Euan Alexander Millar-McMeeken is a Scottish composer originally from Dundee and now living on the south coast of England. Euan began composing in the late 2000s, but it was in 2010 after the dissolution of his band, that his solo work as Glacis took shape. Left with just his piano, this became an outlet for creativity during a period of solitude. Over the years, his music has been released by labels such as Fluid Audio, Oscarson and Lost Tribe Sound, and he’s also built a reputation as a prolific collaborator with projects including Gallowglas, Civic Hall (alongside Craig Tattersall) and The Dead Bell (with The Green Kingdom), as well as work with artists including Satomimagae, Gavin Miller and Adrian Lane. Euan has become a familiar figure with Whitelabrecs over the years.

Polaroid Notes is the work of a German artist called Andreas, who is based in the countryside between Munich and the Alps. Initially known for his Ambient dub electronic work as Kraut Sounds, Andreas began Polaroid Notes over a decade ago as a contemporary classical side project. In recent years, this has become his primary project and perhaps the pseudonym that he’s best known as. His music has appeared on labels including Driftworks, Büro für Erdrotation, Weber & Alcantu, Licht-ung and his own Drone Works International imprint. He has released five solo albums with Whitelabrecs, as well as releases on Whitelabrecs’ predecessors Tessellate Recordings and Audio Gourmet.

Both of these artists are regulars on Whitelabrecs and to our fans and followers, these artists will need no introduction. Euan and Andreas first connected around the release of Cloud Anthems, though they’d admired each other’s work for much longer. Since then, their friendship has grown through conversations about music, life and family. In autumn 2022, they began exchanging ideas and sound fragments, a process that unfolded naturally over the next two years. Both artists’ work is rooted in the piano, but this album reaches beyond, blending modern classical composition with experimental textures, shifting from light-filled passages to shadowy tones; from deep melancholy to moments of sublime beauty.

This album which is called ‘Time Is Coming To An End’ was created without a strict concept. It was born out of a simple shared sense of curiosity and the joy of surprising each other through sound. Work began in the winter of 2022, with long pauses and returns when the time felt right. The result is an evocative, layered collection of pieces, greater than the sum of its parts.

Earlier this year, the pair offered a glimpse of their collaboration with the 5-track EP Reflections, self-released for Piano Day. Now, ‘Time Is Coming To An End’ reveals the full scope of their Scottish-Bavarian partnership in all its depth and detail, tied together with the evocative title and its striking artwork concept of Meike Pfitzner. 

-credits-
Written and produced by Euan Millar-McMeeken & Polaroid Notes
Mastered by James Edward Armstrong
Artwork by Meike Pfitzner
Art and design by Andrew Heath

Time Is Coming To An End

wlr192 Glacis & Polaroid Notes - Time Is Coming To An End

🌬️ 💧🌱


For any copyright issue, text me and I’ll take down the concerned tracks straight away :)
PS: all tracks uploaded here are in low audio quality

Whitelabrecs was set up by Harry Towell in late 2015 as another outlet to put out experimental electronic/acoustic music. It followed Harry’s previous labels Audio Gourmet, Tessellate and Warehouse Decay and focuses on a collectable series of highly limited edition vinyl-effect CDr packaging, with the first 50 releases influenced by white label vinyl records. The label also runs a digital only series called eRecords, with each of these releases including a special PDF booklet.

https://www.whitelabrecs.com
https://whitelabrecs.bandcamp.com/

....free electrons and molecules of sound.....

.......started experimenting with sounds and voices, field recordings and cheap electronic equipment in the late eighties. 
At that time known as Majorana and Inutil, I was also involved in the Mail-Art network with worldwide project exhibitions.
As Loalue, I've started to work with software in 2005, producing music "for your headphones only" while painting pointillism soundscapes.
My artistic approach is mainly influenced by African and Asian music and traditional art as well as contemporary art and photography.

 https://thatfaintlight.bandcamp.com/releases 

Spent some years mostly working for https://soundcloud.com/thatfaintlight the project I share with Adrian Lane https://soundcloud.com/calicoade





...a beautiful video, made by Sanmi, for:

Sanmi -Tête ( Loalue's intromissions version )

http://vimeo.com/22059652

free download:

http://www.archive.org/details/49a040_Odaibe_-_Honsiu_Midnight_Remixes


futuresequence

http://www.futuresequence.com/article/best-of-the-week-03-09-11/


...some tracks are downloadable for free for everyone...it would be nice to know who you are, dear downloader.....


...recently opened a new page, hosting soundscapes:

https://soundcloud.com/loaluesoundscapes

http://shanyio.bandcamp.com/album/pribegie


http://bearsuitrecords.bandcamp.com

merci beaucoup à tous chez ABZ for hosting me:

http://www.maisonbleuecollectifartistes.com/loalue-musique.php

on https://loalue.bandcamp.com/ you can find some music I've moved from this page

thanks to https://soundcloud.com/millejano for http://www.stepcamera.de/thoughts/night-tracks-132-loalue-seas-shells-dreaming-in-central-park:::2013-06-10.html


http://soundcloud.com/2spirits1soul-jiibay/gimu-jii-musiccant-remember  featuring Loalue now released here:

http://solanic.org/releases/gimu-and-jii-music-has-never-been/

"Dreaming in Central Park" broadcasted here: 

http://soundcloud.com/misstica/misstica-berni-delicatessen  


an old project:

https://soundcloud.com/monbijoux