Il est bien, Quentin; il peut, avec sa musique; c'est le temps qui le dit !!

Salut , je ne suis pas souvent sur le nuage l'été mais c'est avec plaisir que je viens te rendre visite . La mélodie un peu à la film d'horreur tient bien notre cerveau en alerte , mais progressivement on lui fait confiance et notre angoisse diminue pour finir par disparaitre ... Une evanescence  bien illustrée 👍

De très belles dissonances musicales ! 👍🏻 👏 🎶

Dub From Hafan

purposely like a reel or a short or any of that highly addictive short duration media which is really effecting people's attention spans

I wrote it after having a cool chat about song length with some other artists

Listen to Songs for Junkies, a playlist by The Beautiful Dark on #SoundCloud
https://on.soundcloud.com/kCtUDc25GQq7Ip7I7N

I might make an album of 30 second tunes ✅ 

Shortie (30 Second Song)

What a night

lyrics

On some summer day
You'll be mine to stay
On some summer day

Then on winter nights
I will hold you tight
Mine, Mine

When the seasons matter no more
Matter no more
Matter no more
When the seasons matter no more
Matter no more
Matter no more

On some summer day
You'll be mine to stay
Some summer day
Then on winter nights
I'll hold you tight
Mine, Oh Mine

When the seasons matter no more
Matter no more
Matter no more

no more

when the seasons matter no more

I can see you
and your Coke-bottle glasses
Talking blood and gases
Oxygen as it passes
It was funny
How they blew-up your eyes
And you always looked surprised
When you talked and surmised

Of the natural things
Creatures with wings
And the science of the eye
And how it dilates
And decisions made by primates

One day you said,
Please call me Micha
Gave a lecture on pica
Disorders of the poor and afflicted
I was addicted
To your mustache on my lips
Your hands on my hips

And the natural things
Creatures with wings
And the science of the eye
And how it dilates
And decisions made by primates

The day you went away
Took your Coke-bottle tears
All your gourmet beers
Said you still had years, to find yourself
But I found a garden
And I lay myself down
Watched the ants march around

With the natural things
Creatures with wings
The science of the eye
And how it dilates
And decisions made by primates
Made by primates

And decisions made by primates
Made by primates

Decisions Made by Primates

Cast of characters:

Tea R. Sea @tea_are_sea -- Terry – Synthesizers, Ibanez electric guitar, beats, composition, mix, and production

TexMex Shaman–@texmex-shaman –Stephen– Fender Acoustasonic acoustic guitar and e-bow

K2 and the Three [and the Four] -- @k2andthe3, @k2-kara –Ken–drums

Entheogenic Psychonaught (Josh Clary)– @josh-clary-1 – Custom five-string fretless bass

Llanpsych–@llanpsych –Tez– Fender Stratocaster electric guitar
electric wah guitar

Cgmaness – @hiddenhands-760647700 – Chris – vocals, vocal harmonies, and lyrics

This song began its life as a skeleton of beats and synth created by Terry, who also added some crunchy electric guitar hits to it, too. Terry is a very skilled electronic music producer, and frequent collaborator with Stephen for a project they call Texas Tea. It's worth going to check out their other collabs, as well as Terry's solo projects on his and Stephen's page. 

  Even though Terry and Stephen work together frequently, Terry approached Josh with a couple of ideas, and Josh picked this one, so Terry started the project and invited the rest of the band to join in.

 Stephen was the lead off hitter for this one, though, adding his magical and heavily processed acoustic guitar to the bridge in the middle, as well as textural guitar in the entire first half. He also added a couple of cool lines with his e-bow, which he used on his guitar. Ken was next up to bat, adding his always thrilling drums to compliment Terry's beats. Josh went to work next, now that he had a solid beat to work with, added his low-frequency five string fretless bass to it. Tez batted clean up, adding his thrillling Gilmore-esque guitar solo to the end of it. 

  Then, once the music was all finished, we turned it over to Chris so he could add his amazing, psychedelic vocals delivering his original lyrics throughout.
  Once we had everything recorded, we turned it over to Terry to mix, as it was his song 

to begin with. Terry is an excellent producer with a great ear. Stephen, who is our trained mixer gave him some key advice along the way, too, though.

  This is Eclectic Collective's third song with Terry, and we're always thrilled when he has something to offer us. He's a wonderful collaborator with tons of great songs on his page, that are all worth checking out. We hope you enjoy listening to this as much as we enjoyed creating it.

  Oh, and it's worth mentioning that three of us on this have birthdays this week, too. Chris' was first, on Wednesday, Terry's was Thursday, and Josh's is Friday (today). So, this is an extra special celebratory song for all three of us. We're all so very grateful for our SoundCloud community, friends, and musical family. We appreciate all of you!


Original lyrics by Cgmaness:

Lost in inner space,
questions interlace,
often they're erased.
amnesia's saving grace.
...
Many rising up,
What do you think it means?
Anything at all?
Anything?
....................
Wonder if you feel,
any of this truth?
Root systems occur,
we are one from birth.
we are one.
....
Slow to realize,
something is in the skies.
I cannot be wise.
We are lied to.
Realize, it's all a ruse.
but, we ripple on.
we ripple on.
we are one.
...
And that's when we fell back into,
a very familiar feel.
but I know.
Just pinholes,
just pinholes. 
....
Many rising up,
what do you think it means?
....
Sometimes we have to let go!

Koala Tea - Eclectic Collective w/ Tea R Sea

My cover of The Funeral Party by The Cure

All instruments by Peter Hofland
Fender Stratocaster over NI Guitar Rig
Fodera Fretless Bass
Various Plugins

Artwork: Sebastião Salgado (8 February 1944 – 23 May 2025)

Work

Orchestral Movements In The Dark (2025)

Évanescence rythmique

Mac , music , lyrics , vocals
Scotty , lyrics , vocals
Shane , lyrics , vocals

Well the night’s effervescent and I’m on fire
Full of anti depressants to blunt my ire
Well aware of the presence of my desire
It feels very pleasant as I get higher
And I’m clad in a fashion to catch the eye
So why does everyone ignore me as I walk by
It would be a different story for a different guy
But I’ll never find the glory unless I try
So why do I lie so low 
Why don’t I let them know
Let them bask in the glow
Of my ghetto falsetto

Most are fucked up from the drugs they take,
and don't care to interrupt all the love I make,
but I can't quite erupt so, I'll simply fake,
and make believe
that I have climaxed, because all the noise
that keeps me far from relaxed and trapped in the void, 
I've always had a clean nose but perhaps I'll toy 
with singing in falsetto. 

These streets are full of cackles and high pitched screams
A ghetto manifesto haunting my dreams
Monotone narration to a story I know
A baritone ending won’t leave me alone
I’m not crazy it’s the world around me
I’ll deal with the shit eventually 
Then get past the truth I know
That I’m too low for ghetto falsetto

But it don’t mater how high or how low 
Unless you mean it nobody will know
All you need is the seed and the get go
Let go of the ghetto falsetto

Ghetto Falsetto

Quentin PETITEVILLE alias DJ YAK'Ô a toujours voulu composer de la musique tel un rêve d’enfant, en pensant que ce n’était pas possible.

Il a découvert le jeu vidéo « Music Creation for PlayStation » début des années 2000 et il lui a été offert des suites logicielles tel, que les eJay sur PC.

Une crise de créativité et d’inspiration s’est vite fait ressentir : cela venait sûrement d’un manque de culture musicale, à l’époque, et l’utilisation d’outils trop simplistes.

Puis est venu l’arrivé de l’Internet haut-débit, Quentin a pu donc partager ses compositions sur son site web et sur les forums dédiés à la Musique Assistée par Ordinateur : C’est la naissance du surnom DJ YAK’Ô.

Suite à la réception de critiques et de discussions très enrichissantes avec les différents membres, son style a pu se peaufiner avec le temps.

Des événements, plus ou moins heureux, dans sa vie personnelle l’ont obligé à pouvoir exprimer ses émotions intérieures. Ceci, lié à l’utilisation d’outils plus professionnels l’amène à vouloir travailler plus en profondeur le son et la structure de ses morceaux.

La découverte d’artistes indépendants, de groupes classiques de la musique électronique, tel que le groupe allemand Kraftwerk, pour ne citer que lui, ou alors les musiques de jeux vidéos, lui ont ouvert la voie de la créativité. Sa famille l’incitant à poursuivre dans cette voie.

Jusqu’à maintenant, il s’est contenté de publier ces musiques uniquement sur son site web mais aujourd’hui, il souhaite faire découvrir son travail à un nombre croissant de monde.

Il travaille seul actuellement car il s’agit pour lui de pouvoir « faire parler » ses émotions.

Évanescence rythmique

DJ YAK'Ô

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Marc Petiteville

Eric GEORGESCO Productions

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