Il est bien, Quentin; il peut, avec sa musique; c'est le temps qui le dit !!

Salut , je ne suis pas souvent sur le nuage l'été mais c'est avec plaisir que je viens te rendre visite . La mélodie un peu à la film d'horreur tient bien notre cerveau en alerte , mais progressivement on lui fait confiance et notre angoisse diminue pour finir par disparaitre ... Une evanescence  bien illustrée 👍

De très belles dissonances musicales ! 👍🏻 👏 🎶

This is my tune played on air by  BBC intoducing, for un-signed artists.

Space Brother-Space Sister(Airplay)

203a

i’m already 
goin’ down
to the end of the story now
wind is blowing
to the end of the story now

come away   come away

time is bending 
drifting down
spin the hourglass all around
pulverize it
spin the hourglass all around

i’m comin’ after 
i’m comin’
i’m unembodied
i’m free

i’m already 
leaving town
train is rounding the mountain now
got my ticket
train is rounding the mountain now

come away   come away
---------------------------------------------------------------------------

image from Malcom Shadrach via Unsplash


Quietus

Évanescence rythmique

Written by James Geer

Flutter away
Tiny bluebird
Flutter away
To your nest
Flee from the one
Who stalks the garden
Seemingly Without rest

Crouched unseen
On an agile frame
Designed to pounce
And kill or maim

Scurry away
Tiny chipmunk
Scurry away
To your hole
Flee from the one
Who stalks the garden
With fur as Black as coal

Snakelike eyes
Honed for prey
Incisors
Designed to slay

Run away
Little squirrel 
Run away
To your tree
Flee from the one
Who stalks the garden
Unseen and Silently

lightening paws   
With razor claws
Sharpened teeth
In lethal jaws

Where have you been my dear kitty  
What did you do today
Snuggle and purr
As I stroke your fur
Entertain me as you play

Kitty

'you can('t) change' with Scratch Kelly 

Scratch: beat, synths, backing vocals, production, art
Scotty: guitars, lyrics, vocals 

I can't even blame you, girl,
after I've learned about your world.
Fucked up, but, still, that is that.
I have given all of me,
and sometimes I did believe
that we'd create a habitat. 

But then tonight happened again,
and I've lost my love, and best friend. 

It didn't need to escalate,
then you wanted to stay out 'late',
drink some more, and party hard.
Then when it was time to leave,
you spoke shit I'd rather disbelieve, 
and now I have to leave. It's hard.

Because when you're straight, you are great.
But, I keep making the same mistake
of forgiving you. Now, it's too late.
My heart is torn, but, so is fate. 

You can('t) change.

you can('t) change (with Scratch Kelly)

NOZZLIN and Dr. Zwakkus land their next hit, ‘Track ONE,’ precisely and skilfully right in the centre of the musical orbit.
https://soundcloud.com/nozzlinmusic
Lyrics:
"I'm not your mom.
This is track one.
Your rhymes are none.
The worse has gone!
Track one is done."

Track ONE - Collab with NOZZLIN

We all love the A-list singles, but... I, at least, also like the songs that fill the album. This one may be one of them, but I made it with a lot of love. And I even dared to sing a little differently, finding a voice I didn't know I had, for the second voice.

Why should I hold this with me

Taken from the forthcoming album: My Sweetheart The Liar

A song about the vultures circling and waiting to pick at the carcass of a dead relationship. 

Did you know: Vultures have evolved strong immune systems and highly acidic stomachs that allow them to eat decaying flesh without getting sick from the harmful bacteria and pathogens present in it.

Every day is a school day. I'm happy to learn and learn from my mistakes.

LYRICS:
So look out Mr Waiting In The Wing
Desperately trying to type the right thing
Waiting on your big chance
With her second hand romance
You circle like a vulture
You hover and you linger
And drum impatient fingers
On keys of plastic and ivory

It's just a warning

So look out Mr Waiting In The Wing
You think you're going to be an exception
To her deceitful ways
Questioning everything she says
And will she ever attest
You're always going to be second best
To a ghost on a pedestal
That haunts her lonely final days

It's just  a warning

There's addiction she has to feed
Should she desire, should she need to
Enjoy it while it lasts
You're never going far
Don't ignore red flags
She'll look you in the eyes
And never think twice while she's spinning lies
Don't rush and don't move too fast
You've gotta dig deep, don't ignore her past

Do you think you can trust this woman?
Do you think you can change her?
Do you think you can trust this women?
Do you think you can tame her?

She's not trustworthy
No accountability

Do you think you can trust this woman?
Do you think you can change her?
Do you think you can trust this women?
Do you think you can tame her?

Mr Waiting In The Wing

Weltgarten

My father (1964) and I...he, like me, loved music his entire life. He played bass in various bands. He started with the double bass, later switching to the electric bass. We shared a passion, and he was always a role model for me. He loved jazz, swing, and big band the most...and I will never forget you.

Bassonova

Quentin PETITEVILLE alias DJ YAK'Ô a toujours voulu composer de la musique tel un rêve d’enfant, en pensant que ce n’était pas possible.

Il a découvert le jeu vidéo « Music Creation for PlayStation » début des années 2000 et il lui a été offert des suites logicielles tel, que les eJay sur PC.

Une crise de créativité et d’inspiration s’est vite fait ressentir : cela venait sûrement d’un manque de culture musicale, à l’époque, et l’utilisation d’outils trop simplistes.

Puis est venu l’arrivé de l’Internet haut-débit, Quentin a pu donc partager ses compositions sur son site web et sur les forums dédiés à la Musique Assistée par Ordinateur : C’est la naissance du surnom DJ YAK’Ô.

Suite à la réception de critiques et de discussions très enrichissantes avec les différents membres, son style a pu se peaufiner avec le temps.

Des événements, plus ou moins heureux, dans sa vie personnelle l’ont obligé à pouvoir exprimer ses émotions intérieures. Ceci, lié à l’utilisation d’outils plus professionnels l’amène à vouloir travailler plus en profondeur le son et la structure de ses morceaux.

La découverte d’artistes indépendants, de groupes classiques de la musique électronique, tel que le groupe allemand Kraftwerk, pour ne citer que lui, ou alors les musiques de jeux vidéos, lui ont ouvert la voie de la créativité. Sa famille l’incitant à poursuivre dans cette voie.

Jusqu’à maintenant, il s’est contenté de publier ces musiques uniquement sur son site web mais aujourd’hui, il souhaite faire découvrir son travail à un nombre croissant de monde.

Il travaille seul actuellement car il s’agit pour lui de pouvoir « faire parler » ses émotions.

Évanescence rythmique

DJ YAK'Ô

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