My_Bele

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New private playlist

zloy zakat

green life green vibe

lyrics:

please dont leave me here alone
when im so unstable
you know i am made of stone
but you know sometimes i will break
you let me in your kingdom
made me strong and healed my cuts
you filled my head with wisdom
and left me standing in the dust

i have to revert back to what i was last
i have to forget everything i have learned
how does it feel to choke on your words?
its the most beautiful thing i have heard
its all meant to be
but ill always see everything as what i knew
on the battleground im safe and sound
if running away was the best you could do
let it go, let it go

broken signals and white noise
did you even care at all?
left me stranded without a choice
built me up, and let me fall

i have to revert back to what i was last
i have to forget everything i have learned
how does it feel to choke on your words?
cause its the most beautiful thing i have heard
its all meant to be
but ill always see everything as what i knew
on the battleground im safe and sound
if running away was the best you could do
let it go, let it go (2x)

stranded (original)

из фильма "Оттепель" - Ах, как я была влюблена

GRAVE118 - Whirr 'Sway' out 9/23/14 on CD/LP/Tape/Digital (pre-order here: http://www.graveface.com/graveface-catalog.html)

When Sway begins, you might at first press pause, reaching for your headphone wire or peeking behind your speaker cables to make sure nothing has come undone. The blister of distorted guitar that opens the album comes only from the right channel, howling and hanging there in irascible isolation until it seems that something must be wrong.
But be patient: After a dozen seconds, the rest of Whirr—a five-piece of blanketing rock focus and comforting pop finesse—pours in from the left channel. They meet the guitar in the middle, together racing headlong into a short section that’s heavy as metal but pliable enough to be the springboard for the galloping shoegaze beauty that soon arrives.
For the next 36 minutes, you need not worry again about lost connections, split channels or anything else, really. More than any Whirr release to date, Sway creates a definitive sense of immersion, sculpting an environment that breathes you in instantly and breathes you out only when the record snaps into silence.
That bifurcated start is an appropriate image for Whirr in 2014. Last year, the band headlined a tour with the Philadelphia group and fellow admirers of heaviness and harmony, Nothing. Not only did the crews become fast friends, but their respective founders—Whirr’s Nick Bassett and Nothing’s Dominic Palermo—decided to start a group of their own, Death of Lovers. When the shared tour was finished, Bassett headed to Philadelphia for a month of writing and recording. He’s never really left. He calls Philadelphia home now, so Whirr has become a bicoastal band.
In Philadelphia, Bassett worked on Death of Lovers’ debut for Deathwish Inc., toured as the bassist for Nothing and steadily composed new material for the next Whirr album, their first full-length for Graveface. Back in Oakland, the rest of Whirr had committed to the project full-time, too, so the West Coast contingent wrote and rehearsed new material without Bassett. Joey Bautista took the lead on two songs, Loren Rivera on three.
Indeed, against most odds, Bassett’s move made for a more democratic Whirr. In their salad days, Bassett had written most of the material and built the bulk of the arrangements, too, using the support only to enrich and enliven them. After a slew of splits and singles and EPs, Sway is the second Whirr LP, but it is only the first to be rendered by a fully functional rock band, having shaped the songs slowly and over some distance.
Before the quintet entered Oakland’s Atomic Garden to work with longtime producer and collaborator Jack Shirley, they reworked the contributions of all three writers, massaging the material into a cohesive dynamo. Rivera, for instance, rewrote the words for Bassett’s material, folding his songs into the album’s presiding sense of dusky melancholy.
“It’s not conceptual, entirely, but it’s intended to ebb and flow in a certain way—one song being aggressive, then dropping out and being pretty but devastating,” Bassett says. “We tried to create an atmosphere, where you listen and get vibed into one tone. ”
That rhythm presides over Sway, tying its distinct parts into a seamless unit. The restless “Heavy” churns somewhere between Godflesh and Gish, its lumbering beat and foreboding guitar buoyed by a melody that feels like a secret hymn for which you’ve long searched. Gorgeous and sprawling, “Sway” floats through luxuriating guitars and pillowed vocals, offering an impressionistic but intoxicating inversion of Whirr’s typical propulsion. Even here, during the record’s prettiest moment, Whirr maintains a righteous minimalism, emblematic of members who met one another as skateboarding high-school kids.
“The aesthetic of the band is more aimed at mature punk rather than alternative rock,” Bassett confirms. “There are these more aggressive punk elements—noisy feedback, a snare roll that just goes into super-punchy, driving songs.”
“Clear” brilliantly paints its lyrical quest for lucid communication—“I want words/to understand you,” runs one plaintive, surging bit—in music that takes up the same challenge. Whirr pushes past a pastel instrumental haze into a hangdog march, with near-whispered vocals bruised by Devin Nunes’ drums and Eddie Saldago’s orotund bass line. But as the end approaches, the band builds together, the riffs and the rhythm colliding into one triumphant, redemptive crest.
And that’s the victory of Sway, too, an album written by five people on two coasts but executed with the force and splendor of, at last, a fully unified Whirr.
Graveface will release Sway on CD, LP and digitally September 23.

Whirr - Mumble

from the Pional 12" " last house on the left " ep 

Pional - Into a trap

Had a play around with this Seekae jam

www.facebook.com/flumemusic
www.flumemusic.com
@seekae
www.facebook.com/seekaemusic





Seekae

Seekae - Test & Recognise (Flume Re-work)

So it turns out like every Misterwives song sounds really good sped up. I tried it out on YouTube but you can't really do anything but 125% there so I wanted to try some more accurate speed changes. Check it out, you won't be disappointed :) (P.S. this is the song I think benefited the most from the speed-up)

Misterwives - Vagabond Sped Up 22.5%

Hayley Kiyoko Tour Dates
6/30- Chicago. IL- Subterranean 
7/1- Lansing, MI- Macs Bar
7/2- Toronto, ON- Rivoli

Tickets and more info www.hayleykiyokoofficial.com
Twitter - https://twitter.com/hayleykiyoko
Facebook - https://www.facebook.com/HayleyKiyoko
Instagram - http://instagram.com/kiyoko11
Soundcloud - https://soundcloud.com/hayleykiyoko
Vevo - http://www.vevo.com/artist/hayley-kiyoko


Hayley Kiyoko - Cliff's Edge

From the debut Self Titled Alvvays album, 'Archie, Marry Me' 

Alvvays

Alvvays - Archie, Marry Me

Stars (Clementine & The Galaxy Remix)

Baby One More Time

тупые - шоколадное кАфе

STREAM MY DEBUT SINGLE ‘BEFORE HIM’ NOW 💙

Young God // Halsey

If you're not yet aware of  Michael Mayer , we suggest you read up.  Kompakt  co-owner, DJ, producer and don of collaborations has teamed up with French electronic heavyweight  Agoria  for five minutes of reflective bliss. Centred around 'taking all the time on the world', “Blackbird has Spoken” works up an unquenchable thirst  – regardless of however many rewinds it gets. 

DOWNLOAD & TRACKLIST: http://blrrm.tv/2hdxCB

Michael Mayer & Agoria "Blackbird Has Spoken" - Boiler Room Debuts

Looking in her eyes it says "I wanna more" 
Than she rather sad a "Mon amour" 
French girl is out of control she wanna call 
She's calling, calling, calling me go with her 

French girl is out of control 
French girl is out of control 
I wanna, wanna, wanna, wanna 
I wanna more 

Now she is sitting in hotel "Resort" 
I'm just sitting here, français lernen 
So she said again " My passion" 
I don't move at all, feel moron 

French girl is out of control 
French girl is out of control 
I wanna, wanna, wanna, wanna 
I wanna more 


EEEEEEEE 

I wanna see her face 
I wanna stay in tense 
I wanna do it more 
More, more, more, more, more, more, more 

And than she comes to my place 
Floating like through the space 
I just want it one more time 
See the girl that lost her mind 


And than she comes to my place 
Floating like through the space 
I just want it one more time 
See the girl that lost her mind
credits
released August 28, 2017 
Band Members 

Vladislav Khominskyi - Vocals and Guitar 
Vladislav Skavronskiy - Bass and Backing Vocal 
Vyacheslav Shtefan - Drums 


Sound Director: Vladislav Skavronskiy 
Photo: Paul Mishin

Увула & Saluki - Without U

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