣̫̾̈̚͠ͅe̷̙̐̓̊̌͋̍̒͘ṙ̵̢̖̳̭̺̗̾̓̚ ̶̨̡̢̛̘̜̳͓̱̐͆͒̑͝ͅó̷̰̣͚̹̣͕̀̍̑͋͜͠f̴̢̧̰͕̆̉ͅgenre, remains linked to the high cons̷̝̝̠̰̏̀͋͑͑̅͆͐̔͝u̸̡͂̆̃́̔̀͋͐̕m̵͚͐̽͝p̷̧̰̫͖̖̲͖̹̹̮͛̓̑̄̎t̶̳̲̣͐̄͐̏̀́̄ì̷̧̛̞̺̤̘͉̲̊̚͘ǒ̷̦͂͂̌ņ̵͖̹͛̑̈́͂͊͝ ̸̧̛͕͉̗̙̥̖̹̤̼̓̚ơ̴̧̝̭̯̥̣̎̆͗̾f̵̯̝̮͖̰͈̱̻͗̀͐̓́͒̀͗̒͝ ̵̪͊ḏ̷̡̱̙̆̀͆̿e̵̯͆̔̅̏̇́̾͗͒x̵͚̯̜̜̳͙̞̟̀̚͜͠ͅt̶̩̭̰̀͂̌̀͒̅̈́̀r̸̢̟̪͉͋̈́̉ơ̵̯̭̝̊͑̓͂̑̄͊͘s̶̡͚̣̤̜̘̪̻͐̔̆̀͌̀̐ȩ̷̮̲̩̣̤̂ ̸̥̭͇͓͈̭͙̘͈͇̃̑̍̍̇͑̀ą̸̨̘̤̫̐̾̓̐̈́̆̀͝͠ṡ̷̘̞̪͇͉̣̣͗̿͂͋̅͜͜͝s̸̟̻͎̼̤͇̥̜̈́̋ͅo̴̢̡̧̠̳̻͉̱̾̆̒̾͜ç̶̗͚̠̰͕̬͚̭̙̾̋i̵̡̬͉̥̾̓̑̋̆̆͋̍͠a̶̼̯̦͇͑̔͆̄͋̈́̀̒̀͝t̵̛̬̒͆͜ͅȩ̸̯̥̦͎͚̗͐̿͒̀̔̋̽̀͑d̴̡̛̰̬̺͙̦̰̽̈́͊́̏̎͆ͅ ̸̧̤̭̌͛͗̋̌͐̀̾ͅw̶̧̧̻̼͇̤̐̾͂̽̂̍̒͊̒̚i̷͈̩͎̱̗̭̗̯̻̹͐͂́̂̑̒̈́ṭ̶͙̆͒̓̎̌̒ĥ̶̛̼̼͌̋̉̈́̄͐̓̾ ̸̧͎͙͚̠̈́͑̂̀͗̔́̐̕͜͝m̶̺̅̋̀̎̿̋͒͒̚̕i̶̩̙͋̊̾͜l̵̻̗͇̉͠k̴̡̙̻̘̳͉̐͛͋̔̂̚͝͝,̸̦̫̈̽̉̔͑ ̸̻̿̾͋̇͐w̸̛̛̙̙̒̍̿̄̏̌̓͝ḩ̴̡̮͕͚̤̳͔͙̋̈̀̈́̐̎̾͗̚̚ḯ̴̢̢̢͌̓͝ć̶̨̤̞̻̩̝̤h̷̲̦̙̿̋͝ ̴̛̼̬̺̰̲̐͊̈̊͘̚͜d̵͔͖̠̏̈́̇̅͌̑͑̚͜ͅế̸̝̯̼̖̙̒ ̴̼̜́̋̏f̸̲̬́̌ã̵̳̥͗ç̴̧͓͙̼̖͚͎̪̆̽͐͌̾t̵̛̹̪͇̠̬̤̊͒̆̄̊͑̆͠o̶̡̠͉͈̗̙͚̱̭̔̈́̑̈̄̄̊̉̈́̈͜ ̵̢̭̙̎̎́͐̐̏s̶̡̳̭̩̼̮̲͍̮̙͒̽̊h̷͔͙̯̗͙͙̞͎͔́̓̊͝ã̴̛̜̝͓͙͔͆͐͗̔͠ȓ̵̯̺̩̼͓̟͕̲͉͗̇̓͐́̾ͅȩ̸̘̳͔̊̄̓͌̑͘͜s̸͕̜̈̄̉̿͗͗ ̴̯̙̙̥̬͙̼̜̜̙͂̓͆̅̀͌̀̀ţ̶̬͇̝͈̻̩̈̐͑̉̽h̴̦̞̻̫̘̖͆̐̂́ͅȩ̵̢̺̮͚̮̳̥̿̂ ̴̭̃̓̑̋̈́̉̕͜ş̷̖̟͔͇̹̼̀̾͊̎̂̓̾̾͋ͅä̷̙͍̼̭̙́͛̔̀͋̾̄̀̅͘ḿ̶̛̫̭̘̳̘̅̌̉̑̊̉͌̂ͅͅe̷̢̥͕̭̝̣̞̹̿̅̏̀̐̅̀̅̕͠ ̵̡͕̟̳̙̦̦̰̥̽̈́̽ạ̵̡̧̞̩̠̖̄́̆̍͘c̵̯̘͖̭̹̻̫̲͍̍̃̀̿͆̓́̈́̕̕ṟ̶̲̼̬͔͒ͅơ̴̡̲̣̼̦̦̲̿ņ̴̯̬͔̱̃͝ÿ̴̮̻͙́m̴̙̘͗̎͌͛̊͝͝ ̸̡͖̔̿̋̃͗̊̇̕͠ä̵̳̦͚͇͙̹̜͔́̂̑s̶̳͚̙̟̃̄̂́̏̿̎̚ ̷̨̪̺̇͗͗͂͠M̵̜͖̳̦̯͊̓ͅD̶̡͚̥͗͝Ḿ̶̺̻̙͇̞̗̮̱̣͕̍͌ (Maximal Dextrose & Milk). 
R̵͚͍̰̪̬̝̐͆́͒̿̀̍̇͘͘͜e̸̞͖̒̾͋̎̀̽̇͝ạ̵̌́̆͠d̷̡̯̺̠͚̻̘̩͊̈́͐̓͜ : Dextrose, ê̴̡͚͇̗̩͇͍̗̹̆̑̾̃̌̔̈́̓ņ̴̦̼̦̠̬̰͋͆͒́́̿̃͗̀̐e̴͓̭̠̜͋̏́̃̕͜r̴̠̼̫̱̜̦̼̾g̵̗̜̺̰̼̙̬̪̎́̿̈́̇̌̀̊ỉ̴͎̩͂́̂͆͋̇̂͠ś̴̪͘ę̴̰̦̯̤̤̭̲̲͛͐́͆͐͊̄̈́̾̚r̷̙̍͂̽̓͌̄̈ ̴̞̹͓̖̺͚͚̬͍̝̀͗̓̉̏̒ớ̸̛̱̬̭͇̹̐́̾͊̃̇̉ͅr̸͔̣̳̺̫̱̬͂ ̶̧̝̳̞͎͛̅̇͊͒̈́̕̕͝p̶̹̳͚̗̘̯̥̬͖̀̈͝͝ǫ̷̟͔̦̻̝̠̬̃̏̈́̈́̀͊̀͆̕͜͝ison?

True St̸̡̛̛̰͎̤̯͇̩́͒̄̃͐̀̈́or̷̳͙̻͖̘̝̫̱̯͛̑͑̎y Ima̶͈͚͚̤͇̺̩̳͐gined

‘Face The Music’ presents @lolina_relaxin, FKA Inga Copeland, at her most accessible. That said, the four-tracker - a swooning, dismantled volley of warped pop, jazz fusion and spoken word-cum-rap recital - retains the dissociated abstraction of previous efforts. 

It isn’t quite as strange and beguiling as the recently-released ‘Fast Fashion’ album.  Nonetheless, the former Hype Williams member approaches it with that same improvisational spirit, and brilliantly weird, our premiere poses the question “What is power?” over some asymmetric, discordant avant-jazz-fusion.

Pre-order: bit.ly/3U1sDgs

Face The Music

Discover More

Premiere: Lolina - What Is Power [Relaxin Records]

https://www.dropbox.com/s/lcvqza8w8ef2he4/TALKING%20BODY%20CHASM.mp3?dl=0

Just Chasm: http://astralplanerecordings.bandcamp.com/album/heterotopia

Air Max '97 x Tove Lo - Talking Body Chasm

Exclusive download of @Grace-uk 'Comfort' curtesy of @italdredrecords.

Download here: https://weareinsert.com/free-download/exclusive-download-grace-comfort-italdred

via Insert

Download

Exclusive Download: Grace - Comfort [Italdred]

Exclusive download of VEXXY's 'Can't U See'.

Download here: https://weareinsert.com/free-download/exclusive-download-vexxy-cant-u-see-italdred

Exclusive Download: VEXXY - Can't U See [Italdred]

Exclusive download of Namaste's 'Pessimystic'. Thanks to Italdred.

Download here: https://weareinsert.com/free-download/exclusive-download-namaste-pessimystic-grey-master-ital-dred

Exclusive Download: Namaste - Pessimystic [Italdred]

After a short hiatus from the free track series we are back with a new one from Bristol based producer @silv-o

This nicely layered track with a dark and weighty sub bass throughout and sharp vocals and tension breaking strings nestling on top - it deserves to be played loud when life is on a high or low. 

You can catch more collaborative work from ourselves and Silv-o in the near future.

Artwork by Silv-o

Exclusive Download: Silv-o - Gloomy

Exclusive download of Aubrey Trnql's 'Triumvirate'. On behalf of Italdred.

Article: https://weareinsert.com/free-download/exclusive-download-aubrey-trnql-triumvirate-italdred

Article

Exclusive Download: Aubrey Trnql - Triumvirate [Italdred]

Artist: @benfikaa
Album: Ruinas
Release Date: June 26, 2020
Format: Digital

Carlos Marta is the Tijuana-based producer behind Benfika, an enigmatic music project from Infinite Machine that released his debut on the imprint back in 2015 with the EP 121214, taking him to open for Four Tet, Ben Ufo and play at Mutek festival in Mexico. In his most recent comeback Ruinas, he presents a mystical and ethereal release where he unveils his most overwhelming and rousing side with 5 absorbing and captivating tracks.

Ruinas is an eerie exploration on organic, celestial and crystalline sounds. A set of compositions effused in a synthetic and futuristic orchestral experience that incites cathartic sensations. The warm and meticulously put-together melodies of the 5 pieces that compose this EP generates a utopian sonic environment with otherworldly and mystical backgrounds.

Influenced by the powerful narrative components in Benfika’s production, Ruinas summons the memories and resilience of another dimension, where mythical surroundings emerge with arcane possibilities. Cyclic imaginaries of ancestral yet futuristic references collide in a dialogue between mixed dualities; pain and healing, desolation and disclosure, uncertainty and hope, evoking the feeling of an ongoing transformation.

The carefully processing on the melodies, samples and tonalities that Benfika meticulously assembled in 
Ruinas don’t follow an accurate musical structure but were rather conceived as a living sonic-ecosystems, dissolving in complex layers of aerial ambiences.

In Exodexo the delicate harmonies of otherworldly frequencies resonate like an alien whisper while the gathering of synthetic voices in Pentimento creates a sacred invitation for a futuristic ritual. The deep and trance-indulging sonorities of Mundo Schizo crash with a percussive field of disruption, and the uncanny atmospheres of Ríos de Azoth dissolves for the unearthly vibes of Ollín, where overwhelming choruses and dislocated pianos mutate in immaculate melodies.

Ruinas It’s a promise of a new beginning, where devotional possibilities can coexist with the inherent chaos of spirituality. It is music created from a wide perception of entropy and the prospect of becoming-with transmutation. A reprogramming of the organic existence for unphysical transcendence.

Rituals that stream violently
through infinite cracks in time
generational chants stored in the abyss
reveal intrinsic shadows coded into every seed.

Tracklist:

1. Exodexo
2. Pentimento
3. Mundo Schizo
4. Rios de Azoth
5. Ollin

Artwork by Benfika
Mastered by Kamil Sarcowicz

Ruinas EP

Ruinas

Benfika - Exodexo (IM078)

Physically Sick 3 is a fundraising compilation from Discwoman & Allergy Season curated by Frankie Decaiza Hutchinson, Umfang, and Physical Therapy. @discwoman @allergy-season

1. Anz - Body + Mind
2. SHYBOI - Eat That
3. MoMA Ready - Portal Step
4. Dreamcrusher - Vitality
5. AceMo - I Feel Like Dying (Phenomenon Mix)
6. UMFANG - AngelBeat
7. CCL - Tachyon Frog
8. AYA - a fflash gun for ffiver
9. Robert Aiki Aubrey Lowe - Gravitational Pull
10. Savile - You Will Be The Maker Of A Better World
11. Pent - intra7
12. KMRU - Oloolua
13. Low Jack - Skin Riddim
14. OSSX - DON’T CARE, DIDN’T ASK
15. KIMIKO - Early Reflections
16. Davis Galvin - Erlo
17. DJ Bone - E.T. Brother
18. Physical Therapy - Pig
19. Syanide - RASH
20. BEARCAT - SHRILL
21. Special Request - Wallabies
22. Venetta - Black Paradox
23. Olive T - What Comes After
24. DJ SWISHA - Stardawg
25. Korea Town Acid - Body Clock
26. Surgeon - A Prayer For Something Better
27. DJ Python - 7000

Physically Sick 3

Buy at Bandcamp

Low Jack - Skin Riddim (from Physically Sick 3)

Taken from 'Deserted / Reclaimed'(G&P015), out September 16, 2020

With a handful of releases out on various pioneering imprints (including longplays RISC Chip and Meme Booth via Conditional Records or the latest contribution to the groove series by Warsaw based label outlines), the producer, programmer and live-coder Mike Hodnick is one of the leading figures representing a movement of computer-centred music production, recently labeled as algorave. Since we are devoted fans for quite some time, the Platonic's are proud to present Mike Hodnick´s latest project under the prolific Kindohm alias - 'Deserted / Reclaimed'.
Sequenced live on a drum machine, the diptych stretches across four vast sonic plains, bounded by curvy dunes formed by countless TidalCycles code bits, constantly pouring over like the grains of scorching and shiny sand. Full of paradoxical rhythm twists planted into the ever-bending landscape, Deserted / Reclaimed reads as a fragmented and sometimes petrifying ride towards the chaotic percepts of the monumental surroundings, dissolving in the thermal inversion somewhere far on the horizon.

Written, produced & mastered by Mike Hodnick
www.kindohm.com
@kindohm

Artwork by Jiri Macku
jirimacku.tumblr.com

🦂

Exclusive Download: Aubrey Trnql - Triumvirate [Italdred]

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