A slow-burning descent into the groove, The Place is built on a foundation of slinking basslines, razor-sharp percussion, and a creeping crescendo. Third Culture & Cafius strip things back to the essentials—subdued yet insistent, like a whispered invitation into the night. At its core, David LeSal’s vocals act as both guide and instigator, weaving between the steady pulse with an effortless allure. His delivery is intimate yet distant, seductive yet detached—repeating like a lingering thought in the back of your mind. Roe Deers takes this mystique and mutates it further, warping the vocal into an eerie, spectral presence that haunts the off-kilter groove. It’s club music that exists in the in-between spaces—shadowy corners and neon-lit mirages, where genre and reality fracture.


@thirdcultureofc @cafius @roedeers

#thirdculture #cafius #roedeers #indiedance #techno #melodictechno #octopusrecordings

The Place

The Place (Roe Deers Remix)

@zobol - Uprising 
Label - @melodizemusic

All Sinchi premieres available on 
Youtube: https://www.youtube.com/@SinchiMusic
Spotify: https://open.spotify.com/playlist/7sd3nFrzl9itGooHqItGFG
Instagram: https://www.instagram.com/sinchicollective

♫ Info + Buy ♫

PREMIERE - Zobol - Uprising (Melodize)

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Buy this track: https://melodizemusic.bandcamp.com/album/killing-culture

Extrawelt
https://soundcloud.com/extrawelt4real

Zobol
https://soundcloud.com/zobol

Melodize
https://soundcloud.com/melodizemusic

MORE MUSIC

Premiere: Zobol - Uprising (Extrawelt Remix) [Melodize]

Proud to present you our third RETROFUTUR compilation, including 6 tracks by our most regular artists.

Endrik Schroeder opens the ball with the pure warehouse banger "Automated" ! The track's sonic intensity never falters, driven by a relentless rhythmic structure and saturated synthetic textures. The modulated layers and the syncopated break recreate the visceral urgency worthy of the underground raves of the 90s.

With "Happy End," Brandski distils a contagious euphoria, designed to set the dancefloor ablaze with collective joy. A leading figure of the Italian-French new wave, he creates a track as jubilant as it is unstoppable, where rhythmic mastery flirts with festive instinct. An invitation to luminous abandon: arms raised, shared smiles, communion guaranteed.

With "Eldorado" John Lord Fonda reaffirms his status as a key ambassador of French techno on the international scene. The track unfolds a relentless, extremely tense groove, where darkness becomes driving tension. A rigorous, almost martial sound signature, serving an uncompromising vision.

"White Light" by Panthera is a polished track that transports us on a euphoric journey. The heavy, incisive kick blends with atmospheric layers and heady arpeggios, creating a constant tension that culminates in thunderous drops. The whole thing is supported by a deep, vibrant bassline, typical of the 90s rave scene.

Once again, Berlin's My Secret Playground stands out as the architect of a muscular German nu-disco, flirting with the boundaries of techno. "Don't Panic" combines percussive pulses and dark tension, while distilling subtle reminiscences of the disco aesthetic. A masterful sonic hybrid, between retro hedonism and contemporary intensity.

Club Mayz delivers a masterful closing performance with "Tonight I Have To Hide", an electro track fueled by the raw heritage of Detroit techno and the dark textures of EBM. The track combines dramatic tension and synthetic precision in a nocturnal and introspective aesthetic.

https://melopeerecords.bandcamp.com/album/retrofutur-3

https://soundcloud.com/melopeerecords
https://soundcloud.com/pantheradiscoclub

PREMIERE: Panthera - White Light [Mélopée Records]

All Mutant Disco Radio Show premieres available on :

Youtube : https://www.youtube.com/channel/UCLypdVb_SuSmL_C21MgXo2Q
Spotify : https://open.spotify.com/playlist/31NT4Oq48gcKdmttAFbx23
Facebook group : https://www.facebook.com/groups/170732496230
Facebook page : https://www.facebook.com/MutantDiscoRadioShow
Twitter : https://twitter.com/LeriAhel
Soundcloud : https://soundcloud.com/mutant-disco

Taken from "Ludviq & Poulper - Origami EP (Thisbe Recordings)". Out September 26th 2025. Buy here : https://thisberecordings.bandcamp.com/album/origami

"Origami" is a famous Japanese art of folding paper into a decorative figure, and is now also the fruit of the musical collaboration between Barcelona-based producer Ludviq and Australia-based multifaceted Poulper. 
Indeed, born from the recent time spent in the studio by both producers, their new EP testifies to the symbiosis between Bonkers Music´s Ludviq and Quixotical Records´Poulper. Together, they deliver the singles "Origami" and "Crystal Cactus", both tracks blending each producer's quintessential musical wizardry. In their new record, Ludviq´s dark psychedelic slow techno textures meet Poulper´s more atmospheric and deep organic layers, which sounds as enigmatic and thought-provoking as an original Japanese origami. 
After a first successful single release "Cosmovision" via Golden Soul Records in 2022, THISBE Recordings is delighted to release Ludviq & Poulper first collab EP, both on a limited vinyl edition and on all digital platforms. The record also includes remixes by Calypso Records´head Thomass Jackson and French proto house and new new beat sensation Kubebe.

Artist social media :

https://soundcloud.com/ludviqmsc
https://www.instagram.com/ludviq.msc
https://www.facebook.com/ludviq
https://soundcloud.com/poulper
https://www.instagram.com/emmanuelpoulper
https://www.facebook.com/poulpermusic
https://soundcloud.com/nicolakubebe
https://www.facebook.com/nikokubebe
https://www.instagram.com/nicola_kubebe

Label social media :

https://instagram.com/thisbe_recordings
https://facebook.com/thisberecordings
https://soundcloud.com/thisberecordings
https://thisberecordings.com

PREMIERE : Ludviq & Poulper - Origami (Kubebe Remix) (THISBE Recordings)

The Agharo Mix Series
Agharo is a language, book, philosophy and tarot deck created by collective member Jaco Perroud. We invite a guest to pick a card at random and create a mix inspired by its meaning. Our 19th submission comes from @itsnackley  Follow: https://www.instagram.com/itsnackley/

About

I started my musical journey through hair metal & mo-town from my parents. It was quite an eclectic mix on my little iPod shuffle I'll tell you. I learned how to play trumpet in the middle school band around the 3rd grade and eventually gravitated towards playing bass guitar.  I eventually discovered electronic music sometime in high school and it really rocked my world. I started DJ'ing on a little Numark controller, eventually trying to mix rock & indie dance vinyl on two belt drive turntables in my folks basement, that was a time.... Then I discovered my first DAW ( I think Cakewalk Sonar 7) and became enthralled with music production and being able to take all of the parts I'd hear in my brain and assemble them together myself on a computer. I ultimately went to college to study music business and sort of gave up the bass and went all in on music production and the deeper sounds of the underground dance music scene. I went on to work (briefly) at WME before deciding the super corporate agent life wasn't for me, then had a stint of general managing the RINSED crew in Brooklyn for a while before dabbling in management and eventually winding my way back to being an agent for the last 7 years. That all said, I was always DJ'ing and producing music the entire time, just with a deep feeling of imposter syndrome since I represented or worked with so many of the artists I deeply respected and loved and buried myself in my work. There came a point where I realized I needed to take a big step back from the business side of what I loved to really truly appreciate what it was that made me fall in love with it. The last two years, I've been focused solely on figuring out my own sound and developing it without fear or the intense burden of a 24/7 job in the music business. I was going to shows every weekend for years and years of my life and all of a sudden completely stopped for more than a year. By separating myself from it all, I really think I've been able to craft the unadulterated sonic "me".

Card 20: Guardian of Oblivion - Exilar ur ata Blirion

Loss, absence, abandonment, delirium, nullity, privation.Man shall forget ages and history and names shall be diluted to the will of this deity. Oblivion represents the involution and misfortune of knowledge. To him we owe lost civilizations and vanished empires; to him the downgrade –or upgrade– to myths. Memory fails. Things will be forgotten and gone to oblivion. Involution and misfortune of knowledge. He protects against good memories. Helps others forgetting the good in us. Works against history, experience and evolution.

The sixth was Astol in the days of Arien, Guardian of Oblivion. Rules and resists memory. Sets the sentence or blessing of that which is forgotten or lost

How did the meaning of the tarot card inspire the journey of this mix?

I've been writing a lot of darker "end of times" themed music (go figure given the current state of the world) so when I picked this card I had a general direction of where I wanted to go with the mix. Or at least, I thought I did. Such a powerful humbling deity card had me revising and re-thinking track selection and tension in a very focused way. I wanted to keep within the theme of total chaos and obliteration while still keeping to my own playful sound. It's definitely much darker and harder than I would "normally" play but once I figured out the arc of where I wanted to go with it, it all fit right into place.

Agharo 19 - Nackley  (Exilar ur ata Blirion - Guardian of Oblivion)

Buy/stream: https://kompakt.fm/releases/pandora_s_box_feat_alexis_taylor

SUPERPITCHER knows how to make a grand appearance, accompanied by high-calibre guests. His electro-pop treat ‘Pandora’s Box’ features Hot Chip’s ALEXIS TAYLOR​ on vocals.

Pandora’s Box feat. Alexis Taylor

Superpitcher - Pandora’s Box feat. Alexis Taylor

For the first time, Endrik Schroeder and The Hacker have joined forces. Their unique sounds and styles have combined seamlessly to produce a 12” that draws on their own musical histories. The title track pulls the listener into a darkened sweaty basement, a space where neon lights leer and quivering speakers vibrate. Melting elements of new beat and rave revelry, the track is bawdy and bold. Robotic samples cut through siren blasts, clean snare rolls skidding in thick basslines and creamy breaks. Two remixes follow, both care of fellow French producer: Back From The Wave. First up is the “Breaky Remix”. Adhering to the club origins of the source material, this remake sends melodies ever higher as drums lift elated lines to the stern refrain of “Emergency”. The “Indie Remix” closes. The glowsticks are sheathed in this version, instead it is the soaring keys that are given the limelight with beats bolstered for extra bite. Three tracks set to delight and ignite dancefloors.



Endrik Schroeder & The Hacker - The Emergency [Bordello A Parigi]

Techenie presents Parallax EP by Siberian artist Radio Badjay — two deep and atmospheric techno cuts filled with hypnotic energy and immersive textures. The release also features outstanding remixes from Nicolas Barnes and F-Elduayen, bringing fresh perspectives to Radio Badjays signature sound. 

Radio Badjay - Parallax (Nicolas Barnes Remix)

Dive deeper into a real feeling of afro house, music can be used as a voice

122 mastered

Matthias Springer & Kano Kanape - Instant Flowers - Short Cut

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Premiere: Zobol - Uprising (Extrawelt Remix) [Melodize]

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