One track from the second release in the new SYM CD-series!
ILLUSION OF SAFETY - New Rules, Same Game, Less Instruction

buy: https://www.dronerecords.de/album.view.html?album=20793

info: Chicago's post- / ambient industrial legend is back with a work that combines electronic sounds and field recordings: microscopic audio events, loops, heavily processed material of all kinds form seven multi-layered collages that seem to be full of electro-magnetic static, morphing and transforming like a hallucinogenic object in every second and in all possible directions...in all it's subtleness this is far away from the shock treatment noises of the early IOS times. 
'New Rules, Same Game, Less Instruction' is the first release of new IOS compositions since 'Surrender' in 2015. Featuring extensive synthesizer source material as well as other now familiar electro-acoustic techniques, it is conceived as a follow up to the 1995 3” CD release of 'Rules Of The Game', alluding to the social, political, and psychological games humans engage in for validation, survival, or dominance. New Rules, same game, less instruction, harsher penalty. Illusion Of Safety now more than ever.

Mastering: THOMAS DIMUZIO / Artwork: DAN BURKE

Editions of 250 copies / 6 panel digipak with special b/w reverse board printing for the IOS

ILLUSION OF SAFETY - Malicious Intent

This track is quoted from the album 'youth'.
Listening to all tracks of the album and purchasing are available on the link below.

https://gallerysix.bandcamp.com/album/youth

written, mixed, mastered by Hidekazu Imashige 
cover photo, design by Hidekazu Imashige

Graduation

NOÉMI BÜCHI @noemibuchi
HYLE - OUS039
April 15, 2022; digital

«I create my compositions from a symphonic-orchestral viewpoint, where the sounds are my orchestra, and I arrange them in time and space.» - Noémi Büchi

Noémi Büchi’s first EP for -OUS, ‘Hyle’ is a reference to the ancient greek term for ‘matter’ - which is composed of fire, water, air and earth - and only comes into existence when ‘form’ is attached to it. Balancing between the elements of electroacoustic music, neo-classical composition and sound design, ‘Hyle’ unfolds in three compositions that translate ‘matter’ into music. «We all are matter, and music is matter. My compositions convert personal and collective memories between trauma and joy into music that is rooted in the emotional dimension, but also intends to spark intellectual euphoria», she explains.

Consciously returning to the appreciation of harmony,
Noémi Büchi unfolds its musical potential through chordal combinations and reduced musical intervals. Her pieces are written with a classical understanding of compositional forms, structures and textures, which she translates to experimental electronic music. Just as life can be segmented into layers of knowledge and experience, Noémi Büchi composes in layers: she explores the potential of harmonies and dissonance, contrasts rhythmic figures with disruptive moments and playfully emphasizes irregularities, in order to expand our listening habits and create dense moments and harmonic grandeur alike. ‘Hyle’ is a prelude to her debut album ‘Matter’, which will be released on -OUS in 2022.

Composer and sound artist Noémi Büchi explores electronic and symphonic maximalism. Her music is defined by a delicate blend of electronic-orchestral condensations and textural rhythms. She strives for a combination of harmonic and dissonant sonorities, to evoke both intellectual and emotional euphoria. Her 2019 debut EP ‘Matière’, released through Light of Other Days, attracted widespread attention within the experimental music scene. In 2020, she released a second EP Prismic Passages on the Leipzig-based tape label Visible Dinner. -OUS will be releasing her debut album ‘Matter’ and its prelude ‘Hyle’ in 2022, as well as the debut album of Musique Infinie, a collaboration between Noémi Büchi and Feldermelder. 

CREDITS
Music by Noémi Büchi
Mixed and mastered by Manuel Oberholzer at vfbm Fribourg
Cover photograph by Jean-Marc Avila

Buy on Bandcamp

Noémi Büchi - Hyle  - 1 - Nothing Is Artificial

Запах краски и запах мокрого бетона, пыль заброшек и моментальное оцепенение.

Apathy

TDA034 - Waiting For Albert [sample]

eRecords is a digital record series created by Whitelabrecs, to run alongside our physical releases. These editions aim to transform the digital format into something that can be experienced in a similar way to a listener’s interaction with a real, white label vinyl record. Each edition includes a special PDF scrapbook including polaroids and liner notes.

We do not publish details about the concepts or production methods of a release, so that the liner notes and content in each scrapbook will give you the background of each edition in the series.

catalog: eR017
artist: Matteo Cantaluppi
release title: More Frantic 2012​-​2022
runtime: 73:47
location: Milan, Italy

More Frantic 2012​-​2022

eR017 Matteo Cantaluppi - Bore

Format: CASSETTE, Digital
Pre-order date: 14th July 2023
Release date: 21th July 2023

An album recorded at Les Lilas - near Paris - with synths, guitars, tape loops, and some other materials.

A quote heard during the French revolt against pension reform:
"There are three kinds of violence. The first, mother of all the others, is institutional violence. It legalizes and perpetuates domination, oppression, and exploitation. It crushes and eliminates millions of people in its silent and well-oiled cogs.

The second is revolutionary violence, which is born of the will to abolish the first.

The third is repressive violence, which stifles the second by making itself the helper and accomplice of the first violence - the one that causes all the others.

There is no worse hypocrisy than only calling the second 'violence' while pretending to forget the first one that gives it life and the third that kills it."
(Helder Camara, Spiral of Violence)

Copyright © 2023 ROHS! RECORDS, All Rights Reserved

previews. agyt - we know we're right | Lᴏɴᴛᴀɴᴏ Series

Full length - https://hshirptsubaki.bandcamp.com/album/the-day-when-winter-and-spring-intersect

A short 60-minute trip for the day when winter and spring will soon intersect.

The same sound goes on forever. There is no development in this song.

I love those days when the seasons intersect, when it's not spring and it's not winter.
And I've always loved drone ambient, which has neither subjectivity nor development.

Hirotaka Shirotsubaki

The Day When Winter And Spring Intersect - Sample

A selection of piano pieces for concentration and peace of mind.

Keys to Concentration

Rainy Days

VIDEO :

https://www.youtube.com/watch?v=y-KZS6vDze0

Get your copy in digital format or CD now on:

https://raumklangmusic.bandcamp.com/album/the-aftermath

Following his determinant EP “X2A”, Aevin returns to Raumklang Music with the full-length album “The Aftermath”. While further establishing his signature sound, Aevin lures the listener to the front line of his aural artillery. 

As the title suggests, “The Aftermath” acts like a personal beacon to the compositional endeavors of Aevin. The album concept manifests itself as a sonic vehicle for time exploration, enabling us to submerse ourselves in a melding of seething futurism and historical relic. Carefully chosen track titles guide our vividly imaginative journey through space and time, as they signify the specific period from which each song draws its inspiration and character. Return to the distant past with the cavernous echoes of music just conceived by a blacksmith in Crotona thousand of years ago or be transported to the remote future with the advanced, sci-fi frequencies of a hard-nosed world dominated by anthropomorphous machines, the Avatar D torrents. Addictively dancey yet thought-provokingly cerebral, richly textured yet meticulously precise, vibrantly visionary yet reverently traditional, “The Aftermath” adeptly weaves together a series of complementary opposites into a uniquely rich and deeply rewarding listening experience to delve into and return to.

album produced by Aevin 
music composed, arranged and performed by Aevin 
mastered by Alexander Dietz @ Chemical Burn Studios 
artwork & layout by Teo Tsalmpouris

The Aftermath

Buy now CD/Digital

Pigeon Whisperer [ Video in description ]

Andrea Borghi/Giacomo Salis/Paolo Sanna, MOT

Whitelabrecs was set up by Harry Towell in late 2015 as another outlet to put out experimental electronic/acoustic music. It followed Harry’s previous labels Audio Gourmet, Tessellate and Warehouse Decay and focuses on a collectable series of highly limited edition vinyl-effect CDr packaging, with the first 50 releases influenced by white label vinyl records. The label also runs a digital only series called eRecords, with each of these releases including a special PDF booklet.

https://www.whitelabrecs.com
https://whitelabrecs.bandcamp.com/

eR017 Matteo Cantaluppi - Bore

Whitelabrecs

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