If you are fan of Wolf Mother, or White stripes , you might enjoy this , I can't stop listening to it

Just cann't beat it. More grit than you can shake a stick at!

Finally I find a real blues rock' band, with real balls ! HELL YEAH !

Queens of the Stone Age - God is in the Radio acoustic @ WBCN Radio. 
Newbury Sound Studios, Boston, MA - 2003/09/10.

Josh Homme and Troy Van Leeuwen.

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Queens of the Stone Age - God is in the Radio (Newbury Studios 2003)

Poatey Ouagré (Premix)

Real rock ‘n’ roll requires a little bit of mystique, a little bit of swagger, and a little bit of trouble for good measure. Sweden’s Old Man’s Will possesses all three of those ingredients in spades, and they comingle into a wonderfully inebriating aural concoction on the band’s second full-length album, Hard Times – Troubled Man [RidingEasy Records]. The quartet— Benny Åberg [vocals], Klas Holmgren [guitar], Tommy Nilsson [bass], and Gustav Kejving [drums]—delivers a brash, bluesy, and brilliant opus that’s the perfect soundtrack for all kinds of trouble.

In between drunken late night jam sessions, parties in apartments with instrument-covered walls, a healthy diet of Deep Purple, Free, and Stray Dog, and other assorted mayhem, the boys emerged from Umeå’s underground with their self-titled debut in tow. They embarked on a successful European tour before RidingEasy Records came upon their Soundcloud and offered them a deal to reissue their first offering. In the midst of it all, Old Man’s Will began compiling ideas for what would eventually materialize as Hard Times – Troubled Man, sharing a collective vision.

“It was a step towards a more classic rock sound,” says Klas. “On the first album, we were heavily influenced by a lot of contemporary sounds and bands—something we are moving away from. For Hard Times – Troubled Man, we used old hard rock and blues as a foundation, creating something that’s meant to become the sound of Old Man’s Will.”

The first single “Troubled Man” shucks and jives between a hummable riff and a swinging stomp. “Basically, it’s about being a creative musician today and the life around it,” explains Klas. “Musicians and creative people are unique, and they’re troubled. Sometimes, the more troubled you are, the closer you are to writing that magic An ordinary life just can’t compete. Playing rock music today means big sacrifices and insane amounts of work with barely no return, but we love what we do and we don’t trim our sails to the wind.”

“Ratking” subsides from a barrage of guitar acrobatics and howling vocals into an entrancing saxophone solo, while “Another Seven Days” morphs into a seven minute-plus epic. Klas continues, “It’s about a certain type of angst. When using your inner fire as a blowtorch to get shit done, things can get out of hand. You can’t balance enjoying your accomplishments because you can’t sleep and you’re all stressed out. It’s something musicians go through.”

Ultimately, Old Man’s Will do what their idols did. They take the foundation of rock ‘n’ roll and leave an indelible stamp of their own. “We never had the intention of inventing a new genre,” concludes Klas. “We’re not about social media, posing, being ‘hip,’ or playing a certain fuzz or guitar pedal. For us, it’s just about great songs.”


Hard Times - Troubled Man

Troubled Man

Old Man's Will - Troubled Man

The Vintage Caravan - Let's get it on

Women, death, beards, skulls and whiskey, the dark matters that are ground through stomach-churning guitars and ugly drumming to produce the trademark modern lo-fi blues-stoner-punk sound that has made Wet Nuns stand out in Sheffield, Deep South Yorkshire. They are now making a wider name for themselves as one of the loudest two-piece bands around. With fake american accents, crowd surfing guitar solos and much banter, their stage show has to be seen. Their pseudonyms are many, but their alcohol tolerance is low.

You can download this track for free at www.wetnuns.com

The download package includes a remix by Matt Helders (Arctic Monkeys)

Heavens Below

Fifth track of 1000mods' debut album "Super Van Vacation"

Vidage

The Heavy Eyes - Voytek

Buffalo Fuzz has released it's debut, self-titled album featuring 11 tracks (2 bonus tracks exclusive to digital release). This album includes singles "Ain't Seen a Cent" and "Perfect Man".
credits
released September 12, 2016 

produced by Jared Zachary and Dan Mariska 
mixed by Dan Mariska 
engineered by Dan Mariska 
mastered by Knol Tate 

vocals, guitar, bass, organ, piano by Jared Zachary 
percussion by Jake Allan 
backing vocals on track 7 by Lizann Villatoro 
*percussion on tracks 1, 5, and 9 by Joe Soderquist 
**co-engineer on tracks 1, 5, and 9 by 9 Phil Welch 

all music and lyrics by Buffalo Fuzz 
©2016 all rights reserved 
administered by BMI

Buffalo Fuzz (LP)

Buffalo Fuzz - Perfect Man

Weird owl - White hidden fire

It's the long-awaited anti-austerity blast-a-thon with the teeth, venom, and one-of-a-kind music of Jello Biafra & the Guantanamo School of Medicine!

Full-length #2 picks up where the Shock-u-py! EP left off! Covered in gruesome detail this time are corruption ("The Brown Lipstick Parade", "Werewolves of Wall Street," "Road Rage,") and corporate McMedia making pop stars out of small-time crooks to shield the big ones ("John Dillinger") or tabloid pop stars to lobotomize everyone else ("Hollywood Goof Disease"). The title track shines a light on our never-ending foreign-policy disasters in ways even Jello's spoken word albums never did. "Crapture" is the perfect song to play for those lovely "End Times" believers, pointing out how much better the world will be when they leave and we're "Left Behind"- with melodies on the scale Biafra hasn't really touched since "Moon Over Marin."

Above all, this rocks! No pop-punk here. Just Jello and crew taking punk fire in a wide variety of directions few ever try, with wall-of-sound, in-your-face production from Marshall Lawless and Matt Kelley (lots of Jello projects, Hieroglyphics, The Coup, Digital Underground, Zen Guerrilla, Victims Family). Lineup retains the double-barreled guitar attack of Ralph Spight (Victims Family, Freak Accident) and Kimo Ball (Freak Accident, Griddle, Mol Triffid). They are joined this time by bassist Andrew Weiss (Rollins Band, Ween, Butthole Surfers, more) and drummer Paul Della Pelle (Helios Creed, Nik Turner's Space Ritual, and Philly HC legends Ruin).

Winston Smith's cover image is hard to forget and hard to ignore- one of his best in years!

Jello Biafra and the Guantanamo School Of Medicine will be touring through most of 2013 on at least 3 continents to promote this beast. The live shows are the real deal. If you like OFF! or Dead Ending, for crying out loud don't miss this!

After 30 plus years, Jello Biafra's music and lyrics remain in a class of their own. This is his 1st concept album since "Frankenchrist." Ask anyone buying a Dead Kennedys album to check this out before they leave the store and they won't be disappointed.

Sick of the Tea Party? This is for you.

Sick of formula retro-punk too chicken to take chances? This is for you.

This is not just an Age of Austerity album. It is THE Age of Austerity album!

Jello Biafra and the Guantanamo School Of Medicine - Werewolves of Wall Street

From the GRAVEYARD album, Hisingen Blues (2011)

Heavens Below

Wet Nuns

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